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Posts posted by tomsmoviemadness
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New Wolfman film directed by Leigh Whannell (Upgrade & The Invisible Man)
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There are some really fun statements of the main theme in the movie itself. So I'm really hoping for another album.
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I think decisions about the show's future are not gonna be made until the numbers for the entire season are in, and what they'll do then.
I believe there are more shows that keep going, without high viewership. Althought they might not have as big a pricetag attached to them.
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I'm actually with you on that.
I feel a main title piece with maybe Nolwa Mahtar as the central theme would've been awesome. And the visuals also don't really work for me.
They should've either done a map or introduce the characters with drawings or something with the actors' names beside it.
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I also find it interesting that Powell has not once posted or mentioned anything about this. Almost makes me wonder that he's more of a consultant or something than the composer. But that's just a guess.
And I'm confused about the two parts, because all the trailers have shown stuff from the entire storyline of the musical.
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There is actually something in this episode which points to the Stranger becoming more involved in the future.
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Teaser for 2nd season of The Diplomat!!!
I looooove this show and the new addirion to the cast is excellent!!
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1 hour ago, Jay said:
Huh. So Kinnear sings throughout the episode, and they chose to leave it all unreleased? Didn't see that coming!
He's not really singing singing in the way Benjamin Walker does in Ep. 1. He's more sort of humming/singing it quietly to himself. It's not really a performance.
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Well, that's disappointing....
Hoping a score release is inbound, because I really liked some of the stuff I heard.
This is just a song album with the main and end titles.
I get why they're releasing this, but come on Watertower, how hard is it to ether put more score on there or make another album.
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I did feel that the theme for the Ents is really more the percussion. And that the choral theme heard here was more of a lament of sorts. Since it doesn't really appear again.
But we'll see.
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Old Tom Bombadil is the end credits of Ep. 4.
And what I thought was great is that Rory Kinnear sings the song throughout the episode. It's really fun.
- A. A. Ron, Knight of Ren and Yavar Moradi
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0:03 & 0:43 in "Elves Embark" are really only a one-off traveling theme.
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26 minutes ago, Knight of Ren said:
The track Elves Embark has a melody that appears twice in that track at 0:03, and again at 0:48. I'm not sure if we've heard this already anywhere else, but it kind of reminds me of Shore's opening music for An Unexpected Journey with the House of Durin theme!
Isn't that the same thing heard in "Army Of Orcs" at 0:43 & 1:35? My mind could be playing tricks on me now.
But I love those statements and I've been searching for more of it in the season and this sounds closest to it up to this point.
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I don't think that is the Harfoot rhythm. The Harfoot rhythm has a slightly different beat.
The wooden percussion here sounds like it all belong to the Stoors' theme. To me it sounds very alike to one another, but I also think the key and tempo are slightly different, which makes me think it's not the same.
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12 minutes ago, Jay said:
Woah, good catch! I haven't seen episode 3 yet, what is happening on screen during that part?
A camp of the wild men is attacked by something big which we don't see. What could it be........???
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Awesome! It's the same type of music heard in "The Wild Men" from Ep. 3 at 1:23. There's a bit less of the wooden percussion present though.
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That's pretty cool I think.
- Yavar Moradi and Jay
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Oh, okay. Then I understand how you've written it down.
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And there are statements of Galadriel's theme at 2:02 & 2:20 in "Galadriel Stands Alone". But they start later in the theme. Really well done to McCreary.
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And there's another statement of the Adar/Orc theme in the last cue right before the big crescendo at the end. I believe it's played on a deathwhistle
Danny Elfman's BEETLEJUICE BEETLEJUICE (2024)
in General Discussion
Posted
What I find most noticable and interesting is that one of the biggest differences between the original and the sequel is the way music is used.
In the original Elfman's score truly is it's own character in the film. It elevates so many moments and is very prominent.
In the sequel the biggest musical moments are songs. The score takes a back seat for most of the film, while a few songs are used for big and important scenes.
Does this maybe has to do with the way audiences watch films these days? Or that scores maybe serve a different kind of purpose these days to a lot of people?
Anyone got any thoughts on this?