mxsch

I think so. Can you throw in some more examples where JW use it?

I've read about this somewhere but can't remember where exactly. What I mean is similar thing in the ending of The Rebels Escape Again and there are other examples

Exactly.

Well, it's now out of digital. And I've wanted to purchase it digitally so long, but now it's just removed. Are there any chances they will bring this back?

What do you think about it? I liked it as a separate experience and in film too since it is a big part of movie sound design. Movie is also superb, watched it twice.

I like Stargate and TND more. And Casino Royale is dope too, esp. this two brilliant action cues Still waiting for TND expansion that got delayed thanks to new Bond which was delayed too.

Never listened to them in whole, but there is a great stuff like Portals. If we are talking about evolution, we all know what composer was and is good in it...

Elfman and Arnold like the biggest wastes of film music, I think.

Matter of opinions, ok.

Minus Alice, right? Silvestri in bad shape overall too btw. So sad to see your favourite composers in such way. And David Arnold is a shame too. He had so much potential in 90's...

I mean, really. Scissorhands and Batman like one of the best soundtracks of all time. Now his signature style is almost vanished, except two excellent Alice scores. Even Silvestri not good in his recent works, but he at least saved his trademark sound and somewhat returned to form in Ready Player One. And to throw my 5 cents, Justice League score is absolutely underrated. Yeah, rushed, but even in this form much better than all this Zimmer hacks work. Plus merging Superman and Batman themes for the first time in motion picture ever and two absolutely badass action tracks of his whole career. I've wanted to hear this to themes in one track so many years, by the way... I'll bet that Junkie will write another headache piece of shit for Snyder Cut, good God. Problem here is that film music industry is so infected by Zimmer studio that almost every blockbuster score not from them are automatically better.

I suppose this is arranger's new stuff

Oh, I've forgot. Jay, check my suggestion about adding my ROTJ analysis to your work.

Holko, can you add what I've done to your spreadsheet and repost it like our joint work? If yes, I'll need to do last revision

Only two cues were unused. I'm not very friendly with spreadsheets, but I will see what I can do

Well, actually, yeah...

That's actually what I like too.

Erich Kunzel re-rec. from 1997 credits Silvestri. Was it supposed for De Palma movie? Or is it even true that this is his arrangement? Because you can check some tracks from leaked unused Silvestri score. I can actually see it coming from him, because it sounds very much like Silvestri's signature sound. Even if it's not, by far best rendition I've ever heard. Update: it's him. There is shorter version on bootleg and it repeats orchestration of this version.

I have no idea why there is no feedback. And it's a shame that previous post surpassed this when it's just another holy war.

Those 2018 remixes are really a mixed bag. Some edit points are horrible, The Asteroid Field sounds like a mess, but I'm still like it for multiple reasons, very dope choir and orchestra separation in DOTF, percussion in ROTS, ANH sounds very powerful, even ROTJ when original album used actual film mixes, but still. Clones are good too. I'm think that all concert versions better than originals.

Oh, Great J! (Men In Black 2 reference intended). Ban him for forever, please. I have no idea why he spent 10 years there.

Thread have no purpose now because I've already done what was intended. You can check it. btw.

This is my 12 language. It's hard to be polyglot.

And there is no gift for your hearing.

Don't have one. Send it for me. I prefer Hot Toys.