Deacon Blues

Twin Peaks: The Return
 
OST = Original Soundtrack
RH = Roadhouse songs
AR = Anthology Resource Vol. 1
TPA = Twin Peaks Archive
 
PART 1
AR1 Intro Cymbal Wind
OST1. Twin Peaks Theme
OST2. American Woman (David Lynch Remix)
TPA - Solo Percussion 1
OST7. Dark Mood Woods / The Red Room
 
PART 2
AR5 Tube Wind Dream
RH2. Chromatics – Shadow
 
PART 3
AR3 Electricity I
RH3. The Cactus Blossoms – Mississippi
 
PART 4
OST3. Laura Palmer’s Theme (Love Theme From Twin Peaks)
Dave Brubeck - Take Five
RH4. Au Revoir Simone – Lark
 
PART 5
Johnny Jewel - The Flame
RH5. Blunted Beatz – I Am
AR17 Electricity II
Uniform - Habit
OST5. Grady Groove (feat. Grady Tate)
Uniform - Tabloid
RH6. The Paris Sisters – I Love How You Love Me
AR10 Angel Choir Reveal
RH7. Trouble – Snake Eyes
Johnny Jewel - Windswept
 
PART 6
OST6. Windswept (Reprise)
AR7 Slow One Chord Blues (Interior)
AR6 Tone / Slow Speed Prison / Low Mood
OST4. Accident / Farewell Theme
RH8. Sharon Van Etten – Tarifa (Roadhouse Mix)
 
PART 7
RH14. Booker T. & The M.G.’s – Green Onions
Santo & Johnny - Sleep Walk
 
PART 8
Beethoven - Moonlight Sonata (slowed down)
RH9. Nine Inch Nails – She’s Gone Away
OST10. Threnody For The Victims Of Hiroshima (with Warsaw National Philharmonic Orchestra)
OST11. Slow 30’s Room
OST12. The Fireman
RH10. The Platters – My Prayer
 
PART 9
OST9. Deer Meadow Shuffle (from FWWM)
TPA - Abstract Mood
OST8. The Chair
TPA - Half Speed Orchestra 2 (Dark Forces)
Hudson Mohawake - Human
Au Revoir Simone - A Violent Yet Flammable World
 
PART 10
Johnny Jewel - Slow Dreams
Mantovani - Charmaine
TPA - Slow Speed Orchestra 2 (Unease Motif/The Woods)
TPA - Half Speed Orchestra 1 (The Stairs/Danger Theme)
OST14. Headless Chicken
RH11. Rebekah Del Rio – No Stars
 
PART 11
RH12. Shawn Colvin – Viva Las Vegas
OST16. Heartbreaking
 
PART 12
OST15. Night
OST13. Saturday (Instrumental)
 
PART 13
TPA - Solo Percussion 2 (Remix)
AR11 Seven Heaven
AR12 Eastern European Symphonic Mood No. 1
RH13. James Marshall – Just You
 
PART 14
AR16 Forest / Interior
AR9 Low Sustained Mystery
RH15. Lissie – Wild West (Roadhouse Mix)
 
PART 15
RH19. Otis Redding – I’ve Been Loving You (Live From Monterey Pop)
TPA - Philip Jeffries
AR13 Black Box
AR4 Weighted Room / Choral Swarm
RH16. ZZ Top – Sharp Dressed Man
RH17. The Veils – Axolotl (Roadhouse Mix)
 
PART 16
AR2 Night Electricity Theme
RH18. Eddie Vedder – Out Of Sand
OST17. Audrey’s Dance
 
PART 17
AR8 Interior Home by the Sea
RH20. Julee Cruise – The World Spins
 
PART 18
OST18. Dark Space Low

Unknown
AR14 Girl Appears / Black Smoke
AR15 Shanghai Mysterioso
AR18 Future / Past

Went to a record and collectables fair with the family on Sunday. 

In January he released his last solo album titled "12". Sakamoto also scored a film "Monster" by Hirokazu Koreeda ready for release this year.

Any Dylan is worth a listen.
 
 
ENEMY MINE is great, but WITNESS is my all-time favourite Jarre score, and has been for nearly 38 years.

He's talking about Santa.

Oh rubbish. TolkienSS is no Nazi.

I just learned from the Greek news that Vangelis has died!!
 
https://en.memesrandom.com/vangelis-dead-evangelos-odysseas-papathanassiou-cause-of-death-the-great-greek-composer/

Tucker Carlson is launching a new podcast on Fox Nation, which I'd like to listen to, but Australia is geolocked from accessing it.

Fargo (Carter Burwell)
01. Fargo, North Dakota
Merle Haggard - Big City
Boy George - These Boots Are Made for Walkin'
04. Forced Entry
03. A Lot Of Woe
13. Paul Bunyon
06. The Trooper’s End
08. Rubbernecking
10. The Mallard
Chuck Mangione - Feels So Good
02. Moose Lake
05. The Ozone
Unknown - Do You Know the Way to San Jose?
09. Dance Of The Sierra
Blood Sweat & Tears - Sometimes in Winter (Piano arrangement)
Jose Feliciano - Let's Find Each Other Tonight
11. Delivery
16. Safe Keeping
07. Chewing On It
14. The Eager Beaver
12. Bismark, North Dakota
15. Brainerd, Minnesota

Appearing today is the first interview EVER with the most legendary Simpsons writer ever, John Swartzwelder.
 
https://www.newyorker.com/culture/the-new-yorker-interview/john-swartzwelder-sage-of-the-simpsons

Here's a few movies that would NEVER get a John Williams score but I still wish he had done them anyway just to see what he would do:
 
-Mad Max: Fury Road
-Sausage Party
-This is the End
-The Interview (that one on which Seth Rogen has to interview the dictator of NK)
-Neighbors and its sequel
-Batman vs Superman: Dawn of Justice
-Suicide Squad (both versions)
-A Fast & Furious movie (anyone of them)
-Godzilla vs Kong
-Seth McFarlane's Ted
-Blade Runner 2049 (it'd be Williams' first electronic score)
-A Twilight and/or Fifty Shades of Grey movie
-A Disney animated musical
-Kung Fu Panda and/or Madagascar
-Mortal Kombat (anyone of them, as long as it provides the chance for Williams to write an orchestral version of Techno Syndrome).

I'm glad he didn't. The FURY ROAD score is perfect just the way it is.

Eh, a gig's a gig. Most composers don't care about the quality of a film.
Which porno films? For research purposes, of course.

Eh, a gig's a gig. Most composers don't care about the quality of a film.
Which porno films? For research purposes, of course.

You like to HEAR him do porn.
 
At least I hope so.

Hans Zimmer already wrote the best film score of all time with The Dark Knight. 

Very unlike anything else in his catalogue. An appropriately dark and brooding score, fitting for a person like Richard Nixon.

Justice League (both versions)
 
The Whedon Cut (Danny Elfman)
 
The Snyder Cut (Junkie XL/Tom Holkenborg)
 
 

Alright, after having watched both versions back to back, here's a scene-by-scene comparison unless someone else has already done it yet. (Spoilers of course if you haven't seen the Snyder Cut yet.)
 
Notes:
Scenes highlighted in bold are new scenes added by Whedon Scenes highlighted in italics are scenes shot by Zack Snyder, but heavily rewritten and edited in the Whedon Cut  
 
 

Justice League (both versions)
 
The Whedon Cut (Danny Elfman)
 
The Snyder Cut (Junkie XL/Tom Holkenborg)
 
 

George Orwell - Keep the aspidistra flying Graham green - our man in havana Emily bronte - wuthering heights (based on the kate bush song) John swartzwelder - the time machine did it, how i conquered your planet

I just finished it and ZSJL is...
But in all seriousness though, you can tell the difference in quality between both cuts.