Cameron007

Is there a reason why the film version of "The Departure" from KOTCS is listed as an alternate? Was it not originally intended to be the film version, perhaps?

Glad to see Young Indy getting some attention. Now, if only we could get a complete score release...

I agree, it is odd. Maybe Farewell is right, maybe the two cues were written in opposite order.

I thought "More Rescue" was actually the first part (i.e. "Detention Block Ambush" or the beginning of "The Last Battle")? Or was that an error the whole time?

Journey to the Center of the Earth (2008) by Andrew Lockington A score I've always had a soft spot for. Not sure if this one has been shared here before. I mostly just have titles via BMI, but there are also a few numbers thanks to somebody back in the Shrine days (I forgot his name). The BMI titles seem to be missing punctuation here and there. Also, I believe "Lab Packing Up" and "Iceland" to possibly be the same cue. Journey to the Center of the Earth Main Title Morning Routine Kitson Messages Box Lab Packing Up Iceland Car Hannah Lightning Cave In Trapped Descent Generator 2m15 Mine Car Ride Diamonds Drop 3m18-19 Reveal 3m20-21 Mushroom Forest/Burial 3m22-23rev Raft Building Raft Storm Fish Sting Sean on Beach Plant Fight Magnetic Rocks 4m28 Trevor and Hannah Split Sean Dinosaur Hannah's Boat Magnesium Volcano Skull Descent Italian Vineyard Journey to the Center of the Earth End Credits

For Talgorn, are we referring to the suite that's been on YouTube for a few months?

Does anyone have any good Lethal Weapon covers? I'd love some to use for the LLL set. Thanks in advance!

That AotC cover is very unique and cool. Though I'm curious what the two lightsaber duels represent?

I'm glad I'm not the only one who thought the opening was a flashback. I'm starting to think that was intentional. It was nice to see the shadow of the purrgill, making their live action debut. Nevarro looks GORGEOUS, almost like something out of LOTR. To think it used to be Mos Eisley 2.0. As Mando says, "It doesn't even look like the same place". I hope Weathers gets more to do this season than in Season 2. And it was interesting to hear them explain away Carano's absence. The Babu Frik aliens had me chuckling. But why did Greef Karga need to translate? Did Mando really have that much trouble understanding them? Did Koska Reeve abandon Bo-Katan as well? Or was she just off somewhere else? Shirley's music stood out to me most during the asteroid chase (and a bit during the opening). I did appreciate how he manipulated the theme throughout.

2 is still more likely than 3. Just saying.

"White Knight" is my winner, along with the unlisted "Backseat Pilot". The cues from TWINE are a close second, though.

I agree 100% about Backseat Pilot. Also, I wonder if the scene was originally longer? That would explain why the original cue is longer.

I never realized that the opening bass synth was different in the film version!

I hope they commission you in the future. You make gorgeous covers.

And it sounds like there's some unused music after Carver gets the jump on Bond. Also, it's not a David Arnold score unless somebody or something "gets it" by the end.

Neil specified on the FSM thread that the Oxford cue was a licensed recording of a Beerhoven piece. Agreed about the Hamburg cues. I was sure it would be "Hamburg Break Out (Extended Version)". But if one wants them combined, we have editing software for that. Certainly easier than splitting! But the bonus version says "Film Opening", so what exactly do you mean?

Vader was fine in Obi-Wan, imo. It was really only some of the other characters that brought the show down.

For the opening percussion, the film version takes the cake. But the rest? I have to say the album version. There's a certain oomph in that performance that the film version lacks.

Ugh, that was such a hideous edit.... In HP1, I find it weird that part of "The Library Scene" was overlayed with "The Chess Board". On the other hand, "The Return Home" being tracked into "The Ways of the Force" was immensely satisfying to me.

Dude.

I agree, Yates was what drove the movies down.

I mean, it was written as a children's score (for a children's movie). It's very whimsical in nature, and I can see how it might be overbearing for some. But for its intent, I think it does its job well.

I'll be the first to say ROTJ. That brass section is beyond gorgeous to my ears.

Aren't there, like, 4 different edits of the Raiders March? The album version, the film version of the end credits, the Concord version of the end credits, and the abridged version on Concord disc 4.

I agree with boll, I absolutely loved Doyle's score for Goblet of Fire. It's pretty melodramatic, which may put off some people, but to me it's lush and thematically rich.