enderdrag64

A24 Films  LINK 1 or 2
 
 
 
Aegean Entertainment  https://awards.aegeanentertainment.com/
 
 
 
Amazon Prime Video https://consideramazon.com/home
As We See It (Jonathan Sanford) [11 cues, 08:39] Fairfax (Joseph Shirley) [26 cues, 15:30] [NOTE: Same as 2021 FYC.] Goliath (Jason Derlatka & Jon Ehrlich) [13 cues, 23:04] Goliath [Song - "Pain Killer" (Adam Schlesinger), 04:20] Harlem [Song - "My White Liberal Parents" (?), 02:02] [NOTE: Same as 2021 FYC.] Harlem [Song - "The Sunken Place" (?), 01:49] [NOTE: Same as 2021 FYC.] Lucy and Desi (David Schwartz) [12 cues, 14:54] LuLaRich (Danielle Furst & Khari Mateen) [18 cues, 51:52] Marvelous Mrs. Maisel, The (Eric Gorfain & Sam Phillips) Marvelous Mrs. Maisel, The [Song - "Maybe Monica" (Thomas Mizer & Curtis Moore), 02:39] Mary J. Blige's My Life (Mervyn Warren) [24 cues, 39:53] [NOTE: Same as 2021 FYC.] Mary J. Blige's My Life [Song - "Hourglass" (Mary J. Blige, Samuel Elliott Roman, & Andy Murray), 04:15] [NOTE: Same as 2021 FYC.] Modern Love (Gary Clark, Gregor Philp, & John Carney) [5 cues, 07:22] Modern Love [Song - "Fire" (Gary Clark), 03:45] Night Sky (Danny Bensi & Saunder Jurriaans) [19 cues, 39:23] Outer Range (Danny Bensi & Saunder Jurriaans) [20 cues, 39:18] Outlaws, The (Dan Jones & Stew Jackson) [34 cues, 1:39:54] Reacher (Tony Morales) [13 cues, 28:08] Upload (Joseph Stephens) [18 cues, 15:33] Very British Scandal, A (Nathan Barr) [18 cues, 27:41] Voyeurs, The (Will Bates) [23 cues, 42:25] Wheel of Time, The (Lorne Balfe) [24 cues, 43:21] [NOTE: Same as 2021 FYC.]  With Love (Siddhartha Khosla & Lauren Culjak) - Episode 101 [31 cues, 19:43] [NOTE: Same as 2021 FYC.] With Love (Siddhartha Khosla & Lauren Culjak) - Episode 102 [17 cues, 09:33] [NOTE: Same as 2021 FYC.] With Love (Siddhartha Khosla & Lauren Culjak) - Episode 103 [36 cues, 22:15] [NOTE: Same as 2021 FYC.] With Love (Siddhartha Khosla & Lauren Culjak) - Episode 104 [23 cues, 18:30] [NOTE: Same as 2021 FYC.] With Love (Siddhartha Khosla & Lauren Culjak) - Episode 105 [25 cues, 19:58] [NOTE: Same as 2021 FYC.] With Love [Song - "Nochebuena" (Lin-Manuel Miranda), 02:33]  
 
 
Amazon Studios  LINK 1 or 2
 
 
 
Annapurna Pictures  1, 2, or 3
 
 

Apple Original Films  1 or 2
After Party, The (Daniel Pemberton) [31 cues, 1:06:15] [NOTE: Two additional cues/songs by other composers lead to dead links.] After Party, The [Song - "Two Shots" (Ben Schwartz, Sam Richardson and Jamie Demetriou), 02:39] Big Conn, The (Nathan Alexander, Sarah Trevino, & Josh Zimmerman) Dear... (Craig Richey) Dickinson (Drum & Lace, Ian Hultquist) Essex Serpent, The (Dustin O'Halloran & Herdís Stefánsdóttir) Foundation (Bear McCreary) Last Days of Ptolemy Grey, The (Craig DeLeon) Lisey's Story (Clark) Morning Show, The (Carter Burwell) Pachinko (Nico Muhly) Prehistoric Planet (Anze Rozman, Kara Talve, & Hans Zimmer) Roar (Isobel Waller-Bridge) [11 cues, 15:17] Schmigadoon! (Christopher Willis) See (Bear McCreary) Servant (Trevor Gureckis) Severance (Theodore Shapiro) Shining Girls (Claudia Sarne) Shrink Next Door, The (Joshua Moshier) Slow Horses (Daniel Pemberton & Toydrum) Slow Horses [Song - "Strange Game" (Mick Jagger), 03:33] Swagger (?) Ted Lasso (Marcus Mumford & Tom Howe) Tehran (Mark Eliyahu) They Call Me Magic (Terence Blanchard, Flying Lotus, & Howard Drossin) Truth Be Told (John Paesano) WeCrashed (Christopher Nicholas Bangs)  
 
 
Bleecker Street  LINK 1, 2 , 3 or 4
 
 
 
CBS Films  1 or 2
 
 
 
DreamWorks  LINK 1 or 2
 
 
 
DreamWorks Animation  LINK 1 or 2
 
 
 
Focus Features  LINK 1 or 2
 
 
 
GKIDS  https://gkidsawards.com/
 
 
 
Lionsgate  http://www.lionsgateawards.com/
 
 
 
Magnolia Pictures  http://www.magpictures.com/awards/
 
 
 
Neon  LINK 1 or 2
 
 
 
Netflix  LINK 1, 2, 3, or 4
Bridgerton (Kris Bowers) [3 cues, 05:11] Squid Game (Jung Jae-il) [20 cues, 1:09:59] [NOTE: Same as 2021 FYC.]  
 
 
Open Road Films  http://openroadfilms.com/AWARDS/
 
 
 
The Orchard  https://awards.theorchard.com/
 
 
 
Paramount Pictures  LINK 1 , 2, or 3
 
 
 
Roadside Attractions  http://roadsideawards.com/home
 
 
 
Searchlight Pictures  LINK 1 or 2
 
 
 
Solstice Studios  https://www.solsticestudiosguilds.com/
 
 
 
Sony Pictures  LINK 1 or 2
 
 
 
Sony Pictures Classics  http://www.sonyclassics.com/awards-information/
 
 
 
STX Entertainment  LINK 1 or 2
 
 
 
United Artists Releasing  1, 2, & HFPA
 
 
 
Universal Pictures  LINK 1 or 2
 
 
 
Walt Disney  LINK 1 or 2
Beatles, The: Get Back (?) Bob's Burgers Movie, The (Tim Davies) Chip 'N Dale Rescue Rangers (Brian Tyler) Disney Gallery - Star Wars: The Book of Boba Fett (?) Doctor Strange in the Multiverse of Madness (Danny Elfman) Embrace the Panda: Making Turning Red (?) Hawkeye (Christophe Beck & Michael Paraskevas) Lightyear (Michael Giacchino) Loki (Natalie Holt) [45 cues, 1:46:45] [NOTE: Three cues are missing, compared to the official release of Vol. 2 (cues 12, 16, and 21).] Moon Knight (Hesham Nazih) [33 cues, 1:31:21] More Than Robots (Stephanie Economou) Olaf Presents (?) Polar Bear (Harry Gregson-Williams) Star Wars: The Bad Batch (Kevin Kiner) Star Wars: Book of Boba Fett, The (Ludwig Göransson & Joseph Shirley) Star Wars: Visions (A. Bee, Yoshiaki Dewa, Keiji Inai, Kazuma Jinnouchi, Michiru Oshima, Kevin Penkin, Keiichiro Shibuya, Nobuko Toda, & U. Zhaan) Thor: Love and Thunder (Michael Giacchino) Turning Red (Ludwig Göransson) What If...? (Laura Karpman)  
 
 
Warner Brothers  AMPAS, HFPA, & BAFTA
 
 
 
MISCELLANEOUS
 
 
 
NOTES:
ARCHIVES OF PAST YEARS' THREADS:  2021, 2020, 2019, 2018, 2017, 2016, 2015, 2014, 2013, 2012, & 2011 Links to film sites above provided only for those featuring score/music excerpts. Direct links to audio files provided in the Spoilers below the film titles. Please post other studios and film sites featuring music below and I will add them to this master list. Sources for the sites listed above (in part): http://www.richiesolomon.com/screenings/#films Historical: http://www.awardscircuit.com/oscar-predictions/103406-2/fyc-awards-season-tracker-2016-2017/ Some studios' FYC sites may be aimed at the Emmy Awards, which operate on a different season than the Academy Awards, Golden Globes, and BAFTAs. Therefore, there may be some overlap with the 2021 FYC offerings.

On the one hand I am glad Matessino sprinkled the ROTJ inserts throughout the 2CD set so we actually have them instead of them still being unreleased. But on the other hand its yet another reason we really, REALLY need a DEFINITIVE 2CD (3CD?) set made that contains EVERYTHING, in the best sound possible, to the standard the specialty labels have set and followed in the past 5-10 years.

Aleec Guinness?

Safe to say you're bored in isolation when you assemble a complete score spreadsheet for Lincoln, but hopefully this saves someone else the trouble. Enjoy! Huge thanks to @BrotherSound for providing the complete cue list and breakdown of OST/FYC, which made this spreadsheet possible.
 
A few interesting discoveries:
Other than source music (which is plentiful) only 3 film cues remain in the film that are entirely unreleased (clips available in spreadsheet) I suspect at least two of 7M54 “To Ford’s Theatre”, 7M54 Rev “To Ford’s Theatre” and 7M54 Rev New Ending were recorded, based on the fact this cue was replaced by tracked music in the final cut (7M52 Ver 6 Trumpet Version) I suspect all versions of 7M52 were recorded because 3 turned up between the OST & FYC (and, like 7M54, the final film replaced Williams' intended versions with something else) Several cue titles correspond with scenes that remain in the final cut, indicating lots of Williams underscore which went unused Seems there were a couple of deleted scenes early in the film which Williams scored (2M12 “Talk With Tad," 2M14 “Tad Asleep”) unless these scenes were originally in reel 2 and later moved to reel 1 (and re-scored with 1M14 “Sleeping Tad” / 1M14 Ver 2 “Sleeping Tad”)

The Phantom Menace
 
 
1 Star Wars Main Title and The Arrival at Naboo (2:55)
0:00-1:25 = 1M2    Main Title 1:25-1:51 = 1M3    The Arrival 1:51-end = 4M7-8    Naboo Palace 2 Duel of the Fates (4:14)
7M3    End Credits 3 Anakin's Theme (3:08)
Anakin's Theme 4 Jar Jar's Introduction and The Swim to Otoh Gunga (5:07)
0:00-2:07 = 1M7    Introducing Jar Jar 2:07-3:50 = 2M11    Through the Slave Quarters 3:50-end = 2M10    Stealing Food 5 The Sith Spacecraft and The Droid Battle (2:37)
0:00-0:18 = 3M6    The Sith Spacecraft 0:18-end = 6M5    Droid Battle 6 The Trip to the Naboo Temple and The Audience with Boss Nass (4:07)
0:00-2:06 = 5M7    Moving Forward 2:06-end = 5M8    The Gungans     7 The Arrival at Tatooine and The Flag Parade (4:04)
0:00-1:53 = 2M5    The Arrival at Tatooine 1:53-end = 3M9    The Flag Parade 8 He Is the Chosen One (3:52)
5M4-5    The Chosen One 9 Anakin Defeats Sebulba (4:23)
0:00-1:38 = 3M10    Start Your Engines 1:38-2:27 = 3M11    The Race Begins     1:27-end = 4M2    Anakin Defeats Sebulba 10 Passage Through the Planet Core (4:39)
0:00-3:02 = 1M8    The Bubble World 3:02-end = 1M9    Gone Fishing 11 Watto's Deal and Kids at Play (4:57)
0:00-1:37 = 3M8    Watto's Big Deal 1:37-3:16 = 3M3    Watto's Deal     3:16-end = 3M4    Kids at Play 12 Panaka and the Queen's Protectors (3:24)
0:00-1:10 = 6M3N    Take To Your Ships 1:10-2:40 = 6M4    The Big Army 2:40-end = 2M3    You're Under Arrest 13 Queen Amidala and The Naboo Palace (4:51)
0:00-2:53 = 4M7-8   Naboo Palace 2:53-end = 1M5    Queen Amidala 14 The Droid Invasion and The Appearance of Darth Maul (5:14)
0:00-0:30 = 6M1 Pt. 2    The Armies Face-Off 0:30-1:05 = 6M1N    The Armies Face-Off 1:05-2:08 = 1M6    The Droid Invasion 2:05-3:20 = 2M1A    Monsters Back 3:20-3:45 = 6M1X    Randy's Forest Mist 3:45-4:57 = 2M1    Darth Sidious 4:57-end = 7M3   End Credits 15 Qui-Gon's Noble End (3:48)
0:00-0:13 = 7M3    End Credits {alternate brass opening} 0:13-1:30 = 2M3A    Take-Off 1:30-end = 6M8-9    Qui-Gon's Noble End 16 The High Council Meeting and Qui-Gon's Funeral (3:08)
0:00-1:48 = 7M1N-N    After the Victory 1:48-end = 7M1A    Qui-Gon's Funeral 17 Augie's Great Municipal Band and End Credits (9:38)
0:00-1:24 = 7M2    The Big Parade 1:24-2:16 = 7M3    End Credits Insert 2:16-6:29 = 7M3    End Credits 6:29-end = Anakin's Theme

Star Wars Episode V The Empire Strikes Back (1980)
 
01 Star Wars (Main Theme) (5:49)
1M1    Main Title (0:00-1:30) 1M2    The Imperial Probe (1:30-3:30) 6M3    This is Not a Cave (3:30-end) 02 Yoda's Theme (3:24)
Yoda's Theme (0:00-end) 03 The Training of a Jedi Knight (3:17)
6M4    Training a Jedi (0:00-1:47) 5M3    Yoda's Entrance (1:47-end) 04 The Heroics of Luke and Han (6:18)
1M3-2M1    Luke's Escape (0:00-2:47) 4M2    The Rebels Escape Again (2:47-end) 05 The Imperial March (Darth Vader's Theme) (2:59)
Darth Vader's Theme (0:00-end) 06 Departure of Boba Fett (3:30)
10M3    Chewie Chokes Lando (0:00-3:17) 9M3    Putting Threepio Together (3:17-end) 07 Han Solo and the Princess (3:25)
5M4-6M1    Solo and the Princess (0:00-end) 08 Hyperspace (4:02)
12M2    To Hyper-space (0:00-end) 09 The Battle in the Snow (3:48)
3M3    The Snow Battle (0:00-end) 10 The Asteroid Field (4:10)
4M3    The Asteroid Field (0:00-end) 11 The City in the Clouds (6:29)
6M2    Yoda's Teaching (0:00-2:07) 8M2    City in the Clouds(2:07-end) 12 Rebels at Bay (5:23)
2M3    Luke's Rescue (0:00-1:37) 3M4-4M1    Luke's First Crash (1:37-end) 13 Yoda and the Force (4:01)
7M3    Yoda Raises the Ship (0:00-end) 14 The Duel (4:07)
11M1    Through the Window (0:00-end) 15 The Magic Tree (3:32)
6M5-7M1    The Magic Tree (0:00-end) 16 Lando's Palace (3:52)
8M3    Lando's Palace (0:00-end) 17 Finale (6:28)
12M3    Finale (0:00-1:57) 12M4    End Credit (1:57-end)

I got confused, the revised end credits opening is not in the 1st OST track, only the last one
 
 
 
The End Titles cue is not numbered
 
 
You mean both 13M5 and 13M5A

Star Wars (1977)
 
01 Main Title (5:20)
1M2    Main Title (0:00-2:07) 12M2    End Titles (2:07-end) 02 Imperial Attack (6:10)
1M3    The War (0:00-3:14) 1M4-2M1    The Escape Hatch (3:14-end) 03 Princess Leia's Theme (4:18)
The Princess Theme (0:00-end) 04 The Desert and the Robot Auction (2:51)
1M5-2M1    Desert Song (0:00-0:52) 2M3 Rev.    More Little People (0:52-end) 05 Ben's Death and TIE Fighter Attack (3:46)
9M3-10M1    Ben's Death (0:00-2:03) 10M2    Here They Come (2:03-end) 06 The Little People Work (4:02)
2M3 New    The Little People (0:00-end) 07 Rescue of the Princess (4:46)
8M2 Rev.    The Rescue (0:00-2:05) 9M2    The Swashbucklers (2:05-end) 08 Inner City (4:12)
7M1 New    Is It a Bird? (0:00-1:34) 4M2    Obi-Wan Kenobi (1:34-3:07) 5M6 Rev.    The Inner City (3:07-end) 09 Cantina Band (2:44)
???    ??? (0:00-end) 10 The Land of the Sandpeople (2:50)
3M3 Rev.    The Sand Speeder (0:00-1:01) 3M4-4M1 Rev.    The Sandman Attacks (1:01-end) 11 Mouse Robot and Blasting Off (4:01)
7M2    The Mouse Robot (0:00-2:01) 6M1    Blasting Away (2:01-end) 12 The Return Home (2:46)
4M4A    A Home Destroyed (0:00-end) 13 The Walls Converge (4:31)
8M4    The Walls Converge (0:00-2:58) 8M3 Rev.    The Water Snake (2:58-end) 14 The Princess Appears (4:04)
3M1 Rev.   The Princess Appears (0:00-1:50) 3M2 New   Lost R2 (1:50-end) 15 The Last Battle (12:05)
8M2 New   More Rescue (0:00-1:55) 9M1   Ben Creeps Around (1:55-4:25) 11M2 Rev.   Approaching the Target (4:25-7:38) 12M1   The Last Battle (7:38-end) 16 The Throne Room and End Title (5:28)
12M2    End Titles (0:00-1:50) 12M2X    End Titles (1:50-2:16) 12M2    End Titles (2:16-end)  
notes: mostly based off @Jay's excellent spreadsheet breakdown: https://docs.google.com/spreadsheets/d/1NTJGw3zWk6qamNFBPNCfrQiMefuO2BQCDlovHwi6ud4/edit#gid=0

Star Wars Episode VI Return of the Jedi (1983)
 
01 Main Title (The Story Continues) (5:49)
1M2    Main Title (0:00-1:31) 1M3    Approaching the Death Star (1:31-end) 02 Into the Trap (2:36)
10M3    Into the Trap (0:00-end) 03 Luke and Leia (4:44)
Brother and Sister (0:00-end) 04 Parade of the Ewoks (3:25)
Parade of the Ewoks (0:00-end) 05 Han Solo Returns (At the Court of Jabba the Hutt) (4:10)
3M2    The Big Thaw (0:00-2:47) Jabba the Hutt (2:47-end) 06 Lapti Nek (Jabba's Palace Band) (2:49)
???    ??? (0:00-end) 07 The Forest Battle (4:01)
The Battle in the Woods (0:00-end) 08 Rebel Briefing (2:22)
13M4 New    Leia Breaks the News (0:00-end) 09 The Emperor (2:41)
12M5    The Emperor's Death (0:00-end) 10 The Return of the Jedi (5:02)
4m4 Rev.    Jabba's End (0:00-end) 11 Ewok Celebration and Finale (8:00)
13M5    ??? (0:00-1:57) 13M5A    ??? (1:30-2:00) ???    End Titles (1:58-end)  
notes:
 
track 11 from 1:30-2:00 contains both 13M5 and 13M5A, they are mixed over each other on the album
 
again based on an excellent spreadsheet by @Jay: https://docs.google.com/spreadsheets/d/1tCtNQueYBMVw35JKof4FqCK_tKOFfxW_NJ_sgkuc9Wg/edit#gid=173484386
 
 
 
oh whoops good catch

I wonder if GEMA can be used to find the original cue title for Cantina Band?

Star Wars (1977)
 
01 Main Title (5:20)
1M2    Main Title (0:00-2:07) 12M2    End Titles (2:07-end) 02 Imperial Attack (6:10)
1M3    The War (0:00-3:14) 1M4-2M1    The Escape Hatch (3:14-end) 03 Princess Leia's Theme (4:18)
The Princess Theme (0:00-end) 04 The Desert and the Robot Auction (2:51)
1M5-2M1    Desert Song (0:00-0:52) 2M3 Rev.    More Little People (0:52-end) 05 Ben's Death and TIE Fighter Attack (3:46)
9M3-10M1    Ben's Death (0:00-2:03) 10M2    Here They Come (2:03-end) 06 The Little People Work (4:02)
2M3 New    The Little People (0:00-end) 07 Rescue of the Princess (4:46)
8M2 Rev.    The Rescue (0:00-2:05) 9M2    The Swashbucklers (2:05-end) 08 Inner City (4:12)
7M1 New    Is It a Bird? (0:00-1:34) 4M2    Obi-Wan Kenobi (1:34-3:07) 5M6 Rev.    The Inner City (3:07-end) 09 Cantina Band (2:44)
???    ??? (0:00-end) 10 The Land of the Sandpeople (2:50)
3M3 Rev.    The Sand Speeder (0:00-1:01) 3M4-4M1 Rev.    The Sandman Attacks (1:01-end) 11 Mouse Robot and Blasting Off (4:01)
7M2    The Mouse Robot (0:00-2:01) 6M1    Blasting Away (2:01-end) 12 The Return Home (2:46)
4M4A    A Home Destroyed (0:00-end) 13 The Walls Converge (4:31)
8M4    The Walls Converge (0:00-2:58) 8M3 Rev.    The Water Snake (2:58-end) 14 The Princess Appears (4:04)
3M1 Rev.   The Princess Appears (0:00-1:50) 3M2 New   Lost R2 (1:50-end) 15 The Last Battle (12:05)
8M2 New   More Rescue (0:00-1:55) 9M1   Ben Creeps Around (1:55-4:25) 11M2 Rev.   Approaching the Target (4:25-7:38) 12M1   The Last Battle (7:38-end) 16 The Throne Room and End Title (5:28)
12M2    End Titles (0:00-1:50) 12M2X    End Titles (1:50-2:16) 12M2    End Titles (2:16-end)  
notes: mostly based off @Jay's excellent spreadsheet breakdown: https://docs.google.com/spreadsheets/d/1NTJGw3zWk6qamNFBPNCfrQiMefuO2BQCDlovHwi6ud4/edit#gid=0

1:09 = "1M4/2M1 The Escape Hatch" from SW, released on all albums as "Imperial Attack" 
4:58 = "12M1 The Last Battle" from SW, released in "The Last Battle" on the OST or 1994, or "Use The Force" on the 1997
 
And yea, looks like Symphony Hall to me.  This clip has a better aspect ratio
 
 

Detective Pikachu - Henry Jackman (2019)
 
Source: hans-zimmer.com
 
1m01A v3.1 Escape-Wreck (1:22)
1m01B v1.8 World With Pokémon (0:48)
1m02 v3.1 Capture Attempt - Tim & Jack (2:16)
1m03 v3.4 Phone Call - Accident (0:51)
1m06A v4 Howard Clifford (Futzed) (1:00)
1m06B v4 Ryme City (1:49)
1m06B ALT Ryme City (2:12)
1m07 v4.2 To Dad's Apartment (1:24)
1m08 v3.5 Lucy & A Story (2:44)
1m09 v2.3 Loosing Mom Flashback (1:54)
1m10 v2.2 Tim Meets... (0:46)
2m10B v3 Pikachu!!! (0:40)
2m11 v3.1 Mental Aipoms (2:08)
2m12 v3.4 Harry's Pokémon Partner (1:01)
2m13 v4 Case Begins (0:34)
2m14 v4 Teaming Up (1:13)
2m15 v4.2 That's Mom - Dad's Clothes (0:59)
2m16 v2.9 Clues - R - Lucy - Off To CNM (1:01)
2m17 v3.1 CNM (0:34)
2m18 v1.8 Lucy Has A Lead (1:46)
3m19 v2.3 Feel What You're Saying - Pokémon Informant (1:35)
3m20 v2.2 Good Cop Gas Cop (1:27)
3mB v2.8 Round House Source (2:18)
3mB ALT Round House Source (1:50)
3mC v1.9 Pika Battle - R From Doctor (3:43)
3m22 v1.2 Berries (0:20)
3m23 v3 He's Gone (3:11)
4m24 v2 Your Father Is Alive (4:01)
4m25 v1.4 Lucy Sting (0:12)
4m26 v1.5 PCL (0:56)
4m27 v4.5 Bolt Cutters (1:55)
4m28 v4.3 Dr. Laurent (3:37)
4m29 v3.3 Lab - Day 1 - Mewtwo (1:00)
4m30 v2.3 Escape From GMO Greninjas (1:57)
5m31-32 v3.4 Torterra Quake (3:32)
5m33 v3.2 Go Save Pika - Mewtwo Captured (5:46)
5m34 v2 I Could Betray You Too (1:23)
5m35 v1.4 Get To The City - Break The News (1:15)
6m36 v3 Howard Merges With Mewtwo (2:12)
6mH v2.2 Parade Source - Marching Band (0:34)
6m37 v2.1 Merge To One (2:15)
6m38 v1.8 Game On (1:33)
6m39 v2.3 Tim & Pika Vs Ditto & Mewtwo (3:09)
6m40 v2.4 Merge Reversal (2:52)
6m41 v1.6 Truth & Dad (2:25)
6m42 v2.1 Could I Stay With You? (2:15)
6m43 v1.4 Main On Ends - Red & Blue (2:25)
Suite - Midnight Demo (1:37)

I actually like quite a bit of the early Clone Wars music. The best was when it was experimental.
The music sounds a lot better when it isn't trying to emulate an orchestra with synths but instead tries something new:
 
 

I think it is possible to enjoy all sorts of music for all sorts of reasons. There's no one who writes symphonic music like John Williams these days, no one disputes that. It's not even about talent, people are not being trained in the same wa or use same tools. It's just what it is.
 
But it's also difficult to compare the popularity of Williams to someone like Zimmer as this is not necessarily the same type of crowd. I have no problem liking both, they have nothing in common so I get at least some variety.
 
Giacchino is a good dramatist and, by all accounts, very good person to work with. And he clearly has interest in other filmmaking aspects so that makes him an ideal collaborator. It is not a surpise he's in demand. 
 
Can't we just be friends?
 
Karol

Apparently there are two cues on Daniel Futcher website who's an additional composer of The King's Man
How Dare You (2mX) and Helmet Orchestra
Don't recall to have seen them in the FYC/Complete score

Kinda makes me wish they hadn't used Palpatine in TROS and saved him for this series instead. Would be nice to see new scenes between Vader and Palpatine (with or without James Earl Jones doing the voice).

The actors Georgie boy cast ~20 years ago have aged nicely towards who he cast 45 years ago for the same characters 
 

See, now this is how it's done.
 

As a huge Zimmer fan, not only is this article not Zimmer bashing, I am glad someone wrote it and has the guts to say what is needed. I remember arguing with someone on FSM and he insisted that Giacchino and Tyler and other composers don't ghostwrite the way Zimmer does. They do. I am tired of traditional film music fans derailing every Zimmer thread by saying "but he probably didn't write that." Guess what? Your favorite composer didn't write every one of his or her cues either. And I am also tired of people saying Zimmer should put his additional composers on the cover and doesn't apply the same logic to other composers. Bear McCreary worked with like 7 composers on foundation. He has a company called Sparks and Shadows and some of his previous interns now works for Zimmer. He never credits anyone.

I'm a Bond fan and followed a lot of the prerelease publicity interviews for No Time To Die including those with Zimmer. There were a number of interviews where he was asked about the score and was keen to acknowledge Steve Mazzaro as a major contributor even if he wasn't mentioned by the interviewer. 
 
I'm not the biggest fan of Zimmer's attitude at times but at least he had the right approach with acknowledging Mazzaro at every opportunity. This also leads to be suspect that Zimmer's composing involvement for that score was negligible. Most likely just provided the general direction and let Mazzaro drive and manage the day to day work.

Or you could read it and find out that a) it's not primarily Zimmer bashing and b) the criticism is well-founded.

I understand the department comparison. While it is true of Production Design and Costume Design - I think music is most similar to script-writing.
 
It has always been thought to be essentially one person's creation.
 
We generally perceive of classic musical - or symphonic music - for centuries now - to be written by a person.
 
Just like we have perceived literature - generally - to be written by a person. 
 
The problem with Film Music - is the advertisement. It is still undoubtedly advertised as being a singular creation. When it is not.
 
I have no quarrel with the model. The model is ... let's just say.. inevitable.
 
What's important is the broadcasting the reality of it and generating awareness. 
 
Basically these co-composers should exist, not arguing against their existence, but they should exist more prominently - on covers, and in movie credits, and on award nominations, and on streaming apps etc. 
 
The point is the injustice - with literally that composer claiming she was literally on the streets due to lack of credit. 
 
They deserve credit so that they can have a better life, better jobs. It is almost a case of survival for some of these composers. 

Ghost composers should be called composers and required to appear on main credits, end credits, cd covers and track listing; unless the composer group forms a boy band or something and they prefer that.

They should get the bloody oscar nomination too because that is what is going to get them the next jobs and the best jobs and higher pay and better working conditions.
 
Isn't it outrageous that Zimmer - he is likely to win - will head alone on to the stage of the academy awards and receive laurels for composing the score for Dune?
 
Think how transformative it would be for some other composers if they are standing beside him on that stage accepting the laurels as co-creators of the work.