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superultramegaa

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  1. Well, if Ed Helms is the star then it's gotta be good right...?
  2. Please let it be cancelled like so many other recent attempts at remakes. Modern Hollywood will never get comedy as good as that right. Hahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahaha ...probably not, no.
  3. I haven't gotten around to Skyfall yet, but I've always loved Finding Nemo, WALL-E, and A Series of Unfortunate Events. There's just so much style and heart in those 3 scores. ASOUE in particular is just brimming with personality, and his music really fits with the tone of the film and the book series.
  4. Wow, so glad I saw this thread today! I've always wanted to see an extensive project like this, and I love the ideas so far! @Ravendor StudiosI quite enjoyed your rescore of the Goblet of Fire ending, so I'd be very curious on your thoughts on my alternate take on it. Here, I included Patrick Doyle's Harry / Heroic theme, while still including William's original themes and orchestration style. I originally thought to have the more quiet version of "Leaving Hogwarts" for this scene like you did, but I felt it might be more impactful if this ending was the last
  5. Gotta go with Revenge of the Sith. Yeah, Battle of the Heroes sounds exactly as it does in-film, but I love the remasters and uses of Leia's theme, and the full throne room suite from 77'. Both transition into the original trilogy, while also reminding you that the prequels are over (as both Luke and Leia's themes were part of "Across the Stars"). The entire sound and feel of those end credits in general feel like the true finale of Star Wars, and the throne room suite lead in to the final section of the end credits just flowed so well into a triumphant send-off.
  6. Definitely agree with that. For whatever reason, ROTJ has the only main and end titles that I always distinctly remember the sound of. All of the material from ANH just sounds so refined and precise by ROTJ. Really think that's when Williams got the Star Wars sound perfected. Edit: I just re-listened to the original movie's main title, it seems the trumpet countermelody is there, but weaker sounding in the French Horns instead for whatever reason.
  7. Well, this definitely gives me the motivation to go back to college once the pandemic is stabilized (I personally don't work well in online classes). I did try by my fifth piece of music to make the orchestra sound more realistic and make the woodwinds more quiet except when they were the centerpiece, the brass more loud than strings, as well as try a little more EQ, make sure the reverb sounds the same, etc. As for doubling chords, I believe I usually double the root or the fifth, unless I want to have a more unusual sound or am having the brass / strings travel throughout a chord to give it
  8. Huh, I didn't know about that album with the similar title! You don't sound condescending at all, I wanted some criticism so I actually know what I'm doing wrong. You think all of it sounds like 1990s sounds? I understand with the first 3 as I was using all Logic Pro X instruments and no other libraries, but I thought the quality had gotten better in the last 2 tracks, especially the 5th one as that one was mostly Kontakt and the free version of Spitfire's BBC Orchestra set. What about the orchestration is lacking to you in the last 2 tracks? I am self taught (but I am being taught how to play
  9. Hey, I'm new to this site and I saw this section which is really exciting to me, as I've been working on composing my own music as well! Here's an album I'm currently working on I titled "Journey Through The Stars" (cheesy name I know), but I'd love your guys' opinions on it. The first track is a bit generic but I personally think the tracks get gradually better. https://youtube.com/playlist?list=PLd2VIEZ4pds9KR7ZjlGFF5BvTmG4VdDdG
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