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Van_Etten

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  1. Because he's not her buddy anymore as well as few other people who worked on the trilogy and Lana only likes to stick to her new buddies since Cloud Atlas.
  2. "Pain" piano duo to be released on December 17th. https://music.apple.com/us/album/don-davis-pain-live-single/1593904459 "Wandering" string quartet - January 7, 2022 https://music.apple.com/us/album/don-davis-string-quartet-no-2-wandering-ep/1596988632 Also his unknown "Critical Mass" concert work just got recorded, due for release on 4 February 2022.
  3. As far as I know Lana Wachowski doesn't use temp tracks during editing process. And since Cloud Atlas she even prefers to have the score written mostly based on the first reading of the script, well before shooting.
  4. It looks like T&K had no idea how fit into Davis' shoes without copying his music 1:1, so they limited his input to minimum but still for the casual audience to not feel disjointed, added some electronics to it, and the rest 95% is their typical style of composing from Cloud Atlas or Sense8, with some influences from RCP-produced soundtracks. The worst part is now they tried to do more intense action scoring than usual, which was never their strength in the first place.
  5. Honestly there's very little Davis in it except for a few seconds (that pops up out of nowhere and creates dissonance between the two styles), and action score is pretty unmemorable. The whole soundtrack is mostly contained of some RCP-like cheap "intense" soundscape music or underscore that resembles Sense8 and does nothing besides, also light on leitmotifs. Not that I'm disappointed, the matrix wasn't their vibe from the start. Nevertheless wow, this is really one emotionless soundtrack.
  6. Hans didn't really criticized Southall in any meaningful way. All he told him is how Junkie "knows more" than him, people like JXL (argumentum ad populum) and then gave him some snort retort (possibly referring to one of his reviews). Just to bloat his ego.
  7. Well, unfortunately Davis has not been asked to do the music for Matrix 4 and knows nothing about it. Hopefully just yet 31:50
  8. Unlikely. I remember the production designer Peter Walpole saying they want to capture as much as they can in-camera. "Interestingly so, we've tended to do more things in-camera, because it's cheaper, than extending them to visual effects. It leaves the money the visual effects have got, to really spend it where it's necessary, which has been great." https://www.youtube.com/watch?v=gZWQ2ksHfXg
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