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Tom

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Posts posted by Tom

  1. 47 minutes ago, Romão said:

     

     

    The main theme from the Harry Potter series is not a theme for Harry Potter himself

    Obviously it is possible the Obi theme will not be for the titular character, but I would say even a conservative probability estimate would put it at 95% chance that it will be.  However, just like with Solo, his piece might have more than one theme to it.  

  2. 1 hour ago, igger6 said:

     

    I forgot about that!  When I was considering unreleased pieces the other day, I had this sense that the Vienna processional wasn't the only forthcoming celebratory piece, but I couldn't call this to mind.  Great news!  Hopefully they're both in the exuberant "Liberty Fanfare" / "Celebrate Discovery" mode rather than the more technical "Fanfare for Fenway" / "For the President's Own."  I wonder how Williams will go about evoking the disparate ethos of the Hollywood Bowl and the Vienna Phil in music.  One more nerdy thing that you know is going on in his mind that his humility prevents him from obliging us with!

    Given that it is, in a strong sense, a Hollywood orchestra, I could see him going for first mode.  It will be interesting to hear the Vienna piece side-by-side.  I expect the latter to be a bit more formal, but still fun.  As they were composed around the same time, I wouldn't be surprised with some similarities. My guess is the Oscar overture was composed in the same broad timeframe.  

  3. 2 hours ago, blondheim said:

     

    I was about to ask if anyone knew of any other time this had happened. It still feels different with these two collaborators. Maybe it's merely more personal to me but it feels like a very intimate score. I can't imagine how special these sessions with Spielberg and Williams at the piano were.

    Why are you crying Steven?  

     

    That music is so harsh and dissonant?  Why would you write that about me?

     

    Oh, my mistake.  I am also working on a proper piano concerto.  Assistant, get me my movie notes.  

  4.  

    11 hours ago, Ludwig said:

    I believe he means that the first 3 notes of the melody in the Robin Hood overture are the same notes as the 4th, 5th, and 6th notes of the Krypton theme, which they are in terms of the notes of their relative major keys. After that, Robin Hood seems pretty different to me.

     

    But since we're talking about the Krypton theme, it's always struck me how the notes of that theme are precisely the same collection of notes in the five-note "communication" theme in Close Encounters. It's like Williams took one of the dozens of possible combinations he wrote for the latter in 1977, maybe added a few repetitions of notes and voila - Krypton's theme in a film from 1978.

    Yes, that seems right.  Thank you.  That part of Robin Hood sounds like a sped up Krypton to me, which in turn distracts me.  But again, I love the Kamen score, which is far better than the movie for which it was composed.  

  5. 2 hours ago, crypto said:

    @BrotherSound raised a valid point to me. Why would JW pre-record a piece for the Oscars when they have an actual orchestra at their disposal on the night, performing all the other music?

     

    Or does that no longer exist in the new, post-COVID Oscars ceremonies?

    The music tied to the opening TV part is usually pre-recorded (usually tied to any graphics/announcements) and then the ceremony itself is live.  But, I have no idea.  It seems like the overture is the most likely thing given Williams recent comments that he wants to move on from scoring--doing a tv show opening strikes me as regressive on that mindset.  The overture, like the two films, was a prior commitment.  

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