Light00

Thank you! Can't wait to listen it

There seems to be a problem to the file as it doesn't play at all for me, either on phone or PC.

It's always a delight to listen! I don't know if it's my imagination but I noticed the whole Ministry section has an underscore that reminded me of the removed clock sounds of "Forward to Time Past", which would make sense in-context too given it is a race against time for the Trio.

Forever thankful you thought of doing this not only it was great thematically and it would sound godly if it had the opportunity to be played on a real orchestra, I would genuinely think it could've been used in alternate universe HP5 (and beyond) concert suites, as an alternative to the usual Hedwig's Theme opening, as it now represents Voldemort's return and his contrast with Harry. A very cool insight! I consider Desplat's score to have shown the sadness for their old lives but then quickly prepared them for the upcoming war while your approach intensified the sadness and lament for their pasts, like with the saddest Family theme ever while pulling a twist on memories with Pensieve. I was also shocked you even brought back Call of the Prince given how the official score didn't thematically follow up on HP6 stuff so that was a great surprise. I'm eagerly waiting for more and next week can't come soon enough.

We're off to a KICKASS start!! I'm like Dave, "Obliviate" is also one of my favorite cues but this is also so good that I genuinely can't decide now. Just like in HP5, where Hedwig's Theme turned into the Chamber, I got chills when this Hedwig's Theme returned from the very beginning and transitioned into the Deathly Hallows theme this also made me realize we never really had a general Hallows theme so I can't wait to listen more of this theme.

Amazing news, so proud of you for this, you deserve it! It's funny how this musical journey started with GOF and now you got to play POA in full for an even stronger musical continuity Can't wait for DH1! I can guess what themes to bring back for DH2 but I'm very curious about the "bookend" feel for DH1, so many surprises are on the way.

You're welcome! Not only I'm grateful for what this project is trying to do but it also made me discover this site I should hunt the old recording sessions to check the alternates, it's so fun to play with these movies' music, arranging the CD soundtracks and sneaking in your scores! Can't wait for the future announcement.

Thank you! Trying to not get spoiled by looking things around lol. I'm kinda excited for a new score coming out despite the MCU scores not really being mindblowing imo, though I did find myself listening to Elfman's ones more than once.

Do we know when the score is released? A few days after the movie's release?

With Remastered probably meaning to use a Better source then could Expanded mean some mysterious alternate cues or something? Still, chill out if you have the boxset, unless until new details are out. There is no need to be so dramatic over technically just a presumed plain rerelease.

Splendid job! I love HP5's rescore so much and its themes are now what come to my head when I think about OOTP's score. The full Window to the Past in this scene always hits me in the feels. It is a farewell to THE Prisoner of Azkaban, after all.

You're welcome. Perhaps I can DM you my source? It has English, if you're interested in it. I have edited 5 as well and the ripped dialogue was decent.

I can't rip straight from my blurays so I look for versions of the movies that have 5.1 audio. Once I got it, I use MKVToolNix to rip the audio from the mkv file. I edit with my native language (Italian) dub so once the audio is extracted, I use ffmpeg to split the channels and mainly focus on the front_center channel that has all the dialogue without score. The downside though is that some bits of the dialogue are in other channels too, and almost all the sound effects, so there are awkward situations where certain characters' voices (i.e. Frank and Kreacher) are so low they're difficult to hear. Later I move the whole movie on my phone to split it into sections and use Film Maker Pro to first mute the whole section, add my preferred score and then lipsync carefully. Given it's a private edit, sometimes I mix bits of the original score that I prefer with Ravendor's (i.e. I love Doyle's Goblet theme so that section stayed like in theatrical while the surrounding events have Ravendor's score) or sometimes I pull a Frankenstein and mix older tracks in scenes that are mostly unscored (like the whole scene at the lake where Hermione shouts "I'm not your owl!", my edit had Hagrid the Professor to present the setting with Harry and Neville then switched sections of Cakes for Crabbe and Goyle to highlight the comedic effect of what Ron pulled in order to not speak to Harry directly and then ending with the original score Doyle composed for the final section. It surely doesn't sound pleasant to somebody but it has been fun to make and experiment on Given you lose a slight bit of picture quality when processing the edit, I split the movie in smaller clips. It's a good placeholder until I actually learn to edit properly on PC and with higher quality softwares.

I've been following this project for a year and just now decided to make a profile to actually comment here. This is amazing and I've made private edits of the movies with 90% of your score instead is everything alright given no update for so long? From what I've seen on Patreon, seems like GOF is now being remastered with the new soundfont?