I agree with JTW, but if I really had to choose a cue, it would be "Arrival of Tink" from HOOK.
It's virtuosic, not just for the woodwinds, and for me a mixture of John's groovy streak and Ravel.
I wonder who arranged "I'll be home for Christmas" ... if I remember correctly it was Bruce Fowler. That's a nice one! The rest I don't really miss from the 30 minute release...
Conrad Pope didn’t write a single note for Kong. As a matter of fact, he wasn’t on the project at all, even though they gave him credit.
Funny story that he told me over 10 years ago when my questions were naiv and my English worse
There is a budget list of Shyamalan‘s „The Village“ here, which at page 69 of the document lists James Newton Howard‘s fee of 1.3 million (not including expenses ). That was 20 years ago… so nowadays Howard should make quite a lot more, especially as an A-List composer. Williams might be somewhere in that range as well I‘m sure