TolkienSS

If it doesn't sound appealing, why do themes at all? Themes used to have two functions in film, be memorable and therefore heighten the impact of the film, and function as a device to make plot points. If you use themes for neither, it becomes pointless.

Same slow, brooding pseudo-intellectual garbage. Bring on Godzilla Supernova.

Sorry, I watched an AI trailer. Jesus. Google news feed showed it to me looked like it was legit. Sorry

Did we watch the same trailer? What's the big Gidorah-like creature in there? Isn't that Scylla?

The latest trailer showing the cyclops, Sculla and Charybdis, the CGI look really not good.

The only people "in the Western world" caring about race in movies: Award Academies making race a priority in evaluating movies, filmmakers abiding by it and defending it in order to be able to make movies and get them financed, and people who make it a point to not care for culture at all.

The score snippets remind me how I hate that theme. It's so bland, like he didn't even try.

At first I read "Chris Cornell". I was like WTF

The casting conversation for Supergirl: "Is she extremely attractive?" "No" "OK, not a must-have. So she's athletic?" "Also no" "So then at least we got someone world-famous!" "Nope. She's unknown" "Oh. Well, she must have a great vibe" "Nah, she will insult the audience repeatedly." "So then she must be a HUGE comic book fan?" "Nope. She will say in interviews she basically doesn't know the character" "Well, Superman is all-American, she must totally hold up American values!" "She's Australian." "Hmmm...she's hired!" <fast forward 2 years> "Supergirl failed! How could this have happened? It must be the fault of the audience."

The tagline of Supergirl is really "Woman of tomorrow"? Super cringe

I'm far from calling this a "bonafide masterpiece", but what I will say is that it's a better score than Dial Of Destiny. Dial of Destiny, while having a nice collection of individual tracks, feels like a big misunderstanding. One thing Disclosure Day has over it is integrity.

In fact, that's a bright move. If you wanted to disclose this to all people on earth, you need to reach the worst of the worst sheeple, who would never trust someone posting stuff like that on social media. The people who need to waken up watch "the news". For the majority of people, something will never ever be real or important if it's not in the news. Also, a vast amount of people do not access social media worldwide. But they do have access to community TVs.

What I keep wondering is why Spielberg insisted on Williams coming out of retirement for this. Aside from the obvious connection these two have. It's not like this is some big sci fi or adventure film where one could think that would suck without JW. Given what the music does in the film, this is the first time I think another composer could have achieved the same.

I don't understand this post. Do you mean Williams had help writing music for this score? I'm curious how you know that, if that's what you meant.

Modern audiences