judicator
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100% Agree with you Marcus. I have been feeling the same way for a long time about the state of film scoring Hmm, I believe that composers these days ought to go back to study Wagner, Walton, Holst, and subsequently Korngold and Steiner etc. to adequately understand the fundamentals of late-romantic classical scoring, before they are able to write in a similar sound world as John Williams does. Subsequently, it is a matter of how many opportunities they get to see if what they write works...
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well JW was certainly a successor to Erich Korngold, William Walton, Max Steiner, Bernard Herrmann and the like!