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What a strange twist of this blessedly unexpected Lucasfilm epilogue to JW’s career: the two worst films he scored this decade get the greatest love lavished on their scores on home video. 
 
What’s really bizarre is that, again and again, Disney has used Williams’ name to hype their Lucasfilm projects at insanely early points—remember that photo of the Star Wars brain trust in, like, 2012?—but they’ve done next to nothing to make real, quantifiable money off lovingly rendered releases of the hours of music he actually wrote for the projects. If you think mentioning an obscure audio option in a tweet will raise demand for a video release that’s two months away, just imagine if you tried selling us the music properly!

As a summer action film, it is very good although the action direction isn't up to Spielberg's level but then action few films are. Ford's performance is excellent.
 
As an Indy film, it has the same problem as other franchise legacy sequels were it replaces the hero's satisfying ending from the original films and makes them depressed washed up seniors. That's not really what I want to see in an Indy film. Look at Henry from TLC, he was an elderly senior but still had loads of enthusiasm and zest for life.

What a strange twist of this blessedly unexpected Lucasfilm epilogue to JW’s career: the two worst films he scored this decade get the greatest love lavished on their scores on home video. 
 
What’s really bizarre is that, again and again, Disney has used Williams’ name to hype their Lucasfilm projects at insanely early points—remember that photo of the Star Wars brain trust in, like, 2012?—but they’ve done next to nothing to make real, quantifiable money off lovingly rendered releases of the hours of music he actually wrote for the projects. If you think mentioning an obscure audio option in a tweet will raise demand for a video release that’s two months away, just imagine if you tried selling us the music properly!

What a strange twist of this blessedly unexpected Lucasfilm epilogue to JW’s career: the two worst films he scored this decade get the greatest love lavished on their scores on home video. 
 
What’s really bizarre is that, again and again, Disney has used Williams’ name to hype their Lucasfilm projects at insanely early points—remember that photo of the Star Wars brain trust in, like, 2012?—but they’ve done next to nothing to make real, quantifiable money off lovingly rendered releases of the hours of music he actually wrote for the projects. If you think mentioning an obscure audio option in a tweet will raise demand for a video release that’s two months away, just imagine if you tried selling us the music properly!

What a strange twist of this blessedly unexpected Lucasfilm epilogue to JW’s career: the two worst films he scored this decade get the greatest love lavished on their scores on home video. 
 
What’s really bizarre is that, again and again, Disney has used Williams’ name to hype their Lucasfilm projects at insanely early points—remember that photo of the Star Wars brain trust in, like, 2012?—but they’ve done next to nothing to make real, quantifiable money off lovingly rendered releases of the hours of music he actually wrote for the projects. If you think mentioning an obscure audio option in a tweet will raise demand for a video release that’s two months away, just imagine if you tried selling us the music properly!

What a strange twist of this blessedly unexpected Lucasfilm epilogue to JW’s career: the two worst films he scored this decade get the greatest love lavished on their scores on home video. 
 
What’s really bizarre is that, again and again, Disney has used Williams’ name to hype their Lucasfilm projects at insanely early points—remember that photo of the Star Wars brain trust in, like, 2012?—but they’ve done next to nothing to make real, quantifiable money off lovingly rendered releases of the hours of music he actually wrote for the projects. If you think mentioning an obscure audio option in a tweet will raise demand for a video release that’s two months away, just imagine if you tried selling us the music properly!

What a strange twist of this blessedly unexpected Lucasfilm epilogue to JW’s career: the two worst films he scored this decade get the greatest love lavished on their scores on home video. 
 
What’s really bizarre is that, again and again, Disney has used Williams’ name to hype their Lucasfilm projects at insanely early points—remember that photo of the Star Wars brain trust in, like, 2012?—but they’ve done next to nothing to make real, quantifiable money off lovingly rendered releases of the hours of music he actually wrote for the projects. If you think mentioning an obscure audio option in a tweet will raise demand for a video release that’s two months away, just imagine if you tried selling us the music properly!

What a strange twist of this blessedly unexpected Lucasfilm epilogue to JW’s career: the two worst films he scored this decade get the greatest love lavished on their scores on home video. 
 
What’s really bizarre is that, again and again, Disney has used Williams’ name to hype their Lucasfilm projects at insanely early points—remember that photo of the Star Wars brain trust in, like, 2012?—but they’ve done next to nothing to make real, quantifiable money off lovingly rendered releases of the hours of music he actually wrote for the projects. If you think mentioning an obscure audio option in a tweet will raise demand for a video release that’s two months away, just imagine if you tried selling us the music properly!

I mean, the worst of the Star Wars films is the only one with an isolated score too. It’s like poetry. It rhymes.

Man, if only there was a way to give you different emojis to the same post
 
 

 
 

What a strange twist of this blessedly unexpected Lucasfilm epilogue to JW’s career: the two worst films he scored this decade get the greatest love lavished on their scores on home video. 
 
What’s really bizarre is that, again and again, Disney has used Williams’ name to hype their Lucasfilm projects at insanely early points—remember that photo of the Star Wars brain trust in, like, 2012?—but they’ve done next to nothing to make real, quantifiable money off lovingly rendered releases of the hours of music he actually wrote for the projects. If you think mentioning an obscure audio option in a tweet will raise demand for a video release that’s two months away, just imagine if you tried selling us the music properly!

What a strange twist of this blessedly unexpected Lucasfilm epilogue to JW’s career: the two worst films he scored this decade get the greatest love lavished on their scores on home video. 
 
What’s really bizarre is that, again and again, Disney has used Williams’ name to hype their Lucasfilm projects at insanely early points—remember that photo of the Star Wars brain trust in, like, 2012?—but they’ve done next to nothing to make real, quantifiable money off lovingly rendered releases of the hours of music he actually wrote for the projects. If you think mentioning an obscure audio option in a tweet will raise demand for a video release that’s two months away, just imagine if you tried selling us the music properly!

What a strange twist of this blessedly unexpected Lucasfilm epilogue to JW’s career: the two worst films he scored this decade get the greatest love lavished on their scores on home video. 
 
What’s really bizarre is that, again and again, Disney has used Williams’ name to hype their Lucasfilm projects at insanely early points—remember that photo of the Star Wars brain trust in, like, 2012?—but they’ve done next to nothing to make real, quantifiable money off lovingly rendered releases of the hours of music he actually wrote for the projects. If you think mentioning an obscure audio option in a tweet will raise demand for a video release that’s two months away, just imagine if you tried selling us the music properly!

What a strange twist of this blessedly unexpected Lucasfilm epilogue to JW’s career: the two worst films he scored this decade get the greatest love lavished on their scores on home video. 
 
What’s really bizarre is that, again and again, Disney has used Williams’ name to hype their Lucasfilm projects at insanely early points—remember that photo of the Star Wars brain trust in, like, 2012?—but they’ve done next to nothing to make real, quantifiable money off lovingly rendered releases of the hours of music he actually wrote for the projects. If you think mentioning an obscure audio option in a tweet will raise demand for a video release that’s two months away, just imagine if you tried selling us the music properly!

What a strange twist of this blessedly unexpected Lucasfilm epilogue to JW’s career: the two worst films he scored this decade get the greatest love lavished on their scores on home video. 
 
What’s really bizarre is that, again and again, Disney has used Williams’ name to hype their Lucasfilm projects at insanely early points—remember that photo of the Star Wars brain trust in, like, 2012?—but they’ve done next to nothing to make real, quantifiable money off lovingly rendered releases of the hours of music he actually wrote for the projects. If you think mentioning an obscure audio option in a tweet will raise demand for a video release that’s two months away, just imagine if you tried selling us the music properly!

Hey lady, you call them little persons

Like HunterTech said, it wasn't a mistake on their end. Disney quickly pulled the intended 4K re-release at the last minute and decided to repack the original discs instead, for some unknown reason. Those 4K discs with the isolated score did however end up in the big 9-film boxset.
 
 
I've been waiting months for a reason to post this...
 

WRFan.com

Why is Indy flogging dwarfs?

You haven't watched the film?
Well, it made me appreciate the original trilogy even more! (although it was already high on my regard).
It feels strange that the worst of the Indiana Jones films will have an isolated score track...

Wow, that's a hot take.
 
I think TFA and TROS are the 2 best scores out of the 4.

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I have altered the quote, pray I don't alter it any further.

What do you mean nobody knew?
 
Deck officer?  Deck officer!

Maybe Disney Records' Japan branch should call Mike Matessino directly and produce expansions