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Desplat13

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Posts posted by Desplat13

  1. I just looked at the music and yes, it is 12/8, with only a couple time changes in it. This is the way Williams chose to facilitate the implied triplets Henry was talking about, and have it make sense structurally. Each little backing motif (at the beginning) is four triplets, three the same and then a fourth changed (played on the harp at first). So 12/8 works best to make the harmonic changes work well within measures.

    Josh: Not exactly sure what aspect you are taking about at that moment, but what is going on orchestrationaly there is the four horns hold out the harmony, while the trombone, bass trombone and tuba play an eighth note with an accent, and the timpani plays a dotted quarter note with them. This is what lends weight to that moment. Williams uses a large part of the brass section (all in lower registers) as sort of a percussion instrument, helping the timpani. With the combination, you get the suddeness of the timpani, with the hit held out slightly longer by the brass. Really is a nice effect.

  2. I'm sure Mr. Takis would be happy to refer you to his affectionately exhaustive analysis of the Hook score to clear up any confusion... <_<

    Actually, I have been looking for this for a while. It doesn't seem to be on this site. Is there any way for non-FSM subscribers to get a hold of this?

    Bump. ;)

    red_rabbit posted the Internet Archive Wayback Machine link a page back.

    Oh, I must have missed it. Awesome! Thanks, red rabbit.

  3. I'm sure Mr. Takis would be happy to refer you to his affectionately exhaustive analysis of the Hook score to clear up any confusion... :lol:

    Actually, I have been looking for this for a while. It doesn't seem to be on this site. Is there any way for non-FSM subscribers to get a hold of this?

    Bump. :P

  4. But I think that the terms should be firmer, and less prone to the listener's interpretations. The word 'classic' should be used for someone saying 'That song is classic *insert band name*', meaning it is from a time that they consider to be the best of that band, and is a good representation of that time. I don't think classic rock should be called that, because those who love 90's rock but not 80's would call the 90's the classic period.

    Of course, modern was just plain a really bad idea for a term. So, where to now from post-modern?

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