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Limbonaut

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Posts posted by Limbonaut

  1. According to the booklet(which I downloaded) director David Yates wrote in it that when he heard the track "Ron's Speech" being recorded, he wanted Desplat for Part II. I don't know if he's actually going to be scoring Part II or not. I do say I know what he means because it's a beautiful track. You do hear Hedwig's Theme in "Polyjuice Potion", "Sky Battle" and "The Will". Considering it's a different type of movie because it doesn't take place at Hogwarts I think the soundtrack overall is appropriate.

  2. Hearing that JW was asked to do first music for a reel of footage to show WB execs explains how they got the original music quickly for the teaser trailer for Sorcerer's Stone! The first time I heard "Hedwig's Theme" was in the teaser months before the movie came out and I wondered how they got new music so fast when scores are typically recorded just a short time before release. That's why they use temp scores from the library in movie trailers.

  3. I think the script would have worked well. if they did back in the mid-Nineties and both Harrison Ford and Karen Allen were ten or twelve years younger. I just can't see them acting the way do in the script at their age.

    The action is also better in the Darabont script. They both have rocket sleds, but Darabont has them fighting on it. That's exciting.

    Not to mention ridiculous and defying Newton's laws of physics.

    I haven't even come to terms with Indy being swallowed whole by a giant snake, but I do like how it ties into Indy's fear of snakes, which is done far better in this than what turned up in KOCS.

    In Darabont's script, Indy is supposed to have gotten over his fear of snakes years before which is retarded. I love that part of Indy's character. I like that he's this mostly brave guy with this one paralyzing fear.

    Yeah, the bi-plane sequence reads exciting on the page but it would have to have been done mostly with bluescreen and CG, which is what people were complaining about in the finished movie!

  4. I'm tired of bad superhero movies like Daredevil and the Fantastic Four, but if it's a good one I'll like it. I don't know if the Hulk is going to be good but I liked Iron Man a lot and think The Dark Knight is going to be great.

  5. Okay, I reread the JW quote from The Making of Star Wars book and here's exactly what he said about using the "Princess Leia" theme for Ben's death:

    I used part of the princess theme in the beginning of it, for two reasons: I took dramatic license because it was the most sweeping melody in the score, but I'm also playing it because it's what's inside of her and Luke during their reaction to his death.
  6. Then again it could be as simple as Princess Leia's theme appearing in Ben's Death.

    I believe Williams said he used it because it sounded good there or something similar.

    In the Making of Star Wars book, there's a section where JW talks about the themes. He talks about originally he scored the binary sunset scene with the Star Wars theme but when Lucas saw it he suggested he use Ben's theme instead. JW said he used Leia's theme after Ben was killed because he wanted a romantic sound.

    The thing I never got was the variation of Yoda's theme when Leia, Chewie, Lando etc are running from Stormtroopers on Cloud City in TESB!

    I always associate the "Father and Son" theme from TLC with Henry Sr. not with the Grail(which already had a theme).

  7. 5)"Anakin's Betrayal" from Revenge of the Sith

    One of the few JW tracks that I liked better after I saw the movie.

    4)"Parade of the Slave Children" from Indiana Jones and the Temple of Doom

    3)"Escape/Chase/Saying Goodbye" from E.T.:The Extra-Terrestrial

    As Steven Spielberg said, it's an opera at the end.

    2)"Man Against Beast"(aka "You're gonna need a bigger boat!" from Jaws

    My favorite action cue. Exciting, suspenseful and adventurous.

    1)Love Theme from Superman

    My favorite love theme that JW wrote. Just an incredibly lovely and romantic.

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