davidpdaniels

This concert was so incredible. I've been to two Williams concerts before (the Boston concerts of 2007 and 2008) and so this was my third - and by far the best. Here are my thoughts: Star Spangled Banner. This was second performance ever (I believe) of the brass-only version that JW used to open the World Series in Boston. As most of you know, it is fairly dissonant at parts, and I'm sure that shocked the crowd (most of whom were over 70, and probably not used to hearing a "weird" version of the star spangled banner ever, let alone in Washington DC.) When the low brass takes over the melody ("And the rockets' red glare...") I thought the melody was a little timid, and there were one or two very minor missed notes. The rest of it pretty outstanding. The percussion didn't overpower the brass as they did at the World Series opener. However, at times (mostly the beginning) the tempo seemed a little uneven with the brass. Superman. Fantastic. I've never heard this played better. With the trombones standing in for the cellos at the love theme, it had more "punch" than the original recording. All the woodwind runs were excellent. But the trumpets were truly outstanding. When I heard the Boston Pops play Superman in 2007, there were a few glaring trumpet errors that really killed it for me (I realize this sounds pretty dramatic) I know the parts are very hard - hell, I play the trumpet - but when I go to a Boston Pops concert and Superman is the second song (as it was in this performance), it really sucks when the trumpets on the main theme sound like they've been playing for 40 hours. (In their defense, the Pops do play the same set of songs every night.) But the Marine band trumpet section (12 people, I think) simply blew them out of the water, sounding heroic and majestic, and with zero note flubbing. It was awesome. John Williams, of course, did the ritard on bar 7 beat 4 that he generally does in his concert Superman performances, which sounds great. The way he conducted was never really time-precise - he mostly pointed at sections for balance reasons - but his conducting WAS very precise for big moments like that ritard. Excerpts from Close Encounters. Truly unique. The atonal sections at the start sounded incredible with the band, but the latter lyrical sections lacked some of the warmth that comes from a big string section. Still, that was not the band's fault, and their performance was top-notch. Suite from The Reivers, narrated by former Wyoming Senator Alan Simpson. This was quite long (over 10 minutes) and I only recognized the main theme from the Reivers, but it was very delightful. The standouts here were the woodwind section, showing a lot of spunk throughout, and the upright bass / "drum set" (created by percussion) who looked like they were having a TON of fun in the more "jazzy" parts of this suite (JW also seemed to enjoy these parts a lot). The narration of this suite by Senator Simpson was quite colorful and really seemed to make the suite a sort of "tone poem." Some of it was elegiac, but much of it simply sparkled with "old-time" fun. March from 1941. Very fun, and sounded identical to the recorded version. A big crowd favorite. Intermission of 15 minutes.... Liberty Fanfare. I'm not the biggest fan of this piece (except the opening flourish) - to me, it's pretty much a second-string Olympic Theme. From now until the concert's end, the percussion often made all their booms and crashes very loud. I certainly thought it was cool, but it did briefly overpower the rest of the band and I'm sure it would have irritated a lot of "music critics." "Out to Sea" and "Shark Cage Fugue" from Jaws. I swear the audience saw Jaws and 99% of them expected the shark theme. I did not, although (embarassingly) I'm not really familiar with the rest of the Jaws soundtrack. So for my first-ever hearing of these pieces, "Out to Sea" was nice and idyllic, and it kind of reminded me of the opening strains of The Patriot Main Title, but it was far, far overshadowed by Shark Cage Fugue, which is a true masterpiece. The tubas of the Marine band particularly stood out (in a good way) with some really insane sixteenth-note runs that went on for several bars, and some very high-register JW tuba playing. The end of Shark Cage Fugue actually reminded me of Revenge of the Sith, or at least ROTS as it would have been composed if JW had written it in the 70s/80s. Techniques of Film Scoring: Indiana Jones and the Last Crusade. JW played the opening scene from Last Crusade without music (Cross of Coronado), which actually seemed boring, except he also talked us through it and explained how the music would fit and where it was "needed" - i.e. when young Indy falls on the ground, or falls into snakes (represented by swirling, dissonant clarinets and horns), or acts heroically. Then he played the scene again with the Marine band playing a score transcription. Again, really outstanding. I remember the french horns were really outlandish and just really blasting their heads off (effecting hilarity, since it was a comedic scene). The upper woodwinds had some incredibly challenging string-style runs that they executed flawlessly. JW kept remarking "This is/was really a lot fun!" and seemed to be having a GREAT time with a great band. The audience cheered during the bit of the Raiders March at the very end of the clip, as young Indy escapes. The Adventures of Mutt. NOT on the program, as JW said, a bit surprised and annoyed. This piece was FANTASTIC. It sounds so, so much better than the actual soundtrack version. The fast string scales on the original track sound pretty wimpy, in my opinion. When woodwinds are playing them instead, it sounds intense, energetic, and just overall awesome. I suppose the brass could have been more solid in the imitative bits-of-Raiders-March-section, but this version was still simply better than the soundtrack version. "Harry's Wondrous World" from Harry Potter and the Sorcerer's Stone. This was played in front of a montage of clips from Harry Potter movies 1 through 4, exactly as it had been played at the Boston Pops Film Night 2008 in May. Unfortunately, this was the ONE piece where I felt the lack of string instruments really sapped a lot of the "magic" (sorry) from the song. So much of the main "soaring" theme depends on the sound of violin/viola/cello in multiple octaves (with horns), and it wasn't really the same with just woodwinds and horns. This is especially awkward when when the flutes have to do their "fluttery" triplets, leaving the clarinets to carry the melody themselves (which is really impossible, and the clarinets were overpowered). In my opinion the middle "wintry" section with the Harry Family theme seemed particularly weird without the lightness of strings (replaced by too-harsh mallets and upper WWs), and JW seemed quite relieved to get to the "Quidditch" part, which is much more suited to brass and woodwinds. The loud ending was excellent (since strings were no longer the forefront of the sound). Theme from The Sugarland Express. Most of the band left during this part. Featured a flute soloist who was pretty good, although I wouldn't call this a highlight of the concert, as I found the part itself to be kind of boring. Still, I guess it is important to have a contrast from the huge bombast (which I love, of course) and give the brass players a rest. Tribute to George Lucas and Steven Spielberg: Jaws / Star Wars / Raiders of the Lost Ark / E.T. (the Extra-Terrestrial). Identical to the Boston Pops film night 2007 performance - a montage of clips from these movies accompanied the main theme from each movie. In general, great. The transition from Jaws to Star Wars (with the ostinato moving right into the first note) was kind of awkward (more so than in the Boston Pops performance). Also one of the trumpet players screwed up a few notes of the Star Wars theme, but I guess you can't ask for trumpet perfection throughout the ENTIRE concert... Raiders of the Lost Ark was very good, and E.T. was outstanding and a strong closing. Star Wars was met with HUGE applause, and so were Raiders/ET (to a lesser extent). Huge applause, and a standing ovation leads to.... ENCORE #1 Clarinet solo from the Terminal - this Clarinet solo was fantastic and, IMHO, much better than the flute solo from Sugarland. This clarinet player was really into it (and had memorized his music, whereas the flute player needed a stand for hers), and he really played with energy and emotion. Also of note was the pianist, who switched to accordion - at one point he had some REALLY virtuosic parts (also memorized) that doubled the clarinet solo, and I was very impressed. The Olympic Spirit - Played against a backdrop of Olympic athletes in action. The Marine band played this well, but having played their exact arrangement before, I can say that it is very tough to play and even harder to make it sound good. The spectacular Marine band only sounded "pretty good" playing it. Still a treat, but I truly wish JW had played Summon the Heroes or the Olympic Fanfare instead... More applause leads to... ENCORE #2 The Imperial March - An exciting surprise, and a remarkable performance. The ending, again, was particularly great. Medley of Marine/Air Force/Navy/Army songs - I believe this was a traditional Marine band concert closer. It was pretty cool, as during each "song" people from that part of the military would stand up and be recognized. CONCLUSION The good: Superman, Shark Cage Fugue, Indiana Jones and the Last Crusade, Tribute to Spielberg/Lucas, Imperial March, The Adventures of Mutt! The not-so-good: Sugarland Express, parts of Harry's Wondrous World My overall impression: This was the concert of a lifetime. I bet JW almost never conducts a concert band, and this is probably the best concert band in the world (indeed, JW actually claimed it WAS the best at one point). Unlike his concert with them in 2003, he played ALL his own music, and he clearly had a ton of fun the entire time. He was even doing this little dance motion every once in a while on stage. The brass playing was simply spectacular. My comments above are really nit-picky, upon review. This was the best performance I could have possibly expected of (human) musicians playing brass-heavy songs. These trumpets played this better than the Boston Pops trumpets. (Although Boston Pops has ~4 trumpets, and the Marine band has ~12 and could swap them in and out, I'm judging them by the listener's standpoint, and the Marine Band was simply much better). The tuba section was OUT OF THIS WORLD, especially in the Jaws pieces, and the french horns / trombones / baritones were very solid. The flutes and clarinets were consistently good and had very challenging parts of their own. The percussion was very precise, if a bit overdone at times, but I certainly enjoyed them. I think the clarinet/accordion soloists and the trumpets deserve special praise for a REMARKABLE performance. Along with John Williams himself, of course =) Get this recording, if and when they make it available. If you're a hardcore JW fan, you'll never find a better performance of the Adventures of Mutt. David