-
Posts
11,838 -
Joined
-
Last visited
-
Days Won
16
Everything posted by Nick Parker
-
Danny Elfman Batman'd the shit out of it, who doesn't love it?
-
I got that beat, I got that beat. It's so light and carefree!
-
What is the last video game you played?
Nick Parker replied to Quintus's topic in General Discussion
Can we get this thread to a new page so we don't have to be assaulted point blank with a giant anime face? -
My bank account is lower than I thought so I'm gonna wait a little bit to purchase it.
-
A deep, deep inspiration to me for many years. A legend indeed.
-
"Esmerelda" (animated music video I directed)
Nick Parker replied to Muad'Dib's topic in General Discussion
Hell yeah! Hope this leads into other projects! -
"Esmerelda" (animated music video I directed)
Nick Parker replied to Muad'Dib's topic in General Discussion
When you say direct, what was your exact involvement? -
TROS seems to have been temped with Gordy Haab's Battlefront II score
Nick Parker replied to Drew's topic in JOHN WILLIAMS
Another element I don't understand from the OP is the quasi-conspiratorial notion that Williams omitted the track due to shame or something of having ripped off the alleged temp. There are multiple albums he's put out over the decades where the temp track inspirations are very apparent...including Dune Sea from '77 OG. Don't see any reason for him to get sheepish all of a sudden. Now that Haab's been in Lucas orchestra land for over a decade, I would be interested in hearing him write non-Williams pastiche. -
The Golden Age of Film Scoring Thread
Nick Parker replied to Jurassic Shark's topic in General Discussion
Thanks for the recommendation! -
What is the last video game you played?
Nick Parker replied to Quintus's topic in General Discussion
"peach double teamed by Mario and splatoon kid" -
Part European, part African American here!
-
TROS seems to have been temped with Gordy Haab's Battlefront II score
Nick Parker replied to Drew's topic in JOHN WILLIAMS
Ultimately you're talking about a few seconds of similar chords and rhythms, aren't you? That's nowhere near enough to justify this claim, especially with, as many of us pointed out, the similarities and continuity of ideas from earlier scores such as ESB to this track. -
The Golden Age of Film Scoring Thread
Nick Parker replied to Jurassic Shark's topic in General Discussion
Yes! Also, if the time band onthis thread was a little wider, it would be me hijacking it into an Alex North appreciation thread. -
TROS seems to have been temped with Gordy Haab's Battlefront II score
Nick Parker replied to Drew's topic in JOHN WILLIAMS
..........? -
The Golden Age of Film Scoring Thread
Nick Parker replied to Jurassic Shark's topic in General Discussion
Herrmann is my favorite composer of that era by far, but a number of my favorite scores from him are outside the time range that I saw mentioned in the OP. Gotta be honest, Korngold practically never does it for me. That thick, busy sound he has just shuts me out. But amid the shroud of string runs, there is a hidden eye of the storm that brings me delight... -
As others have said, it's a really cool project, and also shows how sneaky these composers had to be sometimes (re-sampling propietary instrument sounds in some cases), but overall I prefer the original more often than not. The SNES was notorios difficult to write music for, using a pain-in-the-ass programming language that required lots of trial and error...I believe Kondo was still the main programmer of his music until the N64 days, where he strictly focused on the composition and let someone else handle the technical nitty gritty of compiling and implementing the music in the hardware, so it's all but guaranteed he knew the compression of the samples and adjusted accordingly. This probably played a huge part in making all these disparate sound sources sound simpático with each other, and married them using the obscene DSP (reverb/echo) that was baked into the SPC700 soundchip. Interestingly, while Nintendo massively bungled the GBA sound, it actually allowed for better, cleaning sounding samples than that of the SNES'. Tim Follins was a master of this, using these techniques to really push past boundaries and create music for the systems he worked on that you just don't hear anywhere else.
-
Oof. I didn't look into their process, but that reverb with the higher quality samples kills it for me. It could just be replicated from the notorious SNES DSP.
-
-
Not bad for a console four years old!
-
What Is The Last Score You Listened To? (older scores)
Nick Parker replied to Ollie's topic in General Discussion
I think a massive part of that is Powell channeled Williams' guiding spirit, so to speak, whereas Haab tried to channel Williams' aesthetics. Ironically, given how lavishly the latter attempt tries to hang on to Williams' turtleneck, the former is far more successful at tapping into the feeling of Star Wars and why we tuned in in the first place. I thought it was dorky at first, but by the more climactic cues, Haab got some good mileage out of it. -
Very true. Especially throughout the pandemic, I've derived a lot of joy out of playing Switch games online with my brother out of state. We'd dreamed of having a multiplayer Pikmin game for 16 years, and they finally revealed one in 3 Deluxe!.......but it's only couch co-op.