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BrotherSound

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Posts posted by BrotherSound

  1. 12 hours ago, GerateWohl said:

    Same I would assume for Rise of Skywalker and The Last Jedi to be honest.


    Those had 226 minutes and 184 minutes recorded, respectively, well over the running time of two CDs, 160 minutes.

     

    12 hours ago, crumbs said:

    I'm pretty sure everything from TLC fits on two discs, even allowing for multiple versions of cues (with and without inserts).


    I actually timed it out TLC one time, and I came up with:

     

    Film Score Presentation 105 minutes

    Source Music 9 minutes

    Alternates 32 minutes

     

    That would fit comfortably on 2 discs.

  2. I'd previously shared the Sleepers breakdown in a different thread, but it hasn't made its way here yet:

     

    Sleepers (1996)

     

    1 Sleepers At Wilkinson 3:42

    0:00-2:18 1M1 Sleepers

    2:18-end 3M5 New - Last Night at Wilkinsons

     

    2 Hell’s Kitchen 5:23

    8M5 New - Hell’s Kitchen

     

    3 The Football Game 4:10

    3M3 New - The Football Game

     

    4 Saying The Rosary 6:54

    0:00-2:22 7M3 At Mass

    2:22-end 6M5 Saying The Rosary

     

    5 The Trip To Wilkinson 2:35

    2M7+8 The Sentencing

     

    6 Time In Solitary 4:24

    4M2 Football Star

     

    7 Revenge 2:47

    7M4 New - Revenge For Rizzo

     

    8 Michael’s Witness 4:09

    7M3 New - The Crossexamination Of Ferguson

     

    9 Learning The Hard Way 5:22

    0:00-1:05 1M10 Lessons In An Alley

    1:05-1:43 2M4 Down Subway Stairs

    1:43-end 3M1 New - The Basement At Wilkinsons

     

    10 Last Night At Wilkinson 3:51

    3M5 New - Last Night At Wilkinsons

     

    11 Father Bobby’s Decision 3:56

    2M6 Talking to Father

     

    12 Reliving The Past 3:41

    0:00-0:11 unknown, possibly dictated at session

    0:11-2:40 3M1 Life At Wilkinson’s

    2:40-end 8M8 Father Bobby Reflects

     

    13 Reunion And Finale 5:30

    0:00-2:40 9M3 The Reunion

    2:40-end 9M5 Finale

  3. 1 hour ago, Damien F said:

    I think there is about 20 - 30 seconds from the beginning of the Polybius Cipher track that plays when Helana follows Indy from the college to the bar.

     

    I believe that's tracked, because the same music appears again along with the rest of the Polybius Cipher material. That would explain why 'Helena's Tutorial' is in the cue list in two different places.

     

    My little theory is the very opening of the Prologue track is the original cue composed for Helena's introduction.

  4. 1 hour ago, ragoz350 said:

    7m67B Rey Gets The Saber (no later than November 2)
    Later, JW worked two more times on the moment, which ended up being accompanied by A Home Destroyed from ANH. This insert adds another rendition of Rey's theme before the duel begins.


    If this version of Rey’s theme seems oddly familiar, that’s because it was tracked into TROS (when Rey is on the Star Destroyer, just before Kylo shows up in his TIE Fighter).

     

    Big thanks to @Falstaft for catching that!

  5. On 7/8/2023 at 12:42 PM, Michael G. said:

    Hm, why is "The Rise of Skywalker" titled as part 1 here?

    In a leak that's going around it is titled part 2

    image.png

     

     

    I guess JW changed his mind and swapped the order. I believe at the Detroit Symphony's premiere performance of the complete suite, The Rise Of Skywalker was in fact the 2nd movement (and Psalm of the Sith was 1st).

  6. 7 hours ago, Falstaft said:

    As for main Voller/Nazi themes: here I think there really is one central tune that gets an unambiguous statement once or twice on album, while a lot of the other material is a clipped or diminuted (compressed rhythmic durations) variant, particularly the phrase ending 3-pitch tag (the Knights of Ren soundalike)


    Speaking of which, looks like that 3-note motif appears in 3M10 v1.1 Whip At A Gun Fight. Does anyone know if this cue was used in the film, or was it entirely replaced by music in Auction at Hotel L’Atlantique?


    image.png

     

  7. 1 minute ago, Incanus said:

    I wonder why Williams decided to sprinkle seemingly unrelated Indy music quotes throughout, not themes but rather direct lifts from the underscore?

     

    Many directors have an unfortunate tendency to fall in love with their temp score, and may have asked JW to imitate it as closely as possible, or even had it tracked (we're not sure yet what was tracked vs. re-recorded note-for-note).

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