BrotherSound

Miklós Rózsa - The Asphalt Jungle Miklós Rózsa - The Miniver Story Miklós Rózsa - East Side West Side Miklós Rózsa - The Light Touch

Miklós Rózsa - Beau Brummell and the Beauty (1954) Miklós Rózsa - Crest of the Wave Miklós Rózsa - The Red Danube

Yep, now I notice Indiana Jones On The Train opens with a brief pickup that’s not part of the 1M3 cue, but which is heard in that linked video.

5M4?

Miklós Rózsa - The Story of Three Loves

*If it has the exact same contents, which remains to be seen.

Continuing a series of covers for one-off John Williams compositions, here's one for the La Jolla Quartet:

Might as well throw in the 5-6 JW demos, too! (In my dreams.)

Custom cover for Rózsa's The V.I.P.s: A cleaned-up cover for Great Movie Themes conducted by Miklós Rózsa and Carlo Savina:

Another custom cover for a one-off, Of Grit and Glory by John Williams:

A custom cover for Overture to the Oscars by John Williams:

I wanted to make a custom cover with my favorite bit of The Rise of Skywalker art, from an Empire magazine cover:

It’s based on a black and white comp by Chorney, but the artist literally identifies it as a “fan poster” here: A couple more Bond custom covers: A View To A Kill by John Barry For Your Eyes Only by Bill Conti

It’s from some very well-done fan art: https://www.etsy.com/listing/1065315042/

Licence to Kill by Michael Kamen

I can’t remember who or where it was, but someone was asking the other day about the cues that comprise Duncan’s Toy Store (LLL disc 1 track 13): 0:00–0:28 5M5 Ice Skating 0:28–0:47 5M6 Hatching A Plan 0:47–1:52 5M7 Duncan’s Christmas Display 1:52–end 5M8 In The Toy Houses

A custom cover for the Tadlow Music 2-CD recording of Miklós Rózsa's Sodom and Gomorrah:

Posted today on Instagram by Joann Kane Music Service: https://www.instagram.com/stories/jkmsmusic/3038894250989983513/

@Naïve Old Fart

Yep! It would likely be a packed 2-disc set, with the final score filling all of the first disc and roughly 20 minutes of the second, with the early versions filling the remainder of the second disc, about an hour’s worth. Here’s a complete list of the OST tracks that don’t have an alternate, earlier version: Marlinspike Hall The Flight to Bagghar

Including the teaser and (unused) trailer, TFA was recorded on 14 days, with double sessions many days, for I total of (I think) 19 sessions. 2014 November (teaser, exact date unknown) 2015 4/12 (trailer) 6/1 6/4 6/6 (double) 6/22 (double) 6/24 (double) 8/30 9/1 9/30 (double) 10/12 (double) 10/28 11/8 11/14 TROS is known to have been recorded on 11 days, many (most? all?) of them doubles, from June to November 2019. So, it definitely wasn’t recorded over a longer span, but may have had more total sessions.

Seems they may have still been recording as of Friday, unless audio engineer Ramiro Belgardt has another project very soon after, and also at Sony, which strikes me as not very likely. This is from the Instagram of Mark Graham, head of Joann Kane Music Service: https://www.instagram.com/p/Cois1eFPJx-/ Note the musical quotation from Close Encounters on the sign.

That'd be a solid choice too, if not as potentially revelatory as Nixon or (especially) The Patriot. Very unusually for Williams, there's a lot of literally note-for-note repetition throughout the score that I'll be curious to see how Matessino handles. It's one that may call for something significantly different from a C&C style presentation.

I believe what @crumbs is referring to is the snare rhythm here seems to have been subtly revised from the published arrangement (as heard on all recordings prior to last year), from this: To something like this: If you can’t read music, the second rhythm has a few more notes and is more “galloping”.

Well, basically it sounds great on the 1993 Arista Anthology, absolutely horrid on the 1997 special edition, great again on the recent OST reissue and some of the uh, recent “unofficial” versions. And sadly, a few bits may be lost forever: the complete Jabba the Hutt concert arrangement, the Ewok battle insert, and some source music.