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Naïve Old Fart

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Everything posted by Naïve Old Fart

  1. Are you joking?! At my age, it's easily a 3-piss movie
  2. A very sad quote, but also one of my favourites: "I'm not in the business... I am the business."
  3. Indeed. What I meant was that most scores these days are a copy of a copy of a copy. There is nothing truly "original".
  4. A return to the respect and reverence that Donner had for the material, would be a good start. A score by JW wouldn't go a miss, either.
  5. They do. The sad thing is that they are like this, and not actually this
  6. There are only two cuts of ALIEN which are available commercially. I saw the "Director's Cut" of ALIEN, at my local cinema, in the fall of 2003, a few weeks before it was included in the Quadrilogy. No. You'll see what I mean: ALIEN BLOOD SIMPLE. You see? It's longer.
  7. "We're going to have to detain you for further questioning." "Why?" "Well Dave, I simply find your story unbelievable." "Really? What part?"
  8. Oh, fuck, @Edmilson! I have seen that, and I wish I fucking hadn't! What bonehead ever thought that The (C)rock could come within ten million miles of ever being able to act. @Tallguy, I actually quite liked AM. I thought that it was funny, and sassy. AM+TW, however, is just warmed-up more of the same.
  9. ANT-MAN AND THE WASP. Humourless; talentless; mindless; soulless. I cannot believe that someone spent almost two hundred million dollars on this absolute waste of everyone's time, money, and effort. I pity the poor suckers who handed over $20 (plus a second mortgage for nachos, chilli dogs, popcorn, and a big gulp Mountain Dew), to be served this. It beggars belief that something like this can even be called "entertainment". Utter, utter garbage. I'm only glad I paid 20p for it, at my local thrift store. Ah, well, on to CAPTAIN MARVEL, and the big push to ENDGAME
  10. FYEO would be a lot better if the ice skating subplot wasn't in it (I've never understood that), and the dreadful Janet Brown/John Wells shit, at the end. Oh, yeah... the score is the most "out there" EON Bond score, ever, including GOLDENEYE.
  11. He can't stay down with three barrels on him, not with three barrels, he can't.
  12. In essence, THE TEN COMMANDMENTS is about the establishing of the Jewish nation. Like BEN-HUR, it's a religious film that non-religious folks can enjoy.
  13. Isn't that what the film is about? Yes, it is. I really like it, and PRINCE OF EGYPT. THE TEN COMMANDMENTS is a truly great film, to be sure, but what has it got to do with the Easter story?
  14. Why am I up here, and you are down there? Because I'm John Williams, and you're not.
  15. I wouldn't care if all traces of NTTD were erased from existence.
  16. Yeah, Sweep. I like SPECTRE far more than I like (shock horror, burn the heretic!) SKYFALL. Yeah, I said it. CAROUSEL? ROLLERCOASTER? FLYING? FLOATING? I give up.
  17. DRACULA (1979) Oh, wow! What a powerhouse of a score! It's true to say, dear JWfaner, that in July of '79, and coming on the heels of the superb 2-LP set of SUPERMAN, DRACULA was a bit of a letdown. Also, it's a stone cold fact that the vinyl album sounded utter shite. Not so, the new (ish) release. It really brings out hidden depths of the score, and the C&C presentation puts so much more meat on the musical bones. JW can write great soaring scores, and he can write chamber piece scores, but it's his dark, angry music that sets him apart from the rest of the herd. His work on DRACULA, THE FURY, and, to an extent, CLOSE ENCOUNTERS OF THE THIRD KIND has almost no equal. Only Jerry's THE OMEN trilogy and Kilar's BRAM STOKER'S DRACULA, imo, compare favourably. A truly underrated work, that deserves to be heard by as many people as possible.
  18. The best second best thing I can say about it, is that it is an unintentionally funny film. The first best thing that I can say about it, is that Jerry's score is fucking awesome!!!
  19. Yup. Some days you just can't get rid of a bomb.
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