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jasonblueeyes

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Posts posted by jasonblueeyes

  1. I can think of two that always leave me in amazement and awe:

    The Trumpet fanfare at the end of "Love Theme From Superman"

    and basically the entire final minute of "The Forest Battle" which someone at Lucasfilm thought was so good they used it in the "Attack Of The Clones" final Theatrical Trailer. Say what you will about the movie - but that trailer was brilliantly assembled.

  2. 3 Stars. I like how John Williams' name appears on screen just as the music is in full swell.

    Think JW did that on purpose?

    No, I think the person who puts the names onscreen did that on purpose, I think.

    But it's funny very often JW's name appears at a very good musical moment... like Memoirs, Schindler's List, The Patriot, etc.

    Temple Of Doom, Witches Of Eastwick..,

  3. Desert Chase. It has everything. And you can hear it better in the actual film then you can Asteroid Field - which is drowned out in many sections because of the non-stop sound effects. I think Desert Chase wins because it's one example where music HAS to carry the story - considering the sequence in the film is almost entirely dialogue free - save for Belloq's "He's There."

  4. He really shouldn't wear glasses while adventuring...the glass could shatter and blind him. Imagine after a life of globe-trotting and narrow escapes, the one thing that does Indy in is a stray piece of eyeglass.

  5. Hey can I just say, you guys are incredible!?

    No one here is talking about anything but pitch, speed, and sound quality... how about the music? :o

    Here's what I love - that everybody else was complaining about - the missing bit of Anything Goes from Nightclub Brawl. I don't miss it - in fact I love that underscore music. God, that is some amazing, dizzying violin work going on. Breathtaking. It reminded me of The Snowball fight from POA. I love it when JW has someone go nuts like that. Chase Through Courascant has some great work like it too. Listen to it with headphones. It's really something. TOD is full of crazy string work. How did the orchestra get through it? Was there red-bull in 1984?

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