Erik Woods

Indeed they are, so saying that EVERYTHING City of Prague Phil is garbage is just... well... foolish.
 
-Erik-

i love this thread
 

I suppose you are forgetting that just a few hours ago, you were saying "all elements of Star Wars canon now operate in a unified and collaborative storytelling setting".
 
And now you admit there could be "inconsistencies or direct contractions" in the canon?
 
It seems you cannot even get your own theory straight.

But then what are we going to do for fun?

Indeed they are, so saying that EVERYTHING City of Prague Phil is garbage is just... well... foolish.
 
-Erik-

Indeed they are, so saying that EVERYTHING City of Prague Phil is garbage is just... well... foolish.
 
-Erik-

Indeed they are, so saying that EVERYTHING City of Prague Phil is garbage is just... well... foolish.
 
-Erik-

Yes, their Tadlow/Prometheus complete rerecordings are all fantastic.

But what role does Greedo have in this master plan? Are the multiple Greedos just multiple versions who have been murdered by Han in various Maclunky shooting orders? Are the special editions really George's eventual plan for Star Wars multiverse? 
 
Only Mattris has the answers...

What makes you think "Star Wars is but a kid’s movie"? What exactly comprises "a kid’s movie"? Why are you here talking so much about "a kid’s movie"?
  
 
On the contrary, I know I'm right... and with more than enough evidence to prove it. I presented some of it in this very thread, a fact you and others habitually ignore.
 
You really have no good reason to doubt me. Compared to your interpretation of Star Wars, mine is objectively superior: All featured character arcs, throughline themes, and major plot elements within the story actually have a rhyme and a reason. All told, it amounts to a story worth being told to everyone, not just to kids.
 
You don't think you're right, do you? Based on what evidence and logical reasoning? Surely, you have something to offer!
 
Honestly, I glanced over your utterly pathetic response and noticed - not for the first time - that you made no good points; you're just contradicting me from a perceived position of strength when you actually have nothing hold on to but assumptions.

Oh, you gullible fool! That was all a publicity stunt masterminded by George Lucas himself.
 
“White slavers” was actually an allegory for the child slavery scenes on Canto Bight in Rian Johnson’s Star Wars: The Last Jedi (a film clearly mapped out by the same Lucasfilm team who worked on The Force Awakens). 
 
I’ve come to understand these rich connections through years of intense research and study, analysing the words and works of George Lucas to a degree not achieved by any other living being. You can only hope to achieve even a fraction of the knowledge I possess. Now, it’s my turn to ask: 
 
What does “white slavers” mean to you?

I addressed this. Rey's lineage/origin was locked-in as the trilogy was being formulated on a basic level. Daisy Ridley didn't need to know the truth and wasn't told until 2018, making her performances in TFA and TLJ that much more authentic.
 
This interview is 'a bit', adding to the series that Gad and Ridley shot - along with many other famous actors - in the lead up to TLJ. (They're still available on YouTube.)

Yep. Same way we know Ben Solo was actually an Ewok. The first interval of a theme doesn't lie!
 
@Trope welcome to the party.
 

And don't forget that he said the same thing about TROS before it came out. It was going to blow people's socks off, receive universal acclaim, unite the fans, make TFA and TLJ suddenly gel together, reveal the secret truth of the saga's hidden meaning, etc., etc. He likes to bring up his track record of predictions that came true, which is admittedly pretty impressive … if you leave out the ones that didn't.
 
I'm still waiting for the big reveal that the Jawas were created by Palpatine. Their theme starts with an upward jump of a minor third, just like Rey's and Palpatine's. It's also going to be super cool to see the next Jurassic Park film reveal that the dinosaurs were robots all along, as JW cleverly foreshadowed by starting their theme with the same three notes that start the droids' theme from ESB. The evidence is overwhelming.

90% of the time, George Lucas is trying to figure out what he ate that caused this case of diarrhea.

Just a reminder... this isn't Lorne Balfe's fault. Would you say no if a director came up to you can said, "Wanna score the next Mission: Impossible film?" 

So, I hope no one tags Balfe because 1) that would be rude and 2) Balfe is actually a really, really nice guy who doesn't need to be dragged into this.

Prelude & Fugue is my all time favourite Williams concert piece, I love it! Owes a MASSIVE debt to Bernstein, but for someone in his early 30s it’s a remarkable piece of work. 

What most of you don't realise is that Mattris is, in fact, 12 years old. 
 
Now, only at the end, do you understand.

I think you can scarcely find a better analogy for the expanded Star Wars series under Disney than the ressurected, immobilised, decrepit, kept-on-life-support, life-sucking, line-repeating Palpatine of Episode IX....

Guys, I upgraded tonight from instant ramen to fully loaded nachos.
 
At least, I think that's a step up. 

WRONG.
 
They're also about the taxation of trade routes. Pull yourself together.

The prequels are! 

You might've avoided those responses by adding a "just" to that sentence.
 
Star Wars is not just about space ships, lightsaber duels, or physical wars.