Muad'Dib

Why would they go for that awful AI cover??

And Story of a Woman.

I seem to recall Williams' original vision for DotF was to use it very sparignly in the movie itself to be further developed in the upcoming installments.

And Self Control for sure, her other great 80's hit

I remembered when I was younger I had a huge crush on Laura Branigan, so I'm now rediscovering some of her songs. This is not a particularly great song of hers but I love the chorus and the video. She was just so enchanting. What a woman...

Easy jokes arriving in 3, 2, 1...

Reading the thread title, reading the actual thread reaction:

Is it just me or the brass section is vst?

Whoopsie i hadn't noticed it was repeated 😅

I'm pretty sure the original plan was for Goldsmith to score it. It has temp-track love all over. Great score btw I'm pretty sure the original plan was for Goldsmith to score it. It has temp-track love all over. Great score btw

I just love when Frizzell went absolutely bonkers here: That brass section earned their paycheck that day for sure!

I thought by The Power of One they meant this

Two bits from the same Tintin cue. First the little classical-sounding bit at: And then at: I particularly love that piano 1:06. Love that quick note succession! It's like a mini Piano concerto. Also, been relistening to Tintin lately... Man, what a fun score! It's up there to me along with Prisoner of Azkaban.

How dare you.

Also another Bernstein homage in the anime world:

I'm a little late to the party, but I think it's a case of both riffing/referencing on the original source: Which also gets its own spoof/homage here:

It also says he was involved in The Day the Earth Blew Up: A Looney Tunes Movie but looking at the credits he didn't compose the score, he's listed as an orchestrator, along with William Ross and David Newman. Quite odd... Unless the orchestrator credit actually means he did some ghost-composing duties.

I recently watched the movie Young Woman and the Sea (it was mostly ok, not bad but not groundbreaking either) but I was pleasantly surprised by the soundtrack -it's quite loud but it feels like a sort of old-school Zimmer -dramatic with lots of ostinato- with a purely acoustic orchestral treatement I enjoyed it quite a bit.

https://www.instagram.com/p/C9-5XT3SVVk/ Silvestri returns?

Maybe that Zimmer-Spielberg collaboration will finally happen.

Huh. It's a title, alright.

Without a doubt this one for me-probably because it's a Steinman homage

"Scherzo for Motorcycle" Interesting! Got rid of that pesky orchestra, I see.