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Muad'Dib

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  1. Like
    Muad'Dib reacted to Jay in Ennio Morricone's TWO MULES FOR SISTER SARA 50th Anniversary Edition from La-La Land Records   
    https://lalalandrecords.com/two-mules-for-sister-sara-limited-edition-2-cd-set/
  2. Like
    Muad'Dib reacted to Koray Savas in R. I. P. Ennio Morricone   
    Not enough mention of Days Of Heaven in this thread.
     
  3. Like
    Muad'Dib reacted to Omen II in R. I. P. Ennio Morricone   
    It is very fitting that the clip was posted to Twitter by a Padre Ramirez.  Tuco's brother, perhaps?
  4. Like
    Muad'Dib reacted to crocodile in R. I. P. Ennio Morricone   
    I've never seen this before - a pretty neat music videos for The Hateful Eight.
     
     
     
    Karol - who always gets a good chuckle out of the fact Kylo Ren theme appears in this score (and is heard at around 8:30 into the second video)
  5. Like
    Muad'Dib reacted to Marian Schedenig in R. I. P. Ennio Morricone   
    I rarely care about football, but I appreciate this:
     
     
  6. Like
  7. Like
    Muad'Dib reacted to Score in R. I. P. Ennio Morricone   
    It says:
     
    Tema 4 volte:
    1) Libero e lento (espressivo)
    2) Poco più mosso
    3) Più mosso e cresc. (arpeggi)
    4) Forte
     
    which means:
     
    Theme 4 times:
    1) Free and slow (expressive)
    2) Moving a little 
    3) Moving and "crescendo" (with arpeggios)
    4) Forte
  8. Like
    Muad'Dib reacted to Score in R. I. P. Ennio Morricone   
    From what I understood from reading interviews in the course of the years, Andrea Morricone composed the love theme, at least in terms of melody and harmony. Then, I don't know (and I think nobody knows) whether he also did the orchestral arrangement, or if that was done by Ennio. A few years ago, I saw a manuscript on Andrea Morricone's website (which is not available anymore) with the theme written on two staves; it was claimed to be the original manuscript of that piece, before the orchestration. I recall it was written in the key of F sharp minor, instead of G minor, which is the key in which it was arranged for the movie. The page also had several textual annotations in Ennio Morricone's handwriting, which I know from other sources, with schematic instructions on how to build the structure of the piece. It's a shame I cannot find that site anymore!    
     
    EDIT: I had saved the picture on my PC! Here it is. It is really a preliminary sketch. There is an annotation at the beginning to transpose up 1/2 tone, and I am almost 100% sure that the text at the bottom of the page is in Ennio's handwriting. It says that the theme should be repeated 4 times, with a simple description of how it should be varied each time.
     
     

  9. Like
    Muad'Dib reacted to publicist in R. I. P. Ennio Morricone   
    Here you'll find, regardless of genre, at least two or three of EM's best belcanto melodies, though it's by no means comprehensive.
     

  10. Like
    Muad'Dib reacted to publicist in R. I. P. Ennio Morricone   
    Or belches in Duck You Sucker's Beggar's March:
     
    https://www.youtube.com/watch?v=NSsTwB-tgvk
  11. Like
    Muad'Dib reacted to JohnnyD in R. I. P. Ennio Morricone   
  12. Like
    Muad'Dib reacted to Kühni in R. I. P. Ennio Morricone   
    Look at them, our two Granddads!
     

  13. Like
    Muad'Dib reacted to publicist in R. I. P. Ennio Morricone   
    I will close the day with this elephantine listing of Morricone's work - and that's only his film and tv stuff, not counting stage, advertising and classical works. His musical genius is one thing, but genius doesn't come often with such eye-popping productivity. So one thing to remember is that the endless tributes to his Leone work or selected american scores, i. e. The Mission or The Thing point you to but a tiny fraction of what he did and as someone who relentlessly downloaded everything Morricone off Napster in the early 2000's i can attest tho the fact that many on this list that no one here has ever heard are way better or at least on par with his famous works.
     
    1960s
    Year Title Director Notes 1960 Run with the Devil Mario Camerini Orchestrations only
    Score composed by Piero Piccioni, Lipstick Damiano Damiani Orchestrations only
    Score composed by Giovanni Fusco L'Avventura Michelangelo Antonioni Le Pillole Di Ercole Luciano Salce Rejected score
    Replaced by Armando Trovajoli 1961 The Fascist First full score The Last Judgment Vittorio De Sica Arrangements and Conducting only
    Score composed by Alessandro Cicognini, 1962 L'italiano ha 50 anni Francomaria Trapani Orchestrations only
    Composed by Gino Peguri, Gli Italiani e le vacanze Filippo Walter Ratti N/A I motorizzati Camillo Mastrocinque N/A Crazy Desire Luciano Salce N/A Il Sorpasso Dino Risi Orchestrations only
    Score composed by Riz Ortolani I due della legione Lucio Fulci Orchestrations only
    Score composed by Luis Bacalov Eighteen in the Sun Camillo Mastrocinque N/A A Girl...and a Million Luciano Salce N/A 1963 Violenza segreta Giorgio Moser Orchestrations only
    Score composed by Giovanni Fusco Il Successo Dino Risi N/A Le monachine Luciano Salce N/A El Greco N/A Gunfight at Red Sands Ricardo Blasco
    Mario Caiano First Western film score I basilischi Lina Wertmüller N/A 1964 Una Nuova fonte di energia Daniele G. Luisi Documentary film Malamondo Paolo Cavara N/A I maniaci Lucio Fulci Composed with Carlo Rustichelli I marziani hanno 12 mani Franco Castellano
    Giuseppe Moccia N/A In ginocchio da te Ettore Fizzarotti N/A Bullets Don't Argue Mario Caiano N/A A Fistful of Dollars Sergio Leone Silver Ribbon Award for Best Score I due evasi da Sing Sing Lucio Fulci N/A Before the Revolution Bernardo Bertolucci N/A ...e la donna creò l'uomo [it] Camillo Mastrocinque N/A 1965 A Pistol for Ringo Duccio Tessari N/A Nightmare Castle Mario Caiano First horror film score Agent 077: Mission Bloody Mary Sergio Grieco Title song only
    Score composed by Angelo Francesco Lavagnino Highest Pressure Enzo Trapani Composed with Luis Enriquez Bacalov Slalom Luciano Salce N/A Menage all'italiana Franco Indovina N/A Fists in the Pocket Marco Bellocchio N/A Thrilling Carlo Lizzani
    Gianni Luigi Polidori
    Ettore Scola Composed with Bruno Nicolai Non son degno di te Ettore Fizzarotti N/A Se non avessi più te N/A Idoli controluce Enzo Battaglia N/A For a Few Dollars More Sergio Leone N/A The Return of Ringo Duccio Tessari N/A 1966 The Bible: In the Beginning John Huston First American film Uncredited;
    Composed with Toshiro Mayuzumi
    Seven Guns for the MacGregors Franco Giraldi N/A Wake Up and Die Carlo Lizzani N/A Agent 505: Death Trap in Beirut Manfred R. Köhler Composed with Bruno Nicolai The Hawks and the Sparrows Pier Paolo Pasolini Nominated - Silver Ribbon Award for Best Score The Battle of Algiers Gillo Pontecorvo Composed with Pontecorvo The Hills Run Red Carlo Lizzani N/A Un uomo a metà Vittorio De Seta N/A How I Learned to Love Women Luciano Salce N/A For a Few Extra Dollars Giorgio Ferroni Composed with Gianni Ferrio Florence: Days of Destruction Franco Zeffirelli Documentary film Navajo Joe Sergio Corbucci N/A The Big Gundown Sergio Sollima N/A The Good, the Bad and the Ugly Sergio Leone N/A 1967 Il giardino delle delizie Silvano Agosti N/A Dalle Ardenne all'inferno / Dirty Heroes Alberto de Martino Composed with Bruno Nicolai The Rover Terence Young N/A The Witches Luchino Visconti
    Mauro Bolognini
    Pier Paolo Pasolini
    Franco Rossi
    Vittorio De Sica Composed with Piero Piccioni The Hellbenders Sergio Corbucci N/A China is Near Marco Bellocchio N/A O.K. Connery Alberto De Martino Composed with Bruno Nicolai Matchless Alberto Lattuada N/A Composed with Gino Marinuzzi Jr. & Piero Piccioni Grand Slam Giuliano Montaldo N/A The Girl and the General Pasquale Festa Campanile N/A Arabella Mauro Bolognini N/A Face to Face Sergio Sollima N/A Her Harem Marco Ferreri N/A 1968 Danger: Diabolik Mario Bava N/A Tepepa Giulio Petroni N/A The Mercenary Sergio Corbucci Composed with Bruno Nicolai Eat-it Francesco Casaretti N/A Come Play with Me Salvatore Samperi N/A A Sky Full of Stars for a Roof Giulio Petroni N/A Ecce Homo Bruno Gaburro N/A Run, Man, Run Sergio Sollima Composed with Bruno Nicolai Escalation Roberto Faenza N/A Death Rides a Horse Giulio Petroni N/A Guns for San Sebastian Henri Verneuil Composed with Laurie Johnson Comandamenti per un gangster Alfio Catabiano N/A Theorem Pier Paolo Pasolini N/A Partner Bernardo Bertolucci N/A Roma come Chicago Alberto De Martino Composed with Bruno Nicolai Machine Gun McCain Giuliano Montaldo N/A Once Upon a Time in the West Sergio Leone Nominated - Silver Ribbon Award for Best Score The Great Silence Sergio Corbucci N/A Alibi Vittorio Gassman
    Adolfo Celi
    Luciano Lucignani N/A Galileo Liliana Cavani N/A The Lady of Monza Eriprando Visconti N/A A Fine Pair Francesco Maselli N/A A Quiet Place in the Country Elio Petri N/A 1969 Cuore di mamma Salvatore Samperi N/A Listen, Let's Make Love Vittorio Caprioli N/A H2S Roberto Faenza N/A The Fifth Day of Peace Giuliano Montaldo N/A Fräulein Doktor Alberto Lattuada N/A The Invisible Woman Paolo Spinola N/A L'assoluto naturale Mauro Bolognini N/A La stagione dei sensi Massimo Franciosa N/A The Sicilian Clan Henri Verneuil N/A Burn! Gillo Pontecorvo N/A Sai cosa faceva Stalin alle donne? Maurizio Liverani N/A Senza sapere niente di lei Luigi Comencini N/A Metti una sera a cena Giuseppe Patroni Griffi Silver Ribbon Award for Best Score Brief Season Renato Castellani N/A Vergogna, schifosi Mauro Severino N/A That Splendid November Mauro Bolognini N/A The Five Man Army Italo Zingarelli N/A 1970s[edit]
    Year Title Director Notes 1970 Violent City Sergio Sollima N/A The Voyeur Franco Indovina N/A Hornets' Nest Phil Karlson N/A I cannibali Liliana Cavani N/A The Red Tent Mikhail Kalatozov Composed with Aleksandr Zatsepin Investigation of a Citizen Above Suspicion Elio Petri N/A La califfa Alberto Bevilacqua N/A The Most Beautiful Wife Damiano Damiani N/A The Bird with the Crystal Plumage Dario Argento First collaboration with Argento Metello Mauro Bolognini Nominated - Silver Ribbon Award for Best Score When Women Had Tails Pasquale Festa Campanile N/A Kill the Fatted Calf and Roast It Salvatore Samperi N/A Compañeros Sergio Corbucci N/A Two Mules for Sister Sara Don Siegel N/A 1971 'Tis Pity She's a Whore Giuseppe Patroni Griffi N/A 1870 Alfredo Giannetti N/A Winged Devils Duccio Tessari N/A Duck, You Sucker! Sergio Leone N/A Cold Eyes of Fear Enzo G. Castellari N/A The Decameron Pier Paolo Pasolini N/A Tre nel mille Franco Indovina N/A The Cat o' Nine Tails Dario Argento N/A Incontro Piero Schivazappa N/A The Working Class Goes to Heaven Elio Petri N/A The Burglars Henri Verneuil N/A Short Night of Glass Dolls Aldo Lado N/A Forbidden Photos of a Lady Above Suspicion Luciano Ercoli N/A The Case is Closed, Forget It Damiano Damiani N/A Maddalena Jerzy Kawalerowicz Features "Chi Mai" Oceano Folco Quilici Documentary film A Lizard in a Woman's Skin Lucio Fulci N/A Four Flies on Grey Velvet Dario Argento N/A Without Apparent Motive Philippe Labro N/A Sacco & Vanzetti Giuliano Montaldo Composed with Joan Baez Silver Ribbon Award for Best Score
    Veruschka: Poetry of a Woman Franco Rubartelli N/A 1972 Anche se volessi lavorare, che faccio? Flavio Mogherini N/A What Am I Doing in the Middle of a Revolution? Sergio Corbucci N/A Who Saw Her Die? Aldo Lado N/A What Have You Done to Solange? Massimo Dallamano N/A D'amore si muore Carlo Carunchio N/A Fiorina la vacca Vittorio De Sisti N/A The Fifth Cord Luigi Bazzoni N/A I figli chiedono perché Nino Zanchin N/A Devil in the Brain Sergio Sollima N/A The Master and Margaret Aleksandar Petrović N/A Chronicles of a Homicide Mauro Bolognini N/A The Canterbury Tales Pier Paolo Pasolini N/A Sonny and Jed Sergio Corbucci N/A Bluebeard Edward Dmytryk N/A Black Belly of the Tarantula Paolo Cavara N/A Plot Yves Boisset N/A Life is Tough, Eh Providence? Giulio Petroni N/A L'ultimo uomo di Sara Maria Virginia Onorato N/A La cosa buffa Aldo Lado N/A My Dear Killer Tonino Valerii N/A When Women Lost Their Tales Pasquale Festa Campanile Composed with Bruno Nicolai This Kind of Love Alberto Bevilacqua N/A The Sicilian Checkmate Florestano Vancini N/A 1973 Property is No Longer a Theft Elio Petri N/A Here We Go Again, Eh Providence? Alberto De Martino Composed with Bruno Nicolai Crescete e moltiplicatevi Giulio Petroni N/A Giordano Bruno Giuliano Montaldo N/A My Name Is Nobody Tonino Valerii N/A Night Flight from Moscow Henri Verneuil N/A Libera, My Love Mauro Bolognini N/A Massacre in Rome George P. Cosmatos N/A Revolver Sergio Sollima N/A Woman Buried Alive Aldo Lado N/A The Master Touch Michele Lupo N/A 1974 Allonsanfàn Paolo Taviani Vittorio Taviani
    N/A The Murri Affair Mauro Bolognini N/A Arabian Nights Pier Paolo Pasolini N/A Around the World with Peynet's Lovers Cesare Perfetto Composed with Alessandro Alessandroni The Devil Is a Woman Damiano Damiani N/A La cugina Aldo Lado N/A Weak Spot Peter Fleischmann N/A The Secret Robert Enrico N/A Le trio infernal Francis Girod N/A Autopsy Armando Crispino N/A Almost Human Umberto Lenzi N/A Last Days of Mussolini Carlo Lizzani N/A Spasmo Umberto Lenzi N/A 1975 Eye of the Cat Alberto Bevilacqua Composed with Clément Janequin The Divine Nymph Giuseppe Patroni Griffi Composed with Cesare Andrea Bixio The Flower in His Mouth Luigi Zampa N/A Lips of Lurid Blue Giulio Petroni N/A The Sunday Woman Luigi Comencini N/A The Antichrist Alberto De Martino Composed with Bruno Nicolai Léonor Juan Luis Buñuel N/A Last Stop on the Night Train Aldo Lado N/A Fear Over the City Henri Verneuil N/A Salò, or the 120 Days of Sodom Pier Paolo Pasolini N/A Todo modo Elio Petri N/A A Genius, Two Partners and a Dupe Damiano Damiani N/A The "Human" Factor Edward Dmytryk N/A 1976 End of the Game Maximilian Schell N/A The Desert of the Tartars Valerio Zurlini N/A And Agnes Chose to Die Giuliano Montaldo N/A The Inheritance Mauro Bolognini N/A 1900 Bernardo Bertolucci N/A Down the Ancient Staircase Mauro Bolognini N/A Rene the Cane Francis Girod N/A San Babila-8 P.M. Carlo Lizzani N/A A Sold Life Aldo Florio N/A 1977 Hitch-Hike Pasquale Festa Campanile N/A The Cat Luigi Comencini N/A Il mostro Luigi Zampa N/A Il prefetto di ferro Pasquale Squitieri N/A Stato interessante Sergio Nasca N/A Orca Michael Anderson N/A Exorcist II: The Heretic John Boorman N/A 1978 Corleone Pasquale Squitieri N/A Stay As You Are Alberto Lattuada N/A Where Are You Going on Holiday? Mauro Bolognini Segment: "Sarò tutta per te" Holocaust 2000 Alberto De Martino N/A L'immoralità Massimo Pirri N/A One, Two, Two : 122, rue de Provence Christian Gion N/A Days of Heaven Terrence Malick Composed with Leo Kottke BAFTA Award for Best Film Music
    Nominated - Academy Award for Best Original Score
    La Cage aux Folles Édouard Molinaro N/A 1979 Lovers and Liars Mario Monicelli N/A Dedicato al Mare Egeo Masuo Ikeda N/A Bloodline Terence Young N/A I as in Icarus Henri Verneuil Nominated - César Award for Best Original Music A Dangerous Toy Giuliano Montaldo N/A La Luna Bernardo Bertolucci N/A Buone notizie Elio Petri N/A The Humanoid Aldo Lado N/A The Meadow Paolo Taviani Vittorio Taviani
    N/A Ogro Gillo Pontecorvo N/A 1980s[edit]
    Year Title Director Notes 1980 The Blue-Eyed Bandit Alfredo Giannetti N/A Il ladrone Pasquale Festa Campanile N/A La Cage aux Folles II Edouard Molinaro N/A Si salvi chi vuole Roberto Faenza N/A The Island Michael Ritchie N/A Fun is Beautiful Carlo Verdone N/A Men or Not Men Valentino Orsini N/A Windows Gordon Willis N/A 1981 Bianco, rosso e Verdone Carlo Verdone Nominated - David di Donatello for Best Score Butterfly Matt Cimber Nominated - Golden Globe Award for Best Original Song
    Nominated - Golden Raspberry Award for Worst Original Song
    Nominated - Golden Raspberry Award for Worst Musical Score Espion, lève-toi Yves Boisset N/A The Lady Banker Francis Girod N/A La disubbidienza Aldo Lado N/A Tragedy of a Ridiculous Man Bernardo Bertolucci N/A The Lady of the Camellias Mauro Bolognini Nominated - David di Donatello for Best Score The Professional Georges Lautner Featured "Chi Mai" from "Maddalena" Nominated - César Award for Best Original Music
    Buddy Goes West Michele Lupo N/A So Fine Andrew Bergman N/A White Dog Samuel Fuller N/A 1982 Copkiller Roberto Faenza N/A A Time to Die Matt Cimber Composed with Robert O. Ragland Blood Link Alberto De Martino N/A The Ruffian José Giovanni N/A Nana Dan Wolman N/A The Thing John Carpenter Nominated - Golden Raspberry Award for Worst Musical Score 1983 The Key Tinto Brass N/A Hundra Matt Cimber N/A Treasure of the Four Crowns Ferdinando Baldi N/A Le Marginal Jacques Deray N/A Thieves After Dark Samuel Fuller N/A Sahara Andrew V. McLaglen N/A 1984 Once Upon a Time in America Sergio Leone BAFTA Award for Best Film Music Silver Ribbon Award for Best Score Nominated - Golden Globe Award for Best Original Score La Cage aux Folles III: The Wedding Georges Lautner   1985 The Trap Giuseppe Patroni Griffi N/A The Repenter Pasquale Squitieri N/A Red Sonja Richard Fleischer N/A 1986 The Venetian Woman Mauro Bolognini N/A The Mission Roland Joffé BAFTA Award for Best Film Music
    Golden Globe Award for Best Original Score
    Nominated - Academy Award for Best Original Score 1987 Control Giuliano Montaldo N/A Farewell Moscow Mauro Bolognini N/A The Gold Rimmed Glasses Giuliano Montaldo David di Donatello for Best Score Rampage William Friedkin N/A Quartiere Silvano Agosti N/A The Untouchables Brian De Palma BAFTA Award for Best Film Music
    Grammy Award for Best Score Soundtrack for Visual Media
    Silver Ribbon Award for Best Score
    Nominated - Academy Award for Best Original Score
    Nominated - Golden Globe Award for Best Original Score 1988 A Time of Destiny Gregory Nava N/A Frantic Roman Polanski N/A Cinema Paradiso Giuseppe Tornatore Composed with Andrea Morricone BAFTA Award for Best Film Music
    David di Donatello for Best Score
    Nominated - Silver Ribbon Award for Best Score
    1989 Time to Kill Giuliano Montaldo N/A Casualties of War Brian De Palma Nominated - Golden Globe Award for Best Original Score Fat Man and Little Boy Roland Joffé N/A 1990s[edit]
    Year Title Director Notes 1990 Tie Me Up! Tie Me Down! Pedro Almodóvar Nominated - Goya Award for Best Original Score The Palermo Connection Francesco Rosi N/A Hamlet Franco Zeffirelli N/A The Bachelor Roberto Faenza Nominated - David di Donatello for Best Score The Big Man David Leland N/A Everbody's Fine Giuseppe Tornatore David di Donatello for Best Score State of Grace Phil Joanou N/A Tre colonne in cronaca Carlo Vanzina N/A 1991 Bugsy Barry Levinson Nominated - Academy Award for Best Original Score
    Nominated - Golden Globe Award for Best Original Score Especially on Sunday Marco Tullio Giordana
    Giuseppe Tornatore Composed with Andrea Morricone Husband and Lovers Mauro Bolognini N/A Money Steven Hilliard Stern N/A 1992 City of Joy Roland Joffé N/A The Long Silence Margarethe von Trotta N/A Lorenzo's Oil George Miller N/A 1993 In the Line of Fire Wolfgang Petersen N/A Jonah Who Lived in the Whale Roberto Faenza David di Donatello for Best Score
    Nominated - Silver Ribbon Award for Best Score The Escort Ricky Tognazzi Nominated - David di Donatello for Best Score 1994 A Pure Formality Giuseppe Tornatore N/A Love Affair Glenn Gordon Caron N/A Disclosure Barry Levinson N/A Wolf Mike Nichols Nominated - Grammy Award for Best Score Soundtrack for Visual Media 1995 The Star Maker Giuseppe Tornatore Nominated - David di Donatello for Best Score
    Nominated - Grammy Award for Best Score Soundtrack for Visual Media Who Killed Pasolini Marco Tullio Giordana N/A The Night and the Moment Anna Maria Tatò N/A Sostiene Pereira Roberto Faenza N/A 1996 The Stendahl Syndrome Dario Argento N/A La Lupa Gabriele Lavia N/A We Free Kings Sergio Citti N/A The Nymph Lina Wertmüller N/A Strangled Lives Ricky Tognazzi N/A 1997 Cartoni animati Franco Citti
    Sergio Citti N/A Lolita Adrian Lyne N/A U Turn Oliver Stone N/A 1998 The Legend of 1900 Giuseppe Tornatore Golden Globe Award for Best Original Score
    Nominated - David di Donatello for Best Score The Phantom of the Opera Dario Argento N/A Bulworth Warren Beatty Nominated - Grammy Award for Best Score Soundtrack for Visual Media 2000s[edit]
    Year Title Director Notes 2000 Canone Inverso - Making Love Ricky Tognazzi David di Donatello for Best Score
    Silver Ribbon Award for Best Score Malèna Giuseppe Tornatore Nominated - Academy Award for Best Original Score
    Nominated - David di Donatello for Best Score
    Nominated - Golden Globe Award for Best Original Score Mission to Mars Brian De Palma N/A 2001 Vatel Roland Joffé N/A Aida of the Trees Guido Manuli N/A Un altro mondo è possibile Various Documentary film La ragion pura Silvano Agosti N/A 2002 Senso '45 Tinto Brass N/A Ripley's Game Liliana Cavani N/A Carlo Giuliani, Boy Francesca Comencini Documentary film 2003 The End of a Mystery Miguel Hermoso N/A Instructing the Heart Giovanni Morricone Composed with Andrea Morricone Nominated - Silver Ribbon Award for Best Score
    2004 72 Meters Vladimir Khotinenko N/A Guardians of the Clouds Luciano Odorisio N/A 2005 Fateless Lajos Koltai N/A E ridendo l'uccise Florestano Vancini N/A 2006 The Unknown Woman Giuseppe Tornatore David di Donatello for Best Score Libertas Veljko Bulajic N/A A Crime Manuel Pradal N/A 2008 The Demons of St. Petersberg Giuliano Montaldo Nominated - Silver Ribbon Award for Best Score 2009 Baaria Giuseppe Tornatore David di Donatello for Best Score 2010s[edit]
    Year Title Director Notes 2011 Love Story Florian Habicht N/A 2013 The Best Offer Giuseppe Tornatore David di Donatello for Best Score
    Silver Ribbon Award for Best Score 2015 Come What May Christian Carion Nominated - César Award for Best Original Music Il Sole è buio Giuseppe Papasso Documentary film
    Composed with Paolo Vivaldi The Hateful Eight Quentin Tarantino Academy Award for Best Original Score
    ASCAP Award for Best Film Score
    BAFTA Award for Best Film Music
    Golden Globe Award for Best Original Score
    Nominated - Grammy Award for Best Score Soundtrack for Visual Media
    Nominated - Saturn Award for Best Music 2016 The Correspondence Giuseppe Tornatore Nominated - David di Donatello for Best Score Television films and series[edit]
    1960s[edit]
    Year Title Notes 1960 Il Lieto Fine Television film Gente che va e gente che viene 1961 Enrico '61 Documentary special Alla scoperta dell'America 1963-64 Smash Theme music & 10 episodes 1970s[edit]
    Year Title Notes 1970-71 The Virginian Theme music; Season 9 1973 Nessuno deve sapere Theme music & 6 episodes 1974 Moses the Lawgiver Miniseries 1975-77 Space: 1999 Italian-language version
    Theme music & 48 episodes 1976 Drammi gotici Television film 1977 Forza Italia! Documentary special 1978 Noi lazzaroni Television film Il prigioniero 1978 FIFA World Cup Theme music Le mani sporche Miniseries 1979 Orient-Express Dietro il processo Television film 1980s[edit]
    Year Title Notes 1981 The Life and Times of David Lloyd George Theme music & 9 episodes 1982 Marco Polo Miniseries 1983 The Scarlet and the Black Television film 1985 Via Mala Miniseries 1985-95 La Piovra Theme music & 36 episodes 7 d'Or for Best Music
    1986 C.A.T. Squad Television film 1987 The Secret of the Sahara Miniseries The Betrothed Theme music & 7 episodes 1988 Gli indifferenti Miniseries 1989 The Endless Game Gli angeli del potere Television film 1990s[edit]
    Year Title Notes 1990 Cacciatore di nave Television film Voyage of Terror: The Achille Lauro Affair 1991 Il principe del deserto Miniseries Piazza di Spagna Theme music & 5 episodes 1992 Una storia italiana Miniseries 1994 Missus Genesis: The Creation and the Flood Television film Jacob 1995 Il barone Miniseries 1996 Samson and Delilah Television film 1997 Solomon In fondo al cuore Miniseries Nostromo Il quarto re Television film 1998 La casa bruciata Ultimo In fondo al cuore 1999 Ultimo 2 - La sfida Tower of the Firstborn I guardiani del cielo Miniseries Nana 2000s[edit]
    Year Title Notes 2000 Padre Pio: Between Heaven and Earth Miniseries 2001 La Piovra 10 Television film 2002 Perlasca, un Eroe Italiano Miniseries Un difetto di famiglia Il diario di Matilde Manzoni 2002-03 Musashi Theme music & 49 episodes 2003 The Good Pope: Pope John XXIII Miniseries Maria Goretti Television film ICS L'amore ti da' un nome Charlie Chaplin – Les années suisses Documentary special 2004 Ultimo 3 - L'infiltrato Television film 2005 Il Cuore nel Pozzo Miniseries Karol: A Man Who Became Pope Cefalonia Television film Lucia Bartali: The Iron Man Miniseries 2006 Karol: The Pope, The Man La provinciale Giovanni Falcone - L'uomo che sfidò Cosa Nostra 2007 L'Ultimo dei corleonesi Television film 2008 Résolution 819[19] 2009 Pane e libertà Miniseries Quatraro Mysteriet Theme music & 8 episodes 2010 Mi Ricordo Anna Frank Television film Filumena Marturano 2011 Napoli milionaria Napoli milionaria Questi fantasmi 2011-13 Come un delfino - La serie Theme music & 6 episodes 2012-13 L'isola Theme music & 12 episodes 2012 Sabato, domenica e lunedì Television film Paolo Borsellino: The 57 Days 2013 Ultimo 4 - L'occhio del falco Miniseries
  14. Sad
    Muad'Dib reacted to Pawel P. in R. I. P. Ennio Morricone   
    Just before his passing Ennio Morricone wrote a touching goodbye...
     
    “I, Ennio Morricone, am dead. 
    So I announce it to all the friends who have always been close to me and also to those who are a little far away, whom I greet with great affection. Impossible to name them all.
    But a special memory is for Peppuccio and Roberta, fraternal friends very present in the last years of our life. 
    There is only one reason that prompts me to greet everyone like this and to have a funeral in private form: I don't want to disturb you. 
    I warmly greet Ines, Laura, Sara, Enzo and Norbert for sharing a large part of my life with me and my family. 
    I want to remember with love my sisters Adriana, Maria and Franca and their loved ones and to let them know how much I loved them. 
    A full intense and profound greeting to my children, Marco, Alessandra, Andrea and Giovanni, my daughter-in-law Monica, and to my grandchildren Francesca, Valentina, Francesco and Luca. 
    I hope they understand how much I loved them. 
    Last but not least (Maria). I renew to you the extraordinary love that has held us together and that I am sorry to abandon. 
    To you the most painful farewell. "
     
    Translation from Italian using Google Translate
    https://tg24.sky.it/spettacolo/musica/2020/07/06/necrologio-morricone
  15. Like
    Muad'Dib reacted to KK in R. I. P. Ennio Morricone   
    Fuck.
     
    RIP Maestro. Before I could even possibly fathom the breadth of his work, and what he did to expand the lexicon of film music outside of the Hollywood tradition, he was one of the first to make me cry when I was just starting to get into this stuff. He was one of the very very few who was actually capable of touching of the heavens with his music. The kind of touch rarely equalled by even his own colleagues.
     
     
  16. Like
    Muad'Dib reacted to Lewya in Alberto Iglesias on John Williams (and Ennio Morricone)   
    Alberto Iglesias penned an article writing about John Williams and Ennio Morricone (that Spanish award): https://www.abc.es/cultura/musica/abci-alberto-iglesias-genios-no-parecen-nada-202006060134_noticia.html
     
    Iglesias favourite JW score is The Long Goodbye, and from Morricone Cinema Paradiso. He also writes that he feels closer to Morricone.
     
    He also believes both Morricone and Williams would have liked to receive the award alone.
     
    I used Google translate:
     
    Two geniuses who are not alike at all
     
    by Alberto Iglesias

    The Princess of Asturias Award for the Arts to Ennio Morricone and John Williams recognizes two creators who have made film music an art, each expressing their talent, their style

    I imagine that by awarding this award to two such important musicians, to two geniuses, they wanted to reward the genre, film music. And that is very valuable. But I think each of them deserves it for themselves, any one of them could be the sole recipient of the award. Both Morricone and Williams seem extraordinary to me. They have made film music into an art, each one expressing his talent, his style and his way of conceiving music.
     
    They do not look alike. That is also the greatness of music in the cinema, which can house completely different styles. Williams inherits the Hollywood tradition, but also develops it and takes it to a very new place in many moments. He is the king of the great American audiovisual show.
     
    Morricone, which I feel closer to, probably, is in the measure of European cinema and has a very artisanal style, very own. I think he is the one who has thought the most about music in Europe. Film music is highly regarded and part of popular culture. Maybe these awards want to open to that popular music as the Parnassus of great art.
     
    In the same way that Dylan was awarded the Nobel Prize for Literature, although in that case there was a greater leap. To think that the music of popular tradition, so implanted, can also be the music of the high intellectual spheres. It is a splendid recognition, which I imagine will have made both of them very excited. Although I also think they would have liked to receive it alone. I don't know if they know the importance that these awards have in Spanish culture. If I had to choose a soundtrack for each of them, I would cite two, released by Quartet Records. From John Williams, "The Long Goodbye," a Robert Altman movie. It's less of Williams's big, imposing style. It has a more jazzy root, a connection to jazz. He was a jazz pianist early in his career. From Morricone, he would quote "Cinema Paradiso" or "Tie Me", which he made for Almodóvar. They are all great scores.
     
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    Muad'Dib got a reaction from Remco in Joseph Williams - Africa   
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    Muad'Dib got a reaction from pete in Joseph Williams - Africa   
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    Muad'Dib got a reaction from theBT in Joseph Williams - Africa   
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    Muad'Dib got a reaction from Jonny in Joseph Williams - Africa   
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    Muad'Dib got a reaction from Gruesome Son of a Bitch in Joseph Williams - Africa   
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    Muad'Dib got a reaction from Albus Percival Wulfric in Joseph Williams - Africa   
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    Muad'Dib reacted to Marian Schedenig in What Is The Last Film You Watched? (Older Films)   
    It *is* ok to pick on an old movie. It's *not* ok to pick on people for speaking out against racism.
     
    Re "speaking to the choir", which I let slide earlier when I shouldn't have: To what choir am I preaching when I say the solution for racism begins with being aware of it to someone who, as far as I remember, has never spoken out against it on this board, but keeps speaking out against those who do?
     
    The "KKK whackjobs" aren't the problem. They're the tip of the iceberg, and the worst, and there's very little chance that even one of them will change because people speak out against racism. There's a small chance that wannabe KKKs might reconsider. But none of them are the real problem. The problem is majorities of the population (in many countries) electing racists and white supremacists not because they themselves are actively racist (or even consider themselves racist), but because they don't consider it a problem, or aren't aware of how frequently it still happens, because they refuse to listen when others speak out. There is no neutral stance on Racism - you're either against it, or you're for it or at the very least not bothered by the fact that it happens. And if you consider yourself not racist but can't bring yourself to speak out against it, at the very least stop fighting those who do.
  24. Like
    Muad'Dib reacted to KK in Westworld Scoring Competition   
    This has also been consuming my entire feed lately. And the whole entitled fanboy response to the results has been laughable.
     
    These competitions are never ideal. When you're dealing with as many entries as you are here, production quality or "what works best" is no longer good enough to make the cutoff. People want to see ideas. And the winning composer clearly knew how to make the best of a compromised situation. Makes sense to me.
  25. Like
    Muad'Dib reacted to Montre in Westworld Scoring Competition   
    You would initially think that the backlash is a bunch of sore losers, but even people who didn’t take part in the competition are appalled. They removed the likes vs dislikes of their winner announcement video because last I checked it was approaching 60% dislikes and the comments are almost unanimously questioning the results.
     
    It’s not enough to be different, if it doesn’t also legitimately score the scene well. I question how they listened to over 11,000 entries and gave everyone a fair shot because at least one of the runners up has a fairly established YouTube subscriber base and their entry was honestly nothing special compared to several others I listened to. 

    I too think the original scene is terrible.
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