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Hlao-roo

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Everything posted by Hlao-roo

  1. It's a series I'd like to catch up with at some point -- the Ron Moore-Bear McCreary collaboration is a draw -- but in this so-called "golden age" of television I can keep up with only so many shows. I've listened to this a few times today -- it's pretty solid, though nothing really stands out. For the sake of making a haphazard comparison, Lee Holdridge's The Mists of Avalon strikes me as a better listen.
  2. The (quasi-) annual Mari (Kathy) post! Thanks everyone, and of course best wishes to the Maestro! You could have demanded to leave earlier, you know. Happy early birthday, anyway.
  3. Drive (Martinez) Cars (Newman) Rush Hour (Schifrin) Traffic (Martinez)
  4. Ah, my bad, you might have to catch me up on that one.
  5. 64 kbps ought to be enough for anybody. I have amazing, incredible, uncanny hearing abilities, and I say you are wrong. It was a throwaway reference, never mind.
  6. 64 kbps ought to be enough for anybody.
  7. What are some examples of this in John Williams's œuvre?
  8. NP: Salt (Howard). Probably the best Bourne material that Powell never wrote, but still not sure why I enjoy this so much.
  9. If this is 'musical grouting', then it's most colourful and evocative cement and sand I've ever seen, along with the most balletic tile action. He probably meant grooting.
  10. (http://www.gramophone.co.uk/review/williams-treesong-violin-concerto-3-pieces-from-schindlers-list)
  11. Same. I think it's the descending, "sighing" second half. It's weirdly melodramatic and doesn't seem to fit with the more chant-like, plaintive beginning. Yes.
  12. (http://gonewengland.about.com/library/bltanglewood2002.htm)
  13. A Poet in New York (Wiseman) Dragonheart: A New Beginning (McKenzie) NP: The Host (Pinto)
  14. Reviews printed in Georgia typeface have more credibility.
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