Hlao-roo

Totes.

Bernard Herrmann is well-represented in the Top 20. John Williams is not.

Really enjoying this: https://www.varesesarabande.com/products/the-music-of-patrick-doyle-solo-piano Marian will be disappointed that the "best love theme ever" is not included, but I'm pleased that the largely unheralded Into the West makes an appearance.

http://www.houstonsymphony.org/tickets/production/detail?id=6803

"Hipster"?

Yeah...thats like....yeah... Not to mention the periodic satisfaction we get from lobbing tomatoes at his featured reviews.

Delaying the results by a few months will only make people complain when they disagree with the final results, look at their own rankings and find that they're completely different from what they'd pick now and can't even remember what made them choose the list they posted. You make it sound like film score fans are fickle or something.

Given your affinity for Buffy (and Columbo), I'm surprised iZombie hasn't found favor with you.

In a world of Wordpress domination, I love that Filmtracks, even in its latest design iteration, remains steeped in the aesthetic of the late nineties, early naughts—particularly with the ScoreBoard still running an amped-up version of Darryl Burgdorf's WebBBS. Broxton and Southall can write circles around Clemmensen, but there's a time capsule element to Filmtracks' idiosyncracies that I continue to appreciate.

A sampling of opinions here: http://www.filmscoremonthly.com/board/posts.cfm?forumID=1&pageID=1&threadID=1918&archive=1

"Doyle was recovering from leukemia when he scored this film about a woman dying of cancer and they still threw out his music, claiming he wasn't available to make changes. Isn't that what music editors are for?" (http://www.filmscoremonthly.com/articles/2002/25_Apr---Missing_Rejected.asp)

Probably more OCPD.

John Williams is better.

What consensus? Jeff Bond raved about it (and he was hardly the only one):

Williams became a niche composer long before the creation of the subforum.

And how is it? Just started, actually. But fun in an undemanding sort of way, as LoDuca's TV scores tend to be.

NP: The Librarians (LoDuca)

Re Emmys, glad to see Maslany's work on Orphan Black finally recognized, but disappointed The Americans got shafted again (except for a nonsensical Martindale nod).

You should listen to Lionheart after. And then A Kid in King Arthur's Court (Redford). NP: Extreme Justice (Frank)

What about Morlock?

I haven't paid attention to the Oscars since 2014.

NP: Born to Be Wild (Snow)

Street Fighter (Revell) Elektra (Beck)