Hlao-roo

Street Fighter (Revell) Elektra (Beck)

I'm sad that film composers don't change the world anymore.

http://www.vulture.com/2015/07/danny-elfman-on-8-of-his-iconic-scores.html

1. Apollo 13 2. The Spitfire Grill 3. The Land Before Time 4. The Journey of Natty Gann 5. Sneakers 6. An American Tail: Fievel Goes West 7. The Mask of Zorro 8. Legends of the Fall 9. The Rocketeer 10. Searching for Bobby Fischer

Mighty Morphin Power Rangers: The Movie (Revell)

Trevor Rabin scored Armageddon.

NP: "The Trees" from The Spitfire Grill

<blockquote class="twitter-tweet" data-partner="tweetdeck"><p lang="en" dir="ltr">RIP James Horner. One of my biggest influences and one of the main reasons I decided to become a composer. My thoughts are with his family.</p>— Neal Acree (@neal_acree) <a href=" 23, 2015</a></blockquote> <script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script>

http://mashable.com/2015/06/22/composer-james-horner-plane-crash/

Please no.

"Healing" from Rosewood.

No, there is another.

Indeed, Horner's output that year was prodigious, with scores for ten films.

You might have more luck at the following address: Mr. William Ross Gorfaine/Schwartz Agency 4111 West Alameda Avenue, Suite 509 Burbank, CA 91505

Brilliant track. A brilliant score. Indeed, John Neufeld's orchestrations are excellent.

"Hell's Kitchen" from Sleepers.

http://www.slate.com/blogs/browbeat/2015/06/12/how_michael_giacchino_creates_a_new_masterpiece_from_the_original_jurassic.html

I think there was an interview where Williams humblebrags that he told Spielberg he needed a better composer than he to score Schindler's List (this was a 1993 Spielberg film about the Holocaust), with Spielberg agreeing but saying that any such composers were all dead. There's probably a link available somewhere on the site. As for the thing about Williams not reading scripts before scoring, that's news to me. I also think it's cool to read he's old school and writes at the piano with pen and paper. But I agree with the author of the article: it's striking that a composer so readily amenable to movies with futuristic content would be so resistant to using technology in the compositional process. It's almost as though those two aspects are unrelated.

Agree. I don't care what anyone else says--this is the best JP score I've heard in a long time.

I like Erasure.

I don't know, but I blame Jeff Beal for the Mars Climate Orbiter explosion.

When was the last time a John Williams score was micromanaged?

Why? They cull from a pretty broad spectrum of persuasions.

In fairness, Goldsmith had more practice.