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Posts posted by Amer
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Lets have the first impressions...
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Both JURASSIC PARK and HOOK are the defining moments of the 1990s top Williams scores!
of course there is SCHINDLERS LIST and FAR AND AWAY also.!!
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1 hour ago, Naïve Old Fart said:
Whoa!!!
This is fantastic!!!
Forget about HOOK; this is the JW reissue of the year!
The 4 new JANE EYRE Cues are worth it!!!!
I guess we will have to wait for Mike Matessino to do the podcast to disucss both HOOK and these !!
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Quartet Announces:
http://quartetrecords.com/wp-content/uploads/2023/12/BLOODLINE-1.jpg
BLOODLINE (2-CD)
Expanded Original Motion Picture Soundtrack
Music Composed and Conducted by Ennio Morricone
Produced and Mastered by Chris Malone
Liner notes by John Takis
Limited edition of 1500 units
Release date: 12/12/2023
Quartet Records and Paramount Pictures present an expanded and remastered 2-CD edition of 1979 Ennio Morricone’s classy thriller-drama score for Terence Young’s BLOODLINE.
Based on a best-selling novel by Sidney Sheldon, BLOODLINE mixes bizarre stories of family inheritance, control over a failing international pharmaceutical company, family business, betrayal, infidelity, murder and snuff movies! It features a cast of international stars including Audrey Hepburn, Ben Gazzara, James Mason, Romy Schneider, Omar Sharif, Irene Papas, Maurice Ronet and Gert Fröbe.
Ennio Morricone was no stranger to Terence Young (with whom he had previously worked on L'AVVENTURIERO) and the studio, having just received his first Academy-Award nomination for DAYS OF HEAVEN. Morricone offers one of his best efforts for a Hollywood film, with an unforgettable love theme performed by Edda Dell’Orso, tension cues, dramatic and violent music. The score is mainly dark and fatalistic, in a style that the Italian maestro would continue in other Hollywood adventures such as THE THING, STATE OF GRACE and BUGSY
A 47-minute soundtrack album of BLOODLINE was released in 1980 by Varèse Sarabande. The same program was later reissued in their limited CD Club in 2012. Unfortunately, the film suffered several changes in the final cut, which moved some cues from their original places and omitted several important passages. Disc 1 includes the score as it was conceived by Morricone with music never heard before, plus some delightful source pieces for party and casino sequences that appear here for the first time. Disc 2 includes the newly remixed original soundtrack album as well as numerous alternate versions and extras.
The entire collection has been mixed and mastered by Chris Malone from the 16-track masters preserved in mint condition and courtesy of Paramount Pictures. The package includes a 16-page booklet with in-depth liner notes by film music writer John Takis.
Tracklist
Disc 1. The Film Score
1. Main Title – Part I (Love Theme From Bloodline) 2:31
2. Main Title – Part II (Mountain Murder) 3:17
3. Arrivat At The Villa 2:38
4. Pills On Parade (Factory Fantasy) 3:29
5. Out Of The Past I 1:48
6. Out Of The Past II 2:48
7. Out Of The Past III 1:05
8. Lights Out I 1:24
9. Bloodline Murder 2:24
10. Extortion 1:55
11. Death Threat 1:51
12. Corporate Maneuvers I 2:23
13. An Almost Perfect Indiscretion (Extended Version) 4:15
14. The Trip To Paris 1:20
15. Lights Out II 2:30
16. Love Theme From Bloodline I 1:24
17. Reconciliation 1:22
18. Horrible Discovery 3:14
19. Lights Out III 3:01
20. No Accident! 1:43
21. Resolution / End Credits 3:30
Source Music
22. Gambling Casino 2:41
23. Bedroom Muzak 1:58
24. Bobsled 0:37
25. Bloodline Muzak 2:11
26. Dinner At Maxim’s 2:39
Total Disc Time: 60:12
Disc 2. The Soundtrack Album Program
1. Main Title (Love Theme) 1:50
2. Mountain Murder 1:47
3. Corporate Maneuvers 2:33
4. Out Of The Past 2:51
5. Pills On Parade (Original Version) 3:30
6. Bloodline Murder 2:23
7. Arrival At The Villa 2:39
8. Bobsled 0:38
9. Death Threat 1:53
10. Pills On Parade (Film Version) 4:51
11. An Almost Perfect Indiscretion 3:26
12. The Trip To Paris 1:39
13. Another Bloodline Murder 2:14
14. Dinner At Maxim’s 2:43
15. Reconciliation 1:22
16. Lights Out 2:36
17. No Accident! 2:09
18. Horrible Discovery 3:27
19. Resolution / End Title 3:52
Bonus Tracks
20. Out Of The Past II (Alternate) 2:50
21. Out Of The Past III (Alternate 1) 1:05
22. Out Of The Past III (Alternate 2) 1:06
23. Bloodline Murder (Alternate 1) 2:24
24. Bloodline Murder (Alternate 2) 2:25
25. Love Theme From Bloodline II 0:50
26. Corporate Maneuvers II 0:57
27. Bloodline Stingers 1:00
28. Main Title And Mountain Murder (Film Version) 3:35
Total Disc Time: 64:39
Total 2-CD Time: 124:51
https://quartetrecords.com/product/bloodline-2-cd/ -
http://quartetrecords.com/wp-content/uploads/2023/12/VENOM1.jpg
Quartet Announces:
Original Motion Picture Soundtrack
VENOM
Original Motion Picture Soundtrack
Music Composed and Conducted by Michael Kamen
Produced and Mastered by Chris Malone
Liner notes by Jeff Bond
Limited edition of 1000 units
Release date: 12/12/2023
Quartet Records, in collaboration with Aribage Limited and the Michael Kamen estate, is proud to present the premiere release of the early Michael Kamen (BRAZIL, LETHAL WEAPON, DIE HARD, LICENCE TO KILL) score for 1982 British thriller VENOM.
Directed by Piers Haggard and based on the novel by Alan Scholfield, starring Sterling Hayden, Klaus Kinski, Sarah Miles, Nicol Williamson, Susan George and Oliver Reed, VENOM tells the story of a group of international terrorists who attempt to kidnap a wealthy couple’s child. Their plan comes unstuck when a deadly Black Mamba escapes with the terrorists and several hostages trapped in the boy's London home. A tense evening is had by all as the snake creeps around the house, picking off the characters one by one.
The young Michael Kamen composed a tremendous score, one of his best and an obvious precursor to some of his future successes. In VENOM, one can hear everything from a variation of his future and celebrated theme for THE DEAD ZONE to echoes of what would later be the CONCERTO FOR SAXOPHONE AND ORCHESTRA (as well as parts he later used in ROBIN HOOD and DIE HARD 2). Kamen wisely avoided mimicry, instead imprinting the film with his distinctive voice. Using low woodwinds, low strings and muted brass, he masterfully crafted an atmospheric and personality-rich soundtrack. VENOM is a pivotal score in the composer’s filmography, not only suitably serves the film, but also foreshadows Kamen’s rapid ascent to the ranks of Hollywood’s A-list composers in the years ahead.
Performed by the National Philharmonic Orchestra under the baton of the composer (who also orchestrated the score in its entirety), this release utilizes three reels of two-track Abbey Road mixes by Eric Tomlison and provided by the Michael Kamen estate. Upon reviewing these masters, it became apparent that editorial adjustments had been made to Kamen’s original compositions for the film. Notably, the “End Titles” music, intended as an unsettling coda, was repurposed within the body of the film. In presenting this release, we restore Michael Kamen’s music to its intended sequencing, allowing the composer to present his story arc. Bonus tracks, including “snake” motifs and drones, conclude the listening program.
This album has been meticulously produced, restored and mastered by Chris Malone. The package includes a 20-page booklet with in-depth liner notes by film music writer Jeff Bond.
Tracklist:
1. Main Titles 2:52
2. Seduction 1:05
3. Mugambo 1:44
4. Picking Up Jacmel / Drive To Jacmel House 3:08
5. Boy In Car / First Kill 6:06
6. One Dead Maid 2:49
7. Praparate / Waiting 0:57
8. One Dead Rabbit 0:49
9. Grandfather Hunt 3:25
10. That’s It 1:35
11. Duct 1:43
12. On The Steps / Snake 2:09
13. Drinks? / Dave’s Leg 2:57
14. Final Death 3:44
15. End Titles 2:36
Bonus Tracks
16. Main Titles (Film Version) 2:49
17. Mugambo (Orchestral Only) 1:43
18. Snake 1 1:09
19. Snake 2 1:14
20. Snake 3 1:09
21. Snake 4 1:03
22. A Drone 0:39
23. C Drone 0:58
24. End Titles (Alternate) 2:29
Total Disc Time: 51:06
https://quartetrecords.com/product/venom/- JTN and Yavar Moradi
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http://quartetrecords.com/wp-content/uploads/2023/11/SEANCE-ON-A-WET-AFTERNOON.jpg
http://quartetrecords.com/wp-content/uploads/2023/11/KATHARINE-HEPBURN.jpg
WORLD PREMIERE RECORDING OF THE FILM SCORE
SÉANCE ON A WET AFTERNOON /
MUSIC FOR KATHARINE HEPBURN (2-CD)
Music Composed by John Barry
Performed by Orquesta de Córdoba
Conducted by Fernando Velázquez
Score Reconstruction: Leigh Phillips
Release date: 12/12/2023
Quartet Records is proud to present a brand-new recording conducted by Fernando Velázquez of another film score that is either lost or inaccessible – in this case no fewer than five films scores by John Barry: a suspense classic from the '60s, a film adaptation of a classic play, and three television movies starring Katharine Hepburn.
John Barry would have turned 90 on November 3, 2023. The unforgettable music of this five-time Oscar winner continues to be celebrated around the world, and indeed the impact of his innovative scores for dozens of movies from the 1960s through the '90s continues to reverberate to this day.
Disc 1 includes the complete score of SÉANCE ON A WET AFTERNOON (1964), a major work previously missing from the composer’s discography. It was one of his masterpieces for Bryan Forbes that, unfortunately, remained unreleased due to the absence of master tapes. Orchestrated for a small ensemble featuring vibrant percussion and woodwinds, it's a mysterious, suggestive, unsettling score, reaching its culmination in the long rescue sequence.
As a bonus, we have included another rarity that deserves to be rescued. A DOLL'S HOUSE (1973) was one of Barry’s briefest scores: a single, sad melody for celeste, harp, harpsichord and piano, repeated three times during the film's length.
Disc 2 is devoted to three lovely telefilms: a trilogy of period play adaptations starring Katharine Hepburn. LOVE AMONG THE RUINS and THE CORN IS GREEN, both directed by George Cukor in 1975 and 1979, respectively, contain memorable main and love themes, brilliantly orchestrated. The two scores are stylistically similar, featuring strings, woodwinds, piano and harpsichord. THE GLASS MENAGERIE, adapted from Tennessee Williams’ famous play and directed by Anthony Harvey (with whom Barry had previously worked on THE LION IN WINTER) was written for solo piano, performed by the composer himself, who always claimed to be a not-very-good pianist, but it was precisely this innocence and imprecision that Harvey was looking for. For our recording, celebrated pianist Silvia Mkrtchian has approximated the spirit of the original Barry recording.
If there is one thing that the five scores presented here have in common, it's John Barry's great ability to work with small, almost chamber-like ensembles, seeking the specific sound of each story without being an intrusive voice, always with a British personality of reserve and deftness.
Leigh Phillips has painstakingly reconstructed and orchestrated all five scores. They are performed by the prestigious Orquesta de Córdoba conducted by Fernando Velázquez. Recorded and mixed by Marc Blanes, the audio has been meticulously mastered by Chris Malone in the spirit of Barry's original recordings. Elegant design by Nacho B. Govantes with cover art designed by Jim Titus graces a 28-page booklet with an in-depth essay by film music journalist and writer (and major Barry connoisseur) Jon Burlingame.
Tracklist:
DISC 1. SÉANCE ON A WET AFTERNOON (1964)
1. Main Title From Séance On A Wet Afternoon 2:14
2. The Room 0:41
3. The Plan 0:22
4. Myra Remembers 5:26
5. Billy Leaves 0:55
6. Kidnapped 1:24
7. The Ransom Letter 1:01
8. The Prayer / Good Morning, Amanda 1:04
9. The Drop (Part 1) 2:09
10. The Drop (Part 2) 2:44
11. The Drop (Part 3) 3:02
12. We’re Mad 0:33
13. Mrs. Clayton’s Reading / The Woods 1:21
14. The Final Reading 1:21
15. Arthur’s Waiting 0:54
16. Finale From Séance On A Wet Afternoon 1:51
A DOLL’S HOUSE (1973)
17. Main Title From A Doll’s House 1:26
18. The Children 0:29
19. Tarantella 0:48
20. End Title From A Doll’s House 1:19
Total Disc Time: 31:08
DISC 2. LOVE AMONG THE RUINS (1975)
1. Main Title From Love Among The Ruins 1:41
2. There She Is 3:10
3. You Look, You Look… / Don’t You Remember? 0:36
4. The Boy Who Loved You 1:09
5. First Time I Saw You 1:53
6. I Pray You Know Me When We Meet Again 0:39
7. The Fire’s Gone Out 0:26
8. Freedom’s Prisoner 1:44
9. A Day In Court 0:50
10. Sauerbraten With Egg And Milk 5:31
11. Vision Of Portia 2:02
12. End Title From Love Among The Ruins 2:44
THE CORN IS GREEN (1979)
13. Main Title From The Corn Is Green 1:44
14. First Look / Get The Rights 1:19
15. Going To See The Squire 1:03
16. Morgan Dreams 0:27
17. Good Day, Sir 0:56
18. First Composition 1:12
19. Morgan Enrolls 1:44
20. Two Year Birthday 0:41
21. Lady Moffat Studies 0:37
22. Morgan Upset 0:38
23. To The Squire, Again 1:26
24. How Kind You Are 0:48
25. Moffat Home 0:26
26. Enraged Morgan 0:46
27. I Don’t Understand You 1:06
28. Moffat Alone 1:29
29. Off You Go 0:21
30. To Oxford 2:13
31. Reflection 1:19
32. The Lady Gets A Baby 0:53
33. Morgan Decides 2:51
34. End Title From The Corn Is Green 1:08
THE GLASS MENAGERIE (1973)
35. Main Titles From The Glass Menagerie 1:11
36. An Old Maid / Father’s Charm 1:07
37. The Argument / A Nailed-Up Coffin 0:42
38. Laura’s World 1:14
39. The Unicorn 2:11
40. Goodbye 1:41
Total Disc Time: 56:46
Total 2-CD Time: 87:54
https://quartetrecords.com/product/seance-on-a-wet-afternoon-katharine-hepburn-2-cd/
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QUARTET ANNOUNCES:
Expanded Original Motion Picture Soundtrack
DAD (2-CD)
Expanded Original Motion Picture Soundtrack
Music Composed and Conducted by James HornerProduced by Mike Matessino and Neil S. Bulk
Mastered by Mike Matessino
Liner notes by Deniz Cordell
Limited edition of 2000 unitsRelease date: 12/12/2023
Quartet Records, Universal Pictures, Amblin Entertainment, Universal Music Special Markets and Geffen Records present an expanded and remastered 2-CD edition of DAD, the sensitive score composed by James Horner (FIELD OF DREAMS, CASPER, BRAVEHEART, TITANIC) for the 1989 Steven Spielberg production. The film is a family drama written and directed by Gary David Goldberg, and features stars Jack Lemmon, Ted Danson, Olympia Dukakis and Ethan Hawke.The film tells the story of John Tremont (Danson) who returns home after his mother (Dukakis) suffers a heart attack, and ends up caring for, and developing a new bond with, his dad, Jake (Lemmon). This new stage in their relationship restores Jake’s will to live. Meanwhile, Jake’s relationship with his grandson Billy (Hawke), upset by the separation of his parents, encourages the rebuilding of the family.
James Horner composed a touching score, dominated by a beautifully heartwarming theme. This expanded collection has been produced by Mike Matessino and Neil S. Bulk and mastered by Matessino from original 2-track mixes by engineer Shawn Murphy. Disc one includes the film score presentation with never-before released material and additional bonus tracks. The original MCA album, long out of print, is on Disc 2, which features performance variation in some tracks. The package includes an in-depth essay by film music writer and conductor Deniz Cordell.
Tracklist:DISC 1. SCORE PRESENTATION
1. Prologue From “Dad” (1:55)
2. Dad (3:12)
3. Saying Goodnight (2:34)
4. I Think It’s White (1:25)
5. Farm Flashback / Visiting Mom (1:06)
6. Mopping The Floor (1:03)
7. Playing Catch (2:01)
8. The Farm (1:51)
9. The Hug (1:02)
10. Wheelchair (2:28)
11. Taking Dad Home (6:41)
12. Where’s Dad? (2:41)
13. The Vigil (2:23)
14. Recovery (1:28)
15. Fashion Show (4:37)
16. The Greenhouse (4:06)
17. Goodbyes (Film Version) (8:23)Additional Music
18. Playing Catch (Alternate) (1:59)
19. Taking Dad Home (Alternate) (6:42)
20. Where’s Dad? (Alternate) (2:34)
21. The Greenhouse (Alternate) (4:09)
22. The Vigil (Alternate) (2:28)Total Disc: 67:14
DISC 2. ORIGINAL SOUNDTRACK ALBUM
1. Prologue And Main Title (5:16)
2. Saying Goodnight (2:30)
3. Mopping The Floor (1:03)
4. Playing Catch / The Farm (3:27)
5. The Vigil (2:23)
6. Taking Dad Home (6:41)
7. Dad (3:12)
8. Recovery (1:27)
9. The Greenhouse (4:04)
10. Goodbyes (9:09)Total Disc: 39:16
Total 2-CD Time: 106:30https://quartetrecords.com/product/dad-2-cd/
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3 hours ago, Thor said:
LOL! Three threads all at once. I guess everyone wanted to be first (and I guess you were, Amer).
It goes without saying that I'm content with the old releases of these, but I have to say I'm very curious about the audio restoration for both, especially JANE EYRE. The old Silva is OK, but there's definitely room for improvement in that regard. Might replace at least my iTunes version with this new one.
These have been lovingly 'future proofed' by Mike Matessino. Im sure the upgrde in quality will be worth the price of admission!! The Bonus cues and presentations are essential for die hard film music and Williams fans!
Kudos to QUARTET for bringing these back in print.
- Mr. Hooper and That_Bloke
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Quartet Announces:
ORIGINAL SOUNDTRACKS
HEIDI / JANE EYRE (2-CD)
Revised, Remastered and Slightly Expanded Scores
Music Composed and Conducted by John Williams
Produced, Restored and Mastered by Mike Matessino
Liner notes by John Takis
Limited edition of 2500 units
Release date: 12/12/2023
Quartet Records, in collaboration with Capitol Records and Universal Music Entertainment, present a 2-CD set with a revised, remastered, slightly expanded edition of scores for two landmark made-for-television films composed by John Williams (STAR WARS, E.T., JURASSIC PARK, HOOK) between 1968 and 1970.
Both of these adaptations of classic stories were presented by Omnibus Productions and directed by Delbert Mann, and both also earned Emmy® Awards for John Williams’ original music. Through these scores, the composer shaped the destinies of two classic literary characters as well as his own.
Every effort was made to locate surviving audio elements for both HEIDI and JANE EYRE. The discovery of the original ½″ four-track masters from HEIDI containing all of the cues selected for the 1968 narrated story album facilitated an attentive new mix of the music and a presentation in narrative order. The narration record was newly transferred by Universal Music Group and is presented after the musical score.
For JANE EYRE, a new high-resolution transfer of the 1971 ¼″ stereo album master was provided by Universal Music Group, with audio then fully restored. This is followed by four tracks of additional material, including a short segment of source music that is heard in the film but was not on the album. The other three tracks are alternate performances of three selections recorded for the album, “To Thornfield,” “Restoration” and the “Love Theme.” This material was sourced from two ½″ 3-track tapes that were discovered at Twentieth Century Fox in early 2019. While no additional score cues could be located, the recovery of any new material from this enduring and highly regarded John Williams work is most welcome.
The entire collection has been painstakingly remixed, restored, assembled and mastered by Mike Matessino, preserving all the freshness of the original recording. The package includes a 28-page full-color booklet with in-depth liner notes by film music writer John Takis and classy art direction by Jim Titus.
Disc 1. HEIDI
Original Motion Picture Score
1. Overture (Theme From ‘Heidi’) 2:21
2. Arrival In Dörfli 3:12
5. At The Church :57
6. Meditation Rock 2:20
7. Dinner Table :47
8. Stealing Rolls 1:10
9. The Bedroom 1:55
13. Waiting With Grandfather 1:35
14. Separation 3:28
15. The Farewell 3:52
16. Klara Walks 3:51
Total Score Presentation: 35:27
1968 Original Soundtrack With Dialogue and Narration
17. Main Title And Overture 2:21 (John Williams and Orchestra)
18. The Old Man And The Child 2:49 (Sir Michael Redgrave, Jennifer Edwards)
19. A Place Of My Own 3:35 (Sir Michael Redgrave, Jennifer Edwards)
20. The Alm 3:39 (Jennifer Edwards)
21. The Sleeping Child 2:22 (Sir Michael Redgrave)
22. Meditation 2:25 (Sir Michael Redgrave, Jennifer Edwards)
23. A Place Of My Own (Heidi’s Theme) 2:41 (Carri Chase, Vocal)
24. Shadows 3:51 (Sir Michael Redgrave)
25. Reflections 4:16 (Jennifer Edwards)
26. A New Dimension 1:56 (Sir Michael Redgrave, Jennifer Edwards)
27. The Nature Of Things 2:25 (Sir Michael Redgrave)
28. Love Theme From ‘Heidi’ 2:54 (John Williams and Orchestra)
29. The Miracle 2:55 (Sir Michael Redgrave)
30. Finale And End Title 1:05 (Sir Michael Redgrave)
Total Soundtrack Album: 39:20
Disc 2. JANE EYRE
Original Soundtrack Album
1. The Love Theme From ‘Jane Eyre’ 3:17
3. Lowood 2:28
5. Festivity At Thornfield 2:11
6. Grace Poole And Mason’s Arrival 3:03
7. Meeting 3:09
8. Thwarted Wedding 2:40
10. Restoration 3:58
11. Reunion (End Title) 4:25
Total Soundtrack Album: 34:06
Additional Music
12. More Festivity :44
13. To Thornfield (Alternate) 1:54
14. Restoration (Alternate) 3:56
15. The Love Theme From ‘Jane Eyre’ (Alternate) 3:19
Total Additional Music: 10:02
https://quartetrecords.com/product/heidi-jane-eyre-2-cd/
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I had an exception message from my USPS Tracking info and a few hours later it indicated that it was slowly moving ...??
Anyways its back in Transit.
Whew!!
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This release and JWFAN.NET comes full circle!!
its like Destiny or something. This mammoth score and its fandom all belong here..
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7 hours ago, Edmilson said:
I can't believe those idiots are still mad at Goldenthal for complaining about Bates borrowing his material for 300. Seems like such a petty thing, especially now a decade and a half over, when Snyder parted ways with Bates and then WB parted with Snyder.
That is, if the actual reason for Goldenthal WB scores not being expanded is indeed that. Because I honestly find that hard to believe.
They probably have forgotten over it by now too!
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10 minutes ago, Naïve Old Fart said:
Why, pray tell?
Typical licensing issue owing to two different recordings with different ownership. MGM/UA Entertainment Company etc. ( I guess?)
Varese wanted to do this many years ago but it was way too complicated and involving time consuming legalities to sort. So, someday it may happen but Im not holding my breadth.
Its one of the reason I went ahead and sought out a copy from ebay of the OST this year.
P.S. Im culling this info from various posts across messageboards
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Both LLL and Intrada seem to be rich with James Horner titles lately so I wouldn't be surprised if Varese has one or two up it's sleeve.
BRAINSTORM would be ideal but I believe there are too technical hurdles on that one.
How about Elfman's PEE WEE'S BIG ADVENTURE Or a new edition of ALIENS with the OST ?
- JTN and Bryant Burnette
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@Jay, I hope the podcast will cover the VINYL project when it was suddenly announced during the films anniversary timeline and whether its delay had something to do with further recollections on the speed etc...? im vaguely remember this...
Also it seems Williams seems to be warming up to the inclusion of songs and source music just as he did with SABRINA release. It's good sign perhaps future project will have the same approach.
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16 minutes ago, Holko said:
Yeah same, I still remember how everything was frosted up when it arrived, but I think that set specifically was prioritised to the US buyers first or something? My concern is that I'm at work the next 3 weeks but home in the week before Christmas so I might have to change my order destination or get someone to pick it up and go in just to get it.
I was lucky. I had an aunt visiting from US to me and I had my HP set shipped directly to her. LLL made sure they shipped it super fast for me specificaly on priority and it arrived quickly before her flight.
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On 24/11/2023 at 5:41 PM, BB-8 said:
Is there already a spreadsheet where we can compare tracklists between the previous 2 CD edition of Hook and the new one?
Agreed. I was wondering the same. It would be more like a post mortem of the previous LLL edition. I think it would be fascinating you compare and analyse the major differences between the two !
Also:
As we are all waiting for our HOOK and other LLL orders to ship once the inventory arrives on 1st December but it's also very likely LLL will get a headstart to ship them before December 1st if the stock arrives before. Let's hope. I'm so excited..
( But It's the non US folks like me who will have to wait longer...)
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Basically as in STAR WARS this is is just a cataloging of ownership of the INDIANA JONES music catalogue. Once these are housed and branded they are now officially under the Disney house. So thats why its a straight forward reissue.
I was expecting this when DIAL OF DESTINY came out but we were all so taken up by its limited release that we didn't ponder enough on this possibility..until now!
This was expected to happen. Nothing new here.
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James Horner's THE MASK OF ZORRO (1998) - 2023 2-CD Expanded Edition from La La Land Records, produced by Neil S. Bulk
in General Discussion
Posted
Was it Air Lyndhurst in London??