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Hey everyone! My name is Brad Frey, and I'm a composer who also happens to be a huge fan of John Williams, and of this forum. It's good to be here! I started a YouTube channel awhile ago called "FilmScoreAnalysis," where I took full film score cues, reduced them down to a few staves, analyzed them, and put the film on screen with the reduced and analyzed score. Some of these cues so far come from films like Jurassic Park, Jaws, and Harry Potter, and I'm working on several more from Star Wars, Catch Me If You Can, Raiders - you get the idea. You can visit the channel here: http
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So yeah, this was a piece I wrote for my friends (since they think everything I write sounds like a "hot airballoon ride". I explored the concept of leitmotif and having each cue have its own theme (as Williams does). I'm posting it on this website because, well almost everyone here is a John Williams fan, and I'm sure you'll be able to find each theme of the characters/scenes on your own (based on extensive cue/soundtrack analysis I've found here.) Here is a more detailed list of each cue featured in the score: Opening Fanfare ( - ) Introduction of the Hero and the Glance ( -
So yeah, this was a piece I wrote for my friends (since they think everything I write sounds like a "hot airballoon ride". I explored the concept of leitmotif and having each cue have its own theme (as Williams does). I'm posting it on this website because, well almost everyone here is a John Williams fan, and I'm sure you'll be able to find each theme of the characters/scenes on your own (based on extensive cue/soundtrack analysis I've found here.) Here is a more detailed list of each cue featured in the score: Opening Fanfare ( - ) - Just a picture of a field with a whole bu
