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Found 31 results

  1. http://store.gnpcrescendo.com/new/product_info.php?products_id=228'>http://store.gnpcres...products_id=228 Jason if you want to edit the post so it is more professional that's fine with me.
  2. FIRST La-La Land and Creature Features released a joint press release: Source: http://www.creaturef...ck-celebration/ or https://www.facebook...31953754&type=1 THEN Ain't It Cool News posted a high quality version of the cover art: Source: http://www.aintitcool.com/node/55816"]http://www.aintitcool.com/node/55816 FINALLY trekmovie.come revealed the complete track listing: Source: http://trekmovie.com...core-bts-video/
  3. Source: http://secure.campaigner.com/Campaigner/Public/t.show?TuAn--Et6a-gkivq2'>http://secure.campai...An--Et6a-gkivq2 http://lalalandrecords.com/StarTrekMailingList.html'>http://lalalandrecor...ailingList.html https://www.facebook.com/photo.php?fbid=10151179476523755&set=a.181243738754.155532.56031953754&type=1'>https://www.facebook...31953754&type=1
  4. Today (April 5th,2020) is the 76th Birthday of our very good friend and award-winning composer DENNiS McCARTHY and what better of wishing him a happy birthday then present him conducting the Star Trek GENERATIONS overture in this live performance. https://www.youtube.com/watch?v=1lND0-aTzr8/ Happy Birthday and A HUGE YO from the gang at BSX
  5. With the release of The Rise of Skywalker, we finally get to hear Williams giving his final send-off to the Star Wars franchise. With it, one can't help but bring about comparisons to another composer and his send-off to another beloved space franchise. I speak, of course, of Goldsmith's Star Trek: Nemesis. While the two scores differ in that, while Williams went into TROS knowing this would be his last Star Wars score, Goldsmith did not have the same benefit of going into Nemesis knowing this would be his last say on Trek. That said, both scores I feel work well as far as providing some sort of feeling of finality to these composers and their respective journeys with these franchises that they had been a part of for decades. Listening to both scores, one can't help but feel, although perhaps imposed retroactively in the case of Nemesis, that the proverbial book is being shut by each composer. With Nemesis, we are hit with lovely numbers like this one... ...which see our emotional buttons being pressed in ways not identical but certainly not entirely dissimilar to what Williams gives us in TROS: Alongside heightened emotions, the films bring new villainous motifs to the table: Enough blabbing. Which score do you feel serves as a better send-off for the composer with their franchise?
  6. Just revealed by MV over on the FSM forums http://filmscoremonthly.com/board/posts.cfm?threadID=94597&forumID=1&archive=0 So he's referring to the fact that 2011 had Star Trek: TNG set; 2012 had Star Trek: TMP and the TOS boxset; 2013 had the DS9 set and will have one other, so far unrevealed title. People in the FSM thread are guessing it's a set for Star Trek: Enterprise.
  7. http://www.varesesarabande.com/servlet/the-1184/Star-Trek-Into-Darkness-cln-/Detail http://www1.screenarchives.com/title_detail.cfm/ID/27668/ http://www.moviemusic.com/soundtrack/M09485/startrekintodarkness/ http://store.intrada.com/s.nl/it.A/id.9058/.f I know this is already being discussed in the Varese Club thread, but this deserves its own thread. I am of course super excited that this release is coming out, because it's a great score, and because the OST was so short, and I'm glad there's a market for expanded scores that are only a year old. However, I am a big befuddled by two choices made for the final product here! One is that Giacchino's intended original end credits suite is missing, replaced by the film edit of the end credits. This means the new recording of Spock's Theme is replaced by music tracked in from London Calling and Ode To Harrison like in the film. A big bummer that nice recording won't get a legal release, especially since the full London Calling and Ode To Harrison are on the CD anyway (Ode To Harrison in the very next track!) And secondly is that an entire cue, "Spock to Spock" is missing on this release. That's the music for Spock's conversation with Spock Prime, and featured a great new version of the Vulcan theme. You can here both missing cues in this youtube video (I apologize for not having timestamps handy, but I will try to post them later) Why on earth did <whoever chose to omit these two pieces> omit these two cues? Why!? Why!?
  8. The scores for Star Trek: The Motion Picture (Jerry Goldsmith) and Star Trek II: The Wrath of Khan (James Horner) are universally acclaimed. So I bought them. If I want to buy one more, which one do you recommend?
  9. Admin note: Original thread title was Giacchino's Star Trek - Live to Projection (April 12, 13 and 14, 2013, Lucerne, Switzerland) Michael Giacchino's full score to J.J. Abrams' Star Trek (2009) will be performed live to projection next April in Lucerne (Switzerland). The performance will take place in Lucerne's KKL Concert Hall, with Ludwig Wicki conducting the 21st Century Orchestra & Chorus. More info: http://filmmusicreporter.com/2012/12/28/live-to-projection-concerts-of-michael-giacchinos-star-trek-score-announced/ Tickets: http://www.kkl-luzern.ch/navigation/top_nav_items/culture/Programmuebersicht/detail.htm?client_request_contentOID=3813&client_request_dateOID=20102&client_locale=en_GB
  10. TrekCore.com has pre-release information and cover art for the upcoming Star Trek Deep Space Nine set. http://www.trekcore.com/merchandise/stds9_soundtrackpre.html I got to say I love the cover art!
  11. We come to it at last; the great poll of our time. Both are massively influential giants in the sci-fi genre, and continue to excite and inspire millions of fans decades after their inceptions. Which sci-fi epic do you prefer; the rollicking action and adventure of Star Wars, or the cerebral intelligence and ingenuity of Star Trek?
  12. Manitoba’s public insurance company has revoked a Star Trek inspired custom licence plate after receiving complaints that it’s offensive. Nick Troller’s two-year-old plate reads “ASIMIL8.” And now he sues the insurance company. http://www.ctvnews.ca/canada/star-trek-inspired-licence-plate-deemed-offensive-in-manitoba-1.3388592
  13. Interview with Bryan Burke TrekMovie article on it The first real official word on the next film of the franchise.
  14. http://www.lalalandrecords.com/Site/STEC.html http://www1.screenarchives.com/title_detail.cfm/ID/28439/ http://www.moviemusic.com/soundtrack/M09667/startrek-enterprise-collection/
  15. 27-year-old actor was on his way to a rehearsal when the accident occurred on his driveway, police say Anton Yelchin, who starred in the Star Trek reboot franchise, died Sunday in Los Angeles after being struck by his own car on the steep driveway of his home. http://www.cbc.ca/news/arts/anton-yelchin-dead-accident-1.3642660
  16. Later this year BSX RECORDS will be releasing a new album from Artist Dan Redfeld which will feature a new solo piano arrangement of James Horner's theme for STAR TREK II: THE WRATH OF KHAN. This is video is from the recording session for this piece that was just done and we'd just like to share it with you Enjoy Ford A. Thaxton
  17. It can be any character from any series or movie. By this I mean in terms of personality / temperament rather than appearance. Maybe this won't be easy and I doubt that members will be able to settle clearly on one, but will describe themselves as a 'fusion' of different characters, such as a bit of daring Kirk and cautious McCoy, etc depending on the situation (at work, at play etc). You know, factoring in alter ego and how we can act one way among certain groups of people and quite different among others. Is anyone 'Expendable Red T-Shirt Man', perhaps? Ever loyal, eager to please but a gullilble volunteer who gets exploited. If you really can't pin this down or are unhappy with whom you match the most, tell us which one you wish you were more like.
  18. I figured it was time to start a new thread now that we're really moving on to a new movie. And we have a preliminary date: June 29, 2012! Speculation to commence below.
  19. This will be of interest to John Williams fans in Los Angeles, especially composers, where the Academy of Scoring Arts meets oncee a month for an in depth study of orchestration. We are currently studying Star Wars Suite. The ASA was founded by Ron Jones (Family Guy, Star Trek: The Next Generation) to create a community where working composers could come together to study orchestration—Ravel, Stravinsky, John Williams—and to share information and ideas among their peers. This orchestration group, also called by its nickname the “Ravel Study Group,” continues to meet once a month in LA, led by Ron. In a few short years, it has expanded to chapters all over the US and Canada. The orchestration study concludes in its third hour with a guest speaking on orchestration or composition. These have included Bruce Broughton, Tyler Bates, Eddie Karam, and first-call percussionist Don Williams, who often co-leads the Star Wars Suite orchestration study, and who is brother of composer John Williams. In addition to the study group, the ASA alternates semi-monthly with “INFOrums,” seminars designed to appeal across disciplines to people working in the industry, but not necessarily as composers. Recent INFOrums have featured panels of picture editors, entertainment attorneys, music supervisors, hit songwriters, audio engineers, and a conducting workshop with David Newman. Read press about the orchestration study group here: http://symphonyinternational.net/score-reading-in-studio-city-getting-under-the-hood/ Follow us on Facebook, https://www.facebook.com/pages/Academy-of-Scoring-Arts/294966900566223 or visit our web site: http://www.academyofscoringarts.com/ The ASA was recently granted 501c3 status as a California non-profit.
  20. Ladies and gentlemen, young and old, this may already seem an unusual procedure for me to speak to you all before we begin this memorial/appreciation topic about even the music of a certain dead film and television music composer, but... I know this film and TV composer guy has been dead for a decade already but I am a great fan of this guy's scoring style. In fact, according to TV Tropes, this guy "was a very prolific composer so awesome he even scared the hell out of his peers....He was known for his thunderous, percussive orchestrations, his love for strange musical instruments, and his inventive integration of synthesizers as the 'fifth element' of the orchestra." And so, to commemorate the ten-year anniversary of the death and passing of this legendary film and TV maestro back in 2004, let us talk about and even appreciate the music of Jerry Goldsmith (1929-2004), especially his music for film, TV, etc. Let the Jerry Goldsmith Memorial Appreciation begin!
  21. I've seen some topics that are related to this, but I'm curious more specific to concert performance. What themes, end credit suites, cues, etc. are on your wish list to be performed live?? I've never heard any of the Wrath of Khan Main TItle, Epilogue and End Credits suite as recorded by several orchestras, notably the Cincinatti Pops. Would love to have seen Jerry conduct The Enterprise from The Motion Picture. Some of the television series themes would be amazing in concert.
  22. Not surprisingly, Giacchino is confirmed to score Star Trek (X)II http://www.comicbookmovie.com/fansites/BatFreak/news/?a=50240
  23. This isn't being officially announced until tonight at midnight PST (3am ET), but the cover art has already leaked So the circle is complete!
  24. It looks like we're getting Best of Both Worlds from GNP Crescendo next week. Karol
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