Sandor 459 Posted April 7, 2006 Share Posted April 7, 2006 For me: Lalo Shifrin's Class Of 1984. The synth effects are horrible (although forgivable) and everytime the main character has a conversation with his wife Shifrin underscores those scenes with a totally misconcieved "love ballad" which is highly inappropriate. It kills those scenes and almost the entire movie. It turns a decent film into something so unnecessary bittersweet it becomes childish... Link to comment Share on other sites More sharing options...
Ollie 859 Posted April 7, 2006 Share Posted April 7, 2006 S*P*Y*S* by Jerry Goldsmith. Link to comment Share on other sites More sharing options...
bondo 33 Posted April 7, 2006 Share Posted April 7, 2006 I really hate Ennio Morricone's score for In the Line of Fire. Too 'funky' for my taste, and such a serious film. It would have been better scored by Jerry Goldsmith or James Newton Howard. Link to comment Share on other sites More sharing options...
Goldsmithfan 3 Posted April 7, 2006 Share Posted April 7, 2006 S*P*Y*S* by Jerry Goldsmith.I have got to hear that score! I've heard such wonderful things about it! LOL . . . And I have the guts to call myself a 'Goldsmithfan'! Link to comment Share on other sites More sharing options...
AC1 3,565 Posted April 7, 2006 Share Posted April 7, 2006 Alexander - Vangelis**You can't get more A-list than good old Van. Link to comment Share on other sites More sharing options...
robthehand 3 Posted April 7, 2006 Share Posted April 7, 2006 Something by Zimmer, definitely.Alexander - Vangelis**You can't get more A-list than good old Van.Oh yeah, Chariots of Fire too. Link to comment Share on other sites More sharing options...
Romão 1,931 Posted April 7, 2006 Share Posted April 7, 2006 Alexander - Vangelis**You can't get more A-list than good old Van.The Charge was good, but I agree with you, the rest was pretty crappy. And that battle music... Link to comment Share on other sites More sharing options...
Henry B 49 Posted April 7, 2006 Share Posted April 7, 2006 I really hate Ennio Morricone's score for In the Line of Fire. Too 'funky' for my taste, and such a serious film. It would have been better scored by Jerry Goldsmith or James Newton Howard.Speaking of Morricone, The Legend of 1900 was utterly forgettable. Link to comment Share on other sites More sharing options...
AC1 3,565 Posted April 7, 2006 Share Posted April 7, 2006 Speaking of Morricone, The Legend of 1900 was utterly forgettable.Haven't forgotten about the movie though. Link to comment Share on other sites More sharing options...
pixie_twinkle 44 Posted April 7, 2006 Share Posted April 7, 2006 Alexander - Vangelis**You can't get more A-list than good old Van.The Charge was good, but I agree with you, the rest was pretty crappy. And that battle music...I have to agree. I love Vangelis' early albums, and the theme from Chariots of Fire is great (not the orchestral re-hash - it NEEDS the Vangelis sounds to work) even if the rest of the score falls a little flat. However much of his music since the mid '90s has been really bland and overwashed with reverb. He seems to have swapped his genuine gift for writing good melodies and beautiful arrangements for overblown and oversimplistic bombast. In my opinion the Alexander score is just one faux-grand theme after another. Having said that I've just ordered his first ever soundtrack on CD, from a porn film from 1969 called Sex Power! I'm anticipating something more greek/ethnic. It'll probably have a little "boom chikka waa waa" as well.PS When will anyone release Vangelis classic score from Bitter Moon?????? Both the score and film deserved a lot more acclaim I think. Link to comment Share on other sites More sharing options...
nightscape94 965 Posted April 7, 2006 Share Posted April 7, 2006 not the orchestral re-hash - it NEEDS the Vangelis sounds to work.I think Williams' version on the "Aisle Seat" CD sounds great.Tim Link to comment Share on other sites More sharing options...
Richard Penna 2,083 Posted April 7, 2006 Share Posted April 7, 2006 I like a few tracks from Alexander - Across the Mountains, Titans, Drums of Gaugamela, One Morning at Pella and Immortality (I love that one). The rest...meh. Link to comment Share on other sites More sharing options...
Marian Schedenig 5,520 Posted April 7, 2006 Share Posted April 7, 2006 Speaking of Morricone, The Legend of 1900 was utterly forgettable.That's a wonderful score (and for a wonderful movie, too)!I'm with robthehand, it's probably something by Zimmer. Of all composers who definitely are A-list composers, I'm pretty sure some of his scores must be the worst.Marian - who thinks he should stick to romantic comedies, he does nice things for those. Link to comment Share on other sites More sharing options...
Richard Penna 2,083 Posted April 7, 2006 Share Posted April 7, 2006 You know Marian, as soon as I saw the topic title, I knew someone would suggest a Zimmer score. In fact right now I'll suggest Batman Begins Link to comment Share on other sites More sharing options...
alfredo 0 Posted April 8, 2006 Share Posted April 8, 2006 While were talking about bad Morricone scores...Rampage. I paid $1 for it and I want a refund! Hans Zimmer, that score was pretty bad. Link to comment Share on other sites More sharing options...
King Mark 2,924 Posted April 8, 2006 Share Posted April 8, 2006 Mr.Baseball,GoldsmithTitanic,HornerK.M.Who kind of likes Alexander Link to comment Share on other sites More sharing options...
JoeinAR 1,759 Posted April 8, 2006 Share Posted April 8, 2006 AOTC, WilliamsNever Say Never Again, LegrandCongo, GoldsmithJumanji, Horner,Anything by Zimmer & Co. Link to comment Share on other sites More sharing options...
Hitch 55 Posted April 8, 2006 Share Posted April 8, 2006 Staying with Morricone, MISSION TO MARS does it for me. Total tosh.Joe, how could you not like NEVER SAY NEVER AGAIN? The title song along is worth the price of the CD. Link to comment Share on other sites More sharing options...
Greg1138 2 Posted April 8, 2006 Share Posted April 8, 2006 ....and it's the only place to hear "Bond - Back In Action"......which is worth a listen.........and I love the theme song too.....but wonder what it might be like with a better singer......Ms Hall is OK, but the cracks show..... Link to comment Share on other sites More sharing options...
robthehand 3 Posted April 8, 2006 Share Posted April 8, 2006 That song is definitely underrated. I heard an orchestral version once, and it sounded great. The lyrics are quite good too, but as Greg said, the performance isn't great. Link to comment Share on other sites More sharing options...
Sandor 459 Posted April 8, 2006 Author Share Posted April 8, 2006 When it comes to Morricone I agree about Rampage, but certainly NOT about either The Legend of 1900 or Mission To Mars. Mars had some outstanding pieces, in particular the "Where?" track. The music did kill the movie (almost) when Morricone used that weird organ sound. When I saw the film in Londen a few years ago, the audience actually started LAUGHING when they heard that music as if it were a joke. Some even looked around like they were convinced the wrong audio track was playing. Others were looking for a hidden camera...That IS bad scoring... Link to comment Share on other sites More sharing options...
Marian Schedenig 5,520 Posted April 8, 2006 Share Posted April 8, 2006 That much-hated organ cue is one of the most amazing moments of film scoring I've heard these past years. I honestly don't see what everyone's problem is.Marian - who thinks the sequence in the film (which otherwise varies between ok and really good) is absolutely brilliant. Dixon Hill 1 Link to comment Share on other sites More sharing options...
nightscape94 965 Posted April 8, 2006 Share Posted April 8, 2006 It's a shame the movie was so-so.Tim Link to comment Share on other sites More sharing options...
AC1 3,565 Posted April 8, 2006 Share Posted April 8, 2006 It's a shame the movie was so-so.Yeah, it was 2001 ... for dummies. Link to comment Share on other sites More sharing options...
plindboe 0 Posted April 8, 2006 Share Posted April 8, 2006 "Mission to Mars" and "Legend of 1900" are two of my alltime favorite scores, and I can't fanthom why anyone would call them his worst scores. With "In the line of fire" and "Rampage" it's certainly more understandable. Though it should be mentioned that "In the line of fire" have the ability to grow on you after some time. My least favorite Morricone score is "Un tranquillo posto di campagna", completely void of melody, simply improvised experimental noise throughout.Peter Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,251 Posted April 8, 2006 Share Posted April 8, 2006 In The Line Of Fire has one great track, Taking The Bullet. Link to comment Share on other sites More sharing options...
JoeinAR 1,759 Posted April 9, 2006 Share Posted April 9, 2006 It's a shame the movie was so-so.Yeah, it was 2001 ... for dummies.and 2001 was for psuedo intellectuals. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,251 Posted April 9, 2006 Share Posted April 9, 2006 No, 2001 was for pot smokers. Link to comment Share on other sites More sharing options...
Ollie 859 Posted April 9, 2006 Share Posted April 9, 2006 Watching 2001 made me feel like I was smoking pot. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,251 Posted April 9, 2006 Share Posted April 9, 2006 Great isn't it... Link to comment Share on other sites More sharing options...
Incanus 5,519 Posted April 9, 2006 Share Posted April 9, 2006 I know this is going to start a riot but Michael Kamen's X-Men is a horrible score. It does nothing extraordinairy in the film and is jarring to listen on its own with exception of 2 tracks. Link to comment Share on other sites More sharing options...
Mr. Breathmask 480 Posted April 9, 2006 Share Posted April 9, 2006 Michael Kamen's X-Men is one of the most underrated scores in recent years. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,251 Posted April 9, 2006 Share Posted April 9, 2006 Here we go again...Just because Kamen did not come up wuth a new Superman The Movie or Batman, doesn't mean that his score is as awfull as a lot of people on a lot of Internet forums seem to think.Don't supoort the hype please. Link to comment Share on other sites More sharing options...
Incanus 5,519 Posted April 9, 2006 Share Posted April 9, 2006 Another bad score I can think of by an A-List composer is Copland by Howard Shore. I really can't remember if it worked in the film to a great extent but I can tell you that on CD it is grating and monotonous at the same time. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,251 Posted April 9, 2006 Share Posted April 9, 2006 If a score works well in the film then it can NEVER be a bad score.You really have much to learn still, Fjord-boy! Link to comment Share on other sites More sharing options...
robthehand 3 Posted April 9, 2006 Share Posted April 9, 2006 Here we go again...Just because Kamen did not come up wuth a new Superman The Movie or Batman, doesn't mean that his score is as awfull as a lot of people on a lot of Internet forums seem to think.Don't supoort the hype please.I think he did a very good job - he clearly wasn't trying to create another Superman or Batman-like theme, and I think his approach worked extremely well. The first time I saw the film, I never thought about the score at all... I guess that's a great compliment. Link to comment Share on other sites More sharing options...
Incanus 5,519 Posted April 9, 2006 Share Posted April 9, 2006 I know that the basic criterion of a good film score is that it works in the film. Evrything else is irrelevant. I specifically said I do not like the CD incarnation of the score. Of course that is little off the subject but that does not warrant those remarks Stefan.BTW Stefan there are no fjords anywhere near here. Finland is as flat as a pancake in the south. In the north we have fells but obviously you have not studied our geography closely enough. Link to comment Share on other sites More sharing options...
Ollie 859 Posted April 9, 2006 Share Posted April 9, 2006 Kamen and Singer didn't see eye to eye and according to sources alot of what he originally wrote was dropped. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,251 Posted April 9, 2006 Share Posted April 9, 2006 Singer probably wanted an Ottman-type score. Link to comment Share on other sites More sharing options...
Incanus 5,519 Posted April 9, 2006 Share Posted April 9, 2006 Well X-2 was a serviceable score. Nothing special but it worked. The same as X-Men. Link to comment Share on other sites More sharing options...
Mr. Breathmask 480 Posted April 9, 2006 Share Posted April 9, 2006 Singer probably wanted an Ottman-type score.I think there were even rumors that Ottman might rescore the 1.5 extended cut of the film (a project that was eventually dropped and turned into a mere - albeit pretty good - 2-Disc DVD release of the theatrical cut), but who knows if that idea was ever really in the pipeline, or if it was just something someone on the internet came up with. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,251 Posted April 9, 2006 Share Posted April 9, 2006 And they are trusting these guys with the Superman franchise? Link to comment Share on other sites More sharing options...
AC1 3,565 Posted April 10, 2006 Share Posted April 10, 2006 Great isn't it...It IS great, only not in your point of view, which is kinda shallow and narrow. Of course, compared to Joe you are a intellectual. Link to comment Share on other sites More sharing options...
Sandor 459 Posted April 10, 2006 Author Share Posted April 10, 2006 I was always intrigued by 2001 and to be honest; I never thought the film was pretentious or pseudo-intellectual. And for those who think it is all those things; there is always 2010. Link to comment Share on other sites More sharing options...
Romão 1,931 Posted April 10, 2006 Share Posted April 10, 2006 I would not be arrogant to the point of saying I understood everything that went on in 2001, but the movie is fascinating, nonetheless and some of the imagery is extraordinary. Link to comment Share on other sites More sharing options...
nightscape94 965 Posted April 10, 2006 Share Posted April 10, 2006 It wouldn't be arrogant because 2001 isn't all that difficult to understand really.Tim Link to comment Share on other sites More sharing options...
Romão 1,931 Posted April 10, 2006 Share Posted April 10, 2006 Part of it is for me. Link to comment Share on other sites More sharing options...
Ollie 859 Posted April 10, 2006 Share Posted April 10, 2006 It's not difficult to understand and visually it's stunning but it also is one of the most boring films to sit thru. Link to comment Share on other sites More sharing options...
AC1 3,565 Posted April 10, 2006 Share Posted April 10, 2006 It's not difficult to understand and visually it's stunning but it also is one of the most boring films to sit thru.Maybe I'm bored by your choice of entertainment. Tell me, what movies do you like in general? Brainless action flicks? Buddy cops movies? CGI fests? Link to comment Share on other sites More sharing options...
Trent B 317 Posted April 10, 2006 Share Posted April 10, 2006 Michael Kamen's X-Men is one of the most underrated scores in recent years.I concur with this statement. Kamen's X-Men score is definitely a very good one. Having the full score does help since a lot of good music was left off of the OST. Personally I enjoy Kamen's more than Ottman's. At least with Kamen's his X-Men theme was more closer to the original TV animated series from the 90's. Link to comment Share on other sites More sharing options...
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