Jump to content

James Horner


Morn

Recommended Posts

I guess so, what is your email?

PS Yes, I have noticed Mahler borrowing :)

Link to comment
Share on other sites

  • Replies 84
  • Created
  • Last Reply

Top Posters In This Topic

Moving back to Horner's early works, didn't he write that song "Somewhere Out There" for some Disney film? That was a nice song.

Link to comment
Share on other sites

Moving back to Horner's early works, didn't he write that song "Somewhere Out There" for some Disney film? That was a nice song.

Yes, he wrote that (along with Barry Mann) for An American Tail. Great song. How come nobody knows about the Land Before Time? The score is simply superb. Lots of great melodies, a lush full orchestra and a stunning main theme (also a pop song by Diana Ross: If We Hold On Together that just about everybody knows)! I recommend it to all.

Link to comment
Share on other sites

I have it. It is quite good.

And btw, I am always right, do not forget that.

Link to comment
Share on other sites

The beginning of Mahler's Symphony No.1 sounds to me like the first notes from the Star Trek theme bu Alexander Courage.

Hector - who hopes he still get to hear something new by Courage

Link to comment
Share on other sites

Moving back to Horner's early works, didn't he write that song "Somewhere Out There" for some Disney film? That was a nice song.

Yes, he wrote that (along with Barry Mann) for An American Tail. Great song. How come nobody knows about the Land Before Time? The score is simply superb. Lots of great melodies, a lush full orchestra and a stunning main theme (also a pop song by Diana Ross: If We Hold On Together that just about everybody knows)! I recommend it to all.

Hehehe. I can't remember the main theme.

~Harry

Link to comment
Share on other sites

Thanks for the music, Morn.  You are right, it's unmistakably Schindler's List, although in a completely different style.  No composer is perfect...

Well we certainly know that. :thumbup:

I'll have to judge for myself.

~Harry

Link to comment
Share on other sites

Hehehe. I can't remember the main theme.

Why not? I remember it ever since I saw the film.

Link to comment
Share on other sites

Thanks for the music, Morn.  You are right, it's unmistakably Schindler's List, although in a completely different style.  No composer is perfect...

I have to argue it's different. The rythm is similar, but the notes are off.

~Harry

Link to comment
Share on other sites

Williams has done variations of themes that are more different.

Care to elaborate more on that?

Anyway, I, as will Horneristheman, will be stuck in our opinions, so no arguing is going to change that. :)

~Harry

Link to comment
Share on other sites

Emperor theme in augie. Anyway, it doesn't have to have exactly the same notes, they can easily be changed, the point is the intervals are very similar.

Link to comment
Share on other sites

Yes, they're very similar, but they aren't the same. There's a difference in those two pieces, as well as those two statements.

~Harry

Link to comment
Share on other sites

Concerning Horner/Williams borrowing themes:

The theme in Schindler's List is apparently that of tradtional Russian folk music. Horner used (a variation of) this theme in Enemy at the Gates to great effect, and since it has no defined origin, there is no copyright infringement, etc.

Concerning Horner's repeated use of the short theme:

As far as I can see, this is the epitamy of Horner's modern laziness, as the 5 note 'rising/down 1' menacing theme which was used very well in Willow (kick-arse score), has been used for anything conventionally bad in many of his scores since. Try: Enemy at the Gates, Zorro, A Perfect Storm (and Titanic, I think). Infact, I laughed when I saw Zorro on TV because I heard this motif straight away. My family proceded to give me a strange look.

Link to comment
Share on other sites

The theme in Schindler's List is apparently that of tradtional Russian folk music. Horner used (a variation of) this theme in Enemy at the Gates to great effect, and since it has no defined origin, there is no copyright infringement, etc.

However, Williams had already used the theme for a movie wonderfully. The theme was known then, but Horner decided "Hey, I'll use this cause it's cool to copy!"

~Harry

Link to comment
Share on other sites

I heard it was a jewish folk song. Anyway, wouldn't that be funny, it would mean Mahler, Williams and Horner have all stolen it :)

Link to comment
Share on other sites

Is Willow a good score? I can't remember. I should get it soon.

I like Enemy At The Gates and think the orchestration is awesome.....especially in tracks like "Betrayal".... it's pretty cool, I think.

Schindler's List is Johnny's salute to classical.....and then came Angela's Ashes. Those two are incredibly amazing and they both should've won Oscars.

Director - thinking Johnny's string writing has developed substantially in the past 10 years

Link to comment
Share on other sites

Willow is one of his best, and probably his best orchestration too.

Link to comment
Share on other sites

His Glory score is gorgeous. His Rocketeer theme is incredibly exciting. His Willow is very adventurous and sometimes chilling. His Apollo 13 theme is subtley heroic.  

His "Honey, I Shrunk the Kids," score includes a LOT of Goonies inspired music.  

The storm theme from "Perfect Storm" is the EXACT same theme for that skull dude from Willow.  

He goes kinda overboard with copying his Braveheart score.  

If you've heard Enya's Book of Days, then you hear Titanic, you'd be prone to think, "Hey, Enya did the soundtrack! Neat!"

Interesting....Horner scores you love, followed by the ones you don't care for because of his tendency to return to familiar thematic grounds. Interesting, because one of scores on your "favorites" list is The Rocketeer....which is like a "best hits" list from his scores of the 80's. There are direct quotes from Willow, Cocoon, Field of Dreams, and his Star Trek scores, just to name a few. Not that I consider this a bad thing, necessarily; in fact, The Rocketeer happens to be one of my favorites as well. Just a curiosity....

I haven't yet heard A Beautiful Mind yet, but I'm astonished to hear that he used the Gayne Ballet bit yet again! That's one of the few thieveries of his I've never been able to reconcile with. It's not so bad that he used it in Aliens, mind you....but that he repeated it again in Patriot Games, and then again in Clear and Present Danger....well, that was just inviting criticism. I guess he figured it was time to dust off an ol' standby once again.... :)

Incidentally....Willow is definitely worth the time, one of the best fantasy scores of the decade. Not as good as Krull, but certainly a great one....

- Uni

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now

×
×
  • Create New...

Important Information

By using this site, you agree to our Guidelines.