Jump to content

Re-recording reccomendations?


robthehand
 Share

Recommended Posts

I'm really enjoying Gerhardt's classic film scores series (the ones I can find, anyway), and of course there are the invariably brilliant Marco Polo Morgan/Stromberg re-recordings - I think several (King Kong in particular) are far, far better than the film recordings.

I also like: Rebecca (McNeely version), Goldsmith's recording of the rejected 2001 score, The Day The Earth Stood Still (McNeely), Raise the Titanic (Raine), and quite a few others.

I'm looking to expand my collection and get a few more re-recordings, so what's good, and what should I avoid? :(

Link to comment
Share on other sites

  • Replies 54
  • Created
  • Last Reply

Top Posters In This Topic

Most re-recordings are like that though...that's the only problem I have with them.

How do you mean, most are? It's just to do with the way its recorded, not the fact it's a re-recording. :?

Link to comment
Share on other sites

B0000014SO.01._SS500_SCLZZZZZZZ_V1115516967_.jpg

Pretty much all the other Gerhardt recordings are much better than this - that goes for interpretations, performances, and sound. The best I've heard are Star Wars (with CE3K) and the Korngold and Herrmann (stunning!) compilations. ROTJ is great as well.

Link to comment
Share on other sites

I must say, the Herrmann disc sounds ridiculously much better than all the Star Warzes combined. It's almost as if Herrmann's music lends itself better to audiophile recordings. :(

Alex

Link to comment
Share on other sites

I'm looking to expand my collection and get a few more re-recordings, so what's good, and what should I avoid? :(

Rob,

I would definitely recommend Monstrous Movie Music's remarkably faithful re-recordings of (mostly) 1950's and 1960's sci-fi and fantasy film music. The music itself is something of an acquired taste and is probably not everyone's cup of tea, but whatever your tastes the recordings and presentation really cannot be faulted. The music is recorded 'close-miked' so that it sounds like a film music soundtrack rather than a concert hall experience.

The liner notes by David Schecter are the most comprehensive I have seen in any film music release too. His wife Kathleen Mayne did many of the music reconstructions and some of the conducting. Their website is at www.mmmrecordings.com.

Damien

Link to comment
Share on other sites

I'm starting to think I'm the only person in the world who actually likes that cover. :sigh:

I would definitely recommend Monstrous Movie Music's remarkably faithful re-recordings of (mostly) 1950's and 1960's sci-fi and fantasy film music. The music itself is something of an acquired taste and is probably not everyone's cup of tea, but whatever your tastes the recordings and presentation really cannot be faulted. The music is recorded 'close-miked' so that it sounds like a film music soundtrack rather than a concert hall experience.

Thanks, I'll take a look. :nod:

Link to comment
Share on other sites

You really can't go wrong with any of the John Morgan/ Williams Stromberg re-recordings, Intrada's Jason and The Argonauts is outstanding, the Herrmann recordings done by Joel McNeely are very good as well.

Silva's The Last Valley, Lion In Winter, Raise The Titantic and Robin And Marian are well done. MMM's recordings are excellent.

Varese's Midway and The 7th Voyage Of Sinbad are ok but there are tempo problems. The Jaws recording is just plain awful and I would avoid it.

Goldsmith's Patton / Tora Tora Tora! recording is ok but I'd get the originals from FSM, although Patton may be gone already.

Link to comment
Share on other sites

The Patton Re-Recording is a good performance, but a very meh mix/recording.   Get the FSM version.

I don't have the FSM, but does it have the awesome German March like the re-recording does?

Link to comment
Share on other sites

The current Patton DVD has the score isolated.

Neil

How's the sound quality compared to the FSM CD?

The Patton Re-Recording is a good performance, but a very meh mix/recording.   Get the FSM version.

I don't have the FSM, but does it have the awesome German March like the re-recording does?

No, but it has two cues not on the Varese release. :sigh:

Link to comment
Share on other sites

I don't have the FSM, but does it have the awesome German March like the re-recording does?

No.

I'd like to get my hands on the LP that was released as the soundtrack for the film because it's my understanding that that was a re-recording as well. My dad had it at one time but it disappeared.

How's the sound quality compared to the FSM CD?

It should be the same since they are from the same source.

Link to comment
Share on other sites

I suggest you avoid all re-recordings that are synthesized.

- Marc, who once stumbled upon an eighties' synth version of E.T. It was... most unpleasant. :sigh:

Meco is a huge fan of John Williams and has visited this place from time to time.

So HOW DARE YOU!

Link to comment
Share on other sites

I'd like to get my hands on the LP that was released as the soundtrack for the film because it's my understanding that that was a re-recording as well. My dad had it at one time but it disappeared.

In case you don't find that, I think the German Tsunami CD has the LP program plus A Patch of Blue. Don't know what the quality's like, though, Tsunami CDs are variable.

Link to comment
Share on other sites

It's not very clear.

I think Tsunami is based in Austria, were there releaaes are considered legal. Not sure about other European countries.

I have seen CD's of that label sold by big name stores in London (HMV, Virgin), and the music library in Rotterdam held a copy of Fitzwilly at some point.

Link to comment
Share on other sites

I suggest you avoid all re-recordings that are synthesized.

- Marc, who once stumbled upon an eighties' synth version of E.T. It was... most unpleasant. :sigh:

Meco is a huge fan of John Williams and has visited this place from time to time.

So HOW DARE YOU!

Meco Star Wars is enjoyable to some degree.

Whatever the hell it was I listened to most certainly was not.

Link to comment
Share on other sites

The Marco Polo re-recording of Korngold's Adventures of Robin Hood is quite excellent. Much better than the old Varese one.

Link to comment
Share on other sites

Kojian's Varese recording is outstanding. It's hard to call either of the two "better", but of course the Marco Polo/Naxos does have much more music. (Kojian's Sea Haw is great as well, and I expect the situation will be similar when Naxos finally release their new recording).

Link to comment
Share on other sites

Btw what are Tsunami CDs and what about their legality?  

:?

A European label that reissues hard-to-find LPs on CD. They're legal in whatever country they're made due to some loophole, but are considered bootlegs in non-European countries. That's my understanding anyway.

Link to comment
Share on other sites

It would not be legal for Mr. Olivarez to own this version.

I'm sure you could find a few "illegal" things on my CD shelf.

Link to comment
Share on other sites

Having listened to quite a bit of it since it arrived this morning, I can fully recommend the FSM release of Elmer Bernstein's Film Music Collection. It sounds great (considering master tapes were missing for a lot of the albums), and none of the music has left me anything less than amazed.

;) Helen of Troy

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
 Share


×
×
  • Create New...

Important Information

By using this site, you agree to our Guidelines.