mcdaid72000 0 Posted February 23, 2007 Share Posted February 23, 2007 sometimes he goes as far as to state that a certain theme appears in a certain track, when in fact it doesn't.You mean you can't hear the "great crescendo" of Buckbeak's theme in Saving Buckbeak??Ray BarnsburyYes,and i clearly hear Dark side Beckons in Anakin's DreamYou can also hear "Zam the Assassin and the Chase through Coruscant" in Harry Potter and the Chamber of Secrets during the Quidditch Match. Did anybody else notice this? Link to comment Share on other sites More sharing options...
pthompso 0 Posted February 23, 2007 Share Posted February 23, 2007 A while ago on this site somebody posted the videos for when John Williams made an appearance speaking at USC for all the film composer graduate students. He fielded questions and there was a 6 part video I downloaded.One of the guys sitting in the audience was the audio editor or mixer for ET and he makes a comment saying "I remember there was a piece that was very difficult to play on piano and you came up and played it on stage. You are the only composer I know who could both compose and play the material you composed." So I guess that doesn't directly answer the question but it seems to imply John williams played this difficult piece from ET on the soundstage at least. So that leads me to believe it is him on the recording. Link to comment Share on other sites More sharing options...
Mr. Breathmask 555 Posted February 23, 2007 Share Posted February 23, 2007 sometimes he goes as far as to state that a certain theme appears in a certain track, when in fact it doesn't.You mean you can't hear the "great crescendo" of Buckbeak's theme in Saving Buckbeak??Ray BarnsburyYes,and i clearly hear Dark side Beckons in Anakin's DreamYou can also hear "Zam the Assassin and the Chase through Coruscant" in Harry Potter and the Chamber of Secrets during the Quidditch Match. Did anybody else notice this?Yes. Lucius Malfoy's theme is also a direct lift of one of those mystery motifs from AotC. Link to comment Share on other sites More sharing options...
mcdaid72000 0 Posted March 1, 2007 Share Posted March 1, 2007 Check this site out: http://www.youtube.com/watch?v=mPvhO7Ypw7k. See if this helps anybody. Tell me if it is reliable or not reliable too. I'll watch it tomorrow. Link to comment Share on other sites More sharing options...
Mr. Breathmask 555 Posted March 1, 2007 Share Posted March 1, 2007 It's a featurette from the E.T. DVD. And it's been up at the Main Page for a while as well. Link to comment Share on other sites More sharing options...
Popular Post Adameus 9 Posted April 9, 2018 Popular Post Share Posted April 9, 2018 This is him--on the right. Ralph Grierson played the end credits piano solo on the ET score. Ralph is an amazing guy and I had the privilege of utilizing his recording studio last week for a session. Ralph Grierson was an amazing pianist in his prime. Check out "Angel Artistry" where he appears with Michael Tilson Thomas. The playing is mind-boggling. In his hay-day, Ralph was one of the top Hollywood session players. Working at the level of legends like Artie Kane--who played with Sinatra, Streisand, and everyone else who was a superstar. John, looohhk, Jediwashington and 6 others 9 Link to comment Share on other sites More sharing options...
Henry Sítrónu 494 Posted April 9, 2018 Share Posted April 9, 2018 love it Link to comment Share on other sites More sharing options...
Patrick 2 Posted October 20, 2020 Share Posted October 20, 2020 The session pianist on the film E.T. is Ralph Grierson, a first-call recording musician for many years. Ralph talks about those E.T. sessions on the video interview Studio Legends Part 1 at: FilmMusicFoundation.org/interviews. Other session players featured in the interview are Tommy Morgan (harmonica), Louise Di Tullio (flute) and Gene Cipriano (woodwinds). The interviewer is conductor Richard Kaufman, himself a former studio violinist on over a dozen John Williams' scores. If you click on the photo, you'll see a ten-minute highlight. Click under the photo for the full 2 1/2 hour interview. thx99 and Marc 2 Link to comment Share on other sites More sharing options...
pete 891 Posted October 21, 2020 Share Posted October 21, 2020 And this!https://thelegacyofjohnwilliams.podbean.com/e/la-studio-legends-4-ralph-grierson/ Link to comment Share on other sites More sharing options...
QuartalHarmony 534 Posted October 23, 2020 Share Posted October 23, 2020 I listened to the Legacy... podcast with Grierson a few weeks ago and was delighted with what a nice guy he sounds like, interested in the way he said he moved from straight piano to keyboard work over the years and finally very saddened to hear that he fell and permanently ruined one of his playing hands just after the rehearsal for the L2P ET recording (is that the one on the DVD?). Very sad. One day I'll be able to play Over the Moon. I can currently manage about three bars before my fingers end up tied in knots. How Grierson played it at that speed, even with the extra rehearsal time he said Williams gave him on the OST recording sessions, I'll never know. Respect. Mark TownerFan 1 Link to comment Share on other sites More sharing options...
bruce marshall 1,306 Posted October 23, 2020 Share Posted October 23, 2020 50 minutes ago, QuartalHarmony said: I listened to the Legacy... podcast with Grierson a few weeks ago and was delighted with what a nice guy he sounds like, interested in the way he said he moved from straight piano to keyboard work over the years and finally very saddened to hear that he fell and permanently ruined one of his playing hands just after the rehearsal for the L2P ET recording (is that the one on the DVD?). Very sad. One day I'll be able to play Over the Moon. I can currently manage about three bars before my fingers end up tied in knots. How Grierson played it at that speed, even with the extra rehearsal time he said Williams gave him on the OST recording sessions, I'll never know. Respect. Mark Are there two pianos being played on " E.T.'s Halloween"; The part just before they take off? Link to comment Share on other sites More sharing options...
bruce marshall 1,306 Posted November 16, 2020 Share Posted November 16, 2020 Fascinating interview. Check it out# Link to comment Share on other sites More sharing options...
Pando 141 Posted January 26, 2021 Share Posted January 26, 2021 Ralph Grierson, with pictures and videos: L.A. Studio Legends: Ralph Grierson – The Legacy of John Williams The piece isn't particularly difficult to play for an accomplished pianist. Correct fingering is incredibly important. It wouldn't surprise me if he just sight-read this, as it's mostly arpeggios on the left hand. I've seen pianists sight read much harder pieces than that. I transcribed and learned to play this some 10+ years ago and even performed it live to an audience once or twice. But it took me months to learn, and it would take me a while to get back in shape to play it again without any fumbles. Link to comment Share on other sites More sharing options...
Nemesis 243 Posted January 26, 2021 Share Posted January 26, 2021 Did you transcribe "Over the Moon" or just the "End Credits"? Link to comment Share on other sites More sharing options...
Datameister 2,019 Posted January 26, 2021 Share Posted January 26, 2021 3 hours ago, Pando said: Ralph Grierson, with pictures and videos: L.A. Studio Legends: Ralph Grierson – The Legacy of John Williams The piece isn't particularly difficult to play for an accomplished pianist. Correct fingering is incredibly important. It wouldn't surprise me if he just sight-read this, as it's mostly arpeggios on the left hand. I've seen pianists sight read much harder pieces than that. I transcribed and learned to play this some 10+ years ago and even performed it live to an audience once or twice. But it took me months to learn, and it would take me a while to get back in shape to play it again without any fumbles. I have a lot of fun at the piano, but I'm far from virtuosic - far enough that those left hand arpeggios kill me every time! At best, I get a couple measures before I start miscalculating how far to move my arm. It's a pity, because it's a really gorgeous solo. Link to comment Share on other sites More sharing options...
bruce marshall 1,306 Posted January 27, 2021 Share Posted January 27, 2021 He was given the part days before so he could learn and practice it. Fyi Franz Liszt learned the EMPEROR Concerto in one day AND transcribed it into a new key! Link to comment Share on other sites More sharing options...
Jurassic Shark 11,957 Posted January 27, 2021 Share Posted January 27, 2021 On 10/23/2020 at 10:06 PM, QuartalHarmony said: I can currently manage about three bars before my fingers end up tied in knots. Speed and tension depend a lot on how much you curl your fingers while playing. There's different schools about this and no right answer, the best is to try with different degrees of curling and see what works for you. Link to comment Share on other sites More sharing options...
Pando 141 Posted January 30, 2021 Share Posted January 30, 2021 On 1/26/2021 at 11:46 AM, Nemesis said: Did you transcribe "Over the Moon" or just the "End Credits"? Just the piano section into the End Credits. I did a search on the net at the time, most sheet music I found had many wrong notes. I don't know if there is real sheet music available for this or not. On 1/26/2021 at 1:38 PM, Datameister said: I have a lot of fun at the piano, but I'm far from virtuosic - far enough that those left hand arpeggios kill me every time! At best, I get a couple measures before I start miscalculating how far to move my arm. It's a pity, because it's a really gorgeous solo. I learned it by just meticulous repetition, slowly, over some period of time. Eventually the fingers will remember, but you must resist the temptation of speeding up the tempo until you can play both hands without mistakes. Datameister 1 Link to comment Share on other sites More sharing options...
bruce marshall 1,306 Posted January 30, 2021 Share Posted January 30, 2021 Isn't there some tricky thumb fingering in there? Link to comment Share on other sites More sharing options...
Jurassic Shark 11,957 Posted January 30, 2021 Share Posted January 30, 2021 32 minutes ago, Pando said: Just the piano section into the End Credits. I did a search on the net at the time, most sheet music I found had many wrong notes. I don't know if there is real sheet music available for this or not. There's a piano folio from Hal Leonard (JW approved) with a very good arrangement. Link to comment Share on other sites More sharing options...
Nemesis 243 Posted January 30, 2021 Share Posted January 30, 2021 Over the Moon would be nice. Link to comment Share on other sites More sharing options...
Pando 141 Posted January 31, 2021 Share Posted January 31, 2021 16 hours ago, bruce marshall said: Isn't there some tricky thumb fingering in there? Not really. Left hand is just arpeggios (4 notes up and 4 down). To make octave transitions properly, keep your left thumb on a white key. The main melody is played by the pinky finger in your right hand, with the other two notes in the triplet played by the index finger (mostly) and thumb. Coordination in the two hands is the biggest challenge as you have 16th notes in left hand and triplets in the right. Damn, I need to get back in shape to play this... bruce marshall 1 Link to comment Share on other sites More sharing options...
Datameister 2,019 Posted January 31, 2021 Share Posted January 31, 2021 8 minutes ago, Pando said: Not really. Left hand is just arpeggios (4 notes up and 4 down). To make octave transitions properly, keep your left thumb on a white key. The main melody is played by the pinky finger in your right hand, with the other two notes in the triplet played by the index finger (mostly) and thumb. Coordination in the two hands is the biggest challenge as you have 16th notes in left hand and triplets in the right. Damn, I need to get back in shape to play this... As a product of my own idiosyncracies as a performer, I actually find simply hitting the right notes in the left hand harder than the 16th note/triplet polyrhythms. But I've never been very good at moving swiftly to a different octave, and I also like polyrhythms in general. Link to comment Share on other sites More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now