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What's your least favorite score you own?


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The Day the Earth Stood Still by Bernard Herrmann

:P

Of the ones I still own (that I haven't sold) I'll say Patriot Games. I had some others that are worse, but I got rid of them. I've tried selling this one, but no-one seems to want it... :P

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Of the ones I still own (that I haven't sold) I'll say Patriot Games.

I had some others that are worse, but I got rid of them.

I've tried selling this one, but no-one seems to want it... :)

Hmm, I quite like Patriot Games. Granted ,it is not the sort of one you'd listen to often out of the movie.

But I thought it was really effective in the movie itself, and it has its moments as a stand alone disc.

But I've already have it for years, so no I don't want to buy it off you either. Good luck in your quest :D .

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By default, War of the Worlds (John Williams). Besides the original Star Wars trilogy, I've sought and shelled out for pretty much all the 'classic' Williams scores (Superman, Jaws, E.T., Jurassic Park, Harry Potter, etc) and all the recent scores from 2004-5 (because they are my first years of being a fan where I actually have a reasonable job to pay for them; because they are readily purchasable; and to "support" Williams as a fan) on CD. The rest of his scores? :D.

As such, WOTW stands out like a sore thumb. It seems to be the ONLY score of Williams that is so restrained it explores just TWO of his writing styles/techniques: elegiac bleakness; and dissonant mayhem. All the rest incorporate both of these and many, many more, often simultaneously.

I've never bought another composer's scores.

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By default, War of the Worlds (John Williams). Besides the original Star Wars trilogy, I've sought and shelled out for pretty much all the 'classic' Williams scores (Superman, Jaws, E.T., Jurassic Park, Harry Potter, etc) and all the recent scores from 2004-5 (because they are my first years of being a fan where I actually have a reasonable job to pay for them; because they are readily purchasable; and to "support" Williams as a fan) on CD. The rest of his scores? :D.As such, WOTW stands out like a sore thumb. It seems to be the ONLY score of Williams that is so restrained it explores just TWO of his writing styles/techniques: elegiac bleakness; and dissonant mayhem. All the rest incorporate both of these and many, many more, often simultaneously.I've never bought another composer's scores.

a) You should buy and hear to other composers, and not only film composers, but mainly to the great masters of the past;

b) Listen, really listen to War of the Worlds. You don't need to like it, but boy, that's an amazing piece of music!!!!

I'd say The Day the Earth Stood Still by Bernard Herrmann

I hope that was a joke...

Star Wars.

And I'm sure that that can only be a joke...

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By default, War of the Worlds (John Williams). Besides the original Star Wars trilogy, I've sought and shelled out for pretty much all the 'classic' Williams scores (Superman, Jaws, E.T., Jurassic Park, Harry Potter, etc) and all the recent scores from 2004-5 (because they are my first years of being a fan where I actually have a reasonable job to pay for them; because they are readily purchasable; and to "support" Williams as a fan) on CD. The rest of his scores? :D.As such, WOTW stands out like a sore thumb. It seems to be the ONLY score of Williams that is so restrained it explores just TWO of his writing styles/techniques: elegiac bleakness; and dissonant mayhem. All the rest incorporate both of these and many, many more, often simultaneously.I've never bought another composer's scores.

a) You should buy and hear to other composers, and not only film composers, but mainly to the great masters of the past;

b) Listen, really listen to War of the Worlds. You don't need to like it, but boy, that's an amazing piece of music!!!!

a) I was talking CDs. I own PLENTY of other composers' music... just ... not in CD form. I shalln't say any more 'bout that. :)

b) I DO like WOTW, or rather, appreciate it. It is mind-blowing music, I agree. But it's just not VARIED enough to sustain my attention for long. I also don't like the clinical 'too-precise' quality of the recording.

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The Day the Earth Stood Still by Bernard Herrmann

:eek:

:D:):blink::blink::blink::blink::blink::blink:

I third the motion.

Morlock- who just uploaded The Day The Earth Stood Still onto his MP3 player. Haven't listened to that great score in a while.

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of the williams scores, ai, LC, and Hook, add SPR too.

goldsmith, Planet of the apes, it works in the film but not as a standalone listening exp.

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By default, War of the Worlds (John Williams). Besides the original Star Wars trilogy, I've sought and shelled out for pretty much all the 'classic' Williams scores (Superman, Jaws, E.T., Jurassic Park, Harry Potter, etc) and all the recent scores from 2004-5 (because they are my first years of being a fan where I actually have a reasonable job to pay for them; because they are readily purchasable; and to "support" Williams as a fan) on CD. The rest of his scores? :).As such, WOTW stands out like a sore thumb. It seems to be the ONLY score of Williams that is so restrained it explores just TWO of his writing styles/techniques: elegiac bleakness; and dissonant mayhem. All the rest incorporate both of these and many, many more, often simultaneously.I've never bought another composer's scores.

a) You should buy and hear to other composers, and not only film composers, but mainly to the great masters of the past;

b) Listen, really listen to War of the Worlds. You don't need to like it, but boy, that's an amazing piece of music!!!!

a) I was talking CDs. I own PLENTY of other composers' music... just ... not in CD form. I shalln't say any more 'bout that. :blink:

b) I DO like WOTW, or rather, appreciate it. It is mind-blowing music, I agree. But it's just not VARIED enough to sustain my attention for long. I also don't like the clinical 'too-precise' quality of the recording.

Shan't... :D

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of the williams scores, ai, LC, and Hook, add SPR too.

:blink::D:):blink: :blink: :blink: times 100.

goldsmith, Planet of the apes, it works in the film but not as a standalone listening exp.

i agree there

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goldsmith, Planet of the apes, it works in the film but not as a standalone listening exp.

i agree there

I don't!

It's like WotW. Works well in the film, not so hot when listening to only itself (although I think Planet of the Apes is worse that WotW).

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And also mostly anything coming from Hans Zimmer and company.

I saw that one coming a mile off.

Dante's Peak by John Frizell

What's wrong with Dante's Peak? I love that score and can't get either of the main themes out of my head.

I don't have my CD collection with me (the wonders of my portable HDD), but I haven't listened to any Goldsmith for a long time.

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Ditto.

I've fallen in love with At World's End recently, and was humming all the themes from the trilogy today. I'm listening to Davy Jones' theme right now, and it's a beautiful, memorable theme. A lot of people here need to listen to some of this.

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mostly anything coming from Hans Zimmer and company.

:blink::fouetaa:

Oh, please, let me rephrase it then... all that comes from Hans Zimmer and company!

:fouetaa: :fouetaa: :fouetaa: :fouetaa: :fouetaa: :fouetaa: :fouetaa:

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And also mostly anything coming from Hans Zimmer and company.

I saw that one coming a mile off.

Dante's Peak by John Frizell

What's wrong with Dante's Peak? I love that score and can't get either of the main themes out of my head.

The main theme is ok,it's by James Newton Howard

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And also mostly anything coming from Hans Zimmer and company.

A legitimate reason why Hans Zimmer and company is bad would be nice. All you say is that he sucks. Give some reason to your argument.

Just because he doesn't compose in the traditional way doesn't make him bad. You're bias against him.

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2 I forgot: M-I:2, and Psycho. Yes, Psycho. It's one of the most effective scores when played by the film, but listening to it is a dull experiance, with the exception of Prelude.

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