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Coolest presentation of opening credits in a movie


pixie_twinkle
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I'd like to offer the opening credits from Hitch's North by Northwest (credits presented in an angular fashion, finally revealed to be the pattern of the side of a building).

Also Delicatessen (credits laid out ahead of time in various places in a cluttered room, on a desk. The camera slowly pans through the room, pausing as it centres on each credit).

An honourable mention to the TV series "Heroes". Not exactly the credits, but each episode title is imaginitvely presented at the start of each episode. The episode titles were actually more exciting than most of season 2's episodes!

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If you're including end credits (since this film doesn't have an opening credits sequence) I'll say West Side Story, with the credits painted/chalked on the wall.

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Here's some memorable title sequences, off the top of my head. There are so many others, but they have to come to me...

Catch Me If You Can (Spielberg, 2002)

Raiders of the Lost Ark (Spielberg, 1981)

Alien (R. Scott, 1979)

Halloween (Carpenter, 1978)

Vertigo (Hitchcock, 1958)

Ted

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Panic Room is quite interesting, IMHO.

The 20th anniversary edition of E.T. is very nice because you can hear the audience cheering and acclaiming everytime a new name appears on screen during the opening credits. It's funny to notice JW gets more applause than Henry Thomas or else ;)

Anyway, I love the idea to chose the audiotrack with the live performance of the score. BTW, it shows again, that Spielberg actually cares for Williams Scores. I mean, come on guys - how many soundtracks do you know, that could be performed live in the cinema?! There's so much (re-)editing ... It's terrible to hear one track 3 or 4 times during the movie. (like in GoF).

Not to mention Aliens ...

Meanwhile, I hate movies with opening credits just appearing while the actual film has already started. Like the first minutes wouldn't be important enough ... sometimes it's really annoying.

sorry for the bad english guys ...

Henry, who discovered recently the joy of deezer.com :):P:)

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Psycho is indeed quite amazing. With the jagged old-time bars of black and white and gray, it looks like the inside of a psychotic person's mind. Plus the music is unbeatable. This sequence gets you excited for the film before the film even begins.

Signs is the same way, and due in large part the music. The titles fly up and the music boils with major intensity, then the film begins quietly, kind of like Psycho.

And most movies scored by Danny Elfman automatically have their title sequences made better my his main titles music, which is consistantly excellent.

~Sturgis

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Raiders of the Lost Ark (Spielberg, 1981)

It's my favorite movie, but I don't think the credits are anything special. Temple of Doom has fantastic opening titles though.

Superman - The Movie is the film with the coolest opening titles.

Neil

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how many soundtracks do you know, that could be performed live in the cinema?!

I've seen the silent Phantom of the Opera with live orchestral score and in March I'm seeing City Lights with the live score. There is no experience like it! I wish it was done more often and with sound movies, silent movies obviously lend themselves better to this kind of treatment but I'd love to see a movie like Close Encounters with live score.

I was more troubled by the constant barrage of planets flying across the screen at great speed.

I can't remember where I read it, but somebody compared it to the credits sequence of 3rd Rock From The Sun. In the theatre I saw it at, there were still idiots commenting on the length of the credits though. People are idiots!

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I can't remember where I read it, but somebody compared it to the credits sequence of 3rd Rock From The Sun.

It had never occured to me, but it's not far off, actually.

btw, I saw The Gold Rush with live orchestra a few years back and it was marvelous!

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I love that they put Willie in front of the title on ToD.

The story I read about that was it's an in-joke. That Raiders was such a success it did all of the marketing for ToD and that they didn't even need to show the title on screen!

Star Trek TMP. The original 1979 opening titles, not the glitzy and garish CGI ones.

Those boring workprint cards?

Neil

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Those boring workprint cards?

Neil

In that teriffic font!

Unadorned, and straight forward with Jerry's music driving them. It's fantastic, and they were a bunch of monkees for changing it!

Aren't the titles in The Director's Edition the same font?

And in regards to Jerry's music, the original titles don't use his preferred version of the "Main Title" whereas The Director's Edition does.

Neil

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Catch Me If You Can is above all other main titles.

Star Wars, Psycho, North by Northwest, Cutthroat Island (mainly because of the music), Signs.

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Austin Powers: Goldmember

:lol:

Actually I enjoyed all 3 Austin Powers opening credit sequences.

Superman, TOD, Almost everything done by Saul Bass, The Towering Inferno (Too bad Williams name didn't appear until the End Titles), Basic Instinct, Beetle Juice and the Bond Films.

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The two S's.

Seven and Superman.

But the best credits is Born on the Fourth of July. How did Johnny happen to make the most coherent and awesome themes, match every single nuance of that opening sequence?

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I forgot about Alien! Brilliant opening "title". The Bond movies have stunning visuals during the opening titles, but I was more interested in the presentation of the actual text for this thread.

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Please remind me how the Independence Day credits are presented.

Boom! Woosh! But in a good and rather understated, non-Michael Bay way. The letters in the title come together then scatter.

I love the "July 3" and "July 4" act breaks, especially the last chord of The First Lady Dies over July 4.

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