crumbs 14,301 Posted January 31, 2021 Share Posted January 31, 2021 I forgot to include Apollo 13 on my last order with Intrada! Bummer! I bet it's out of stock by the time their next Williams expansion is released. Bespin 1 Link to comment Share on other sites More sharing options...
Jurassic Shark 12,030 Posted January 31, 2021 Share Posted January 31, 2021 The suite on Hollywood '95 contains all the highlights. Link to comment Share on other sites More sharing options...
Luke Skywalker 1,792 Posted January 31, 2021 Share Posted January 31, 2021 Lets hope the Willow TV series makes the soundtrack expansion possible soon and not the opposite, James Bond way of thinking :/ Yavar Moradi 1 Link to comment Share on other sites More sharing options...
Popular Post crumbs 14,301 Posted January 31, 2021 Popular Post Share Posted January 31, 2021 Some of the studio logic is so stupid. Why wouldn't you saturate the market with merchandise to coincide with a new movie/TV show/whatever? How does it "distract" from a new installment? There's zero logic waiting until a franchise goes into hibernation before releasing new merch. The situation with Bond is a classic example. It's even more absurd given the endless delays of NTTD. Richard Penna, Yavar Moradi and Edmilson 3 Link to comment Share on other sites More sharing options...
Jay 37,287 Posted January 31, 2021 Share Posted January 31, 2021 The good thing is our specialty label heroes know exactly what we want and want to release them too (ie Tomorrow Never Dies, License to Kill, Moonraker). We can completely blame the big studios on this one. crumbs 1 Link to comment Share on other sites More sharing options...
crumbs 14,301 Posted January 31, 2021 Share Posted January 31, 2021 9 minutes ago, Jay said: The good thing is our specialty label heroes know exactly what we want and want to release them too (ie Tomorrow Never Dies, License to Kill, Moonraker). We can completely blame the big studios on this one. Are TWINE and DAD the only Bond scores (thus far) to have a modern expansion by the boutique labels? Those 3 scores you mentioned will make a fantastic addition to the collection, once they happen. But just wondering if I've missed anything. It seems a few had expansions of sorts in the early 2000s (and CR and QoS had "bonus tracks" on their digital releases). Link to comment Share on other sites More sharing options...
Jay 37,287 Posted January 31, 2021 Share Posted January 31, 2021 34 minutes ago, crumbs said: Are TWINE and DAD the only Bond scores (thus far) to have a modern expansion by the boutique labels? Monty Norman's 1962 score to Dr. No has been expanded by various labels, but it's some sort of quasi-legal thing due to different country's copyright laws Burt Bacharach's score to the 1967 Casino Royale has been expanded by Kritzerland and Quartet But as far as the scores people want, IE the Barry era forward, it's just TWINE and DAD that have been done by the specialty labels. Many of the older scores were expanded in 2003 by a major label (EMI) with Lukas Kendall producing, but they aren't really the "specialty label style". crumbs 1 Link to comment Share on other sites More sharing options...
Jurassic Shark 12,030 Posted January 31, 2021 Share Posted January 31, 2021 How's his director career going? Link to comment Share on other sites More sharing options...
Dr. Rick 1,155 Posted February 1, 2021 Share Posted February 1, 2021 Next release is Feb 23rd but no clue this time... Quote Roger Feigelson writes:Our next release is 2/23.http://www.intrada.net/phpBB2/viewtopic.php?f=4&t=8657Let the flailing begin! https://www.filmscoremonthly.com/board/posts.cfm?threadID=142904&forumID=1&archive=0 Link to comment Share on other sites More sharing options...
Jay 37,287 Posted February 2, 2021 Share Posted February 2, 2021 It's not accurate at all to say there's no clues this time; Intrada hasn't done clues for many years now. Roger just posts what the title is the week before it goes in sale. Since it goes in sale Feb 23, he'll post the title around Wednesday the 17th-Thursday the 18th. There's nothing unusual happening here. Yavar Moradi 1 Link to comment Share on other sites More sharing options...
Bespin 8,480 Posted February 6, 2021 Share Posted February 6, 2021 I just saw they will expanded Howard Shore's Silence of the lambs... Oh oh! Link to comment Share on other sites More sharing options...
Faleel 5,340 Posted February 6, 2021 Share Posted February 6, 2021 2 minutes ago, Bespin said: I just saw they will expanded Howard Shore's Silence of the lambs... Oh oh! Quartet, not Intrada... Bespin 1 Link to comment Share on other sites More sharing options...
Marian Schedenig 8,173 Posted February 6, 2021 Share Posted February 6, 2021 Also not an expansion, but a reissue of their previous expansion. I'm happy about it, because I skipped the last one for some reason. Bespin 1 Link to comment Share on other sites More sharing options...
Jay 37,287 Posted February 6, 2021 Share Posted February 6, 2021 14 hours ago, Bespin said: I just saw they will expanded Howard Shore's Silence of the lambs... Oh oh! But they're not. Quartet did in 2018, and now they are reissuing it because it went OOP. https://quartetrecords.com/product/the-silence-of-the-lambs-2/ Intrada has nothing to do with this. Link to comment Share on other sites More sharing options...
Bespin 8,480 Posted February 6, 2021 Share Posted February 6, 2021 I know, I posted too quick after receving an Intrada newsletter! My bad! BTW, I don't know why Intrada announces Quartet reissues in their newsletter... that's another thing. Link to comment Share on other sites More sharing options...
Jay 37,287 Posted February 6, 2021 Share Posted February 6, 2021 Because they sell them in their store and make a profit if people buy them from them Link to comment Share on other sites More sharing options...
Bespin 8,480 Posted February 6, 2021 Share Posted February 6, 2021 I added it to my Screen archive cart. Link to comment Share on other sites More sharing options...
Amer 2,080 Posted February 8, 2021 Share Posted February 8, 2021 Update from Doug Fake on the next release : Quote Our next new release, due later this month is actually an all-time favorite of mine, oft-discussed amongst my friends here and coming from my personal favorite era of movies and film scores. The composer, a multi-Oscar nominee, wrote a lot of fantastic scores but this one coming up is in my opinion his most exciting and memorable. Opinions may vary but this is mine so give it some weight. The main title cue is certainly one of the most riveting and powerful opening credit sequences that ever set a movie in motion. Watch it on screen, listen to it on your audio player, either way it’s an incredible piece of music. Needless to say, I’ll play this one often http://www.intrada.net/phpBB2/viewtopic.php?f=2&t=8670 Link to comment Share on other sites More sharing options...
Ollie 1,059 Posted February 8, 2021 Share Posted February 8, 2021 Hmmm Link to comment Share on other sites More sharing options...
Jay 37,287 Posted February 8, 2021 Share Posted February 8, 2021 I assume his favorite era is golden age? Link to comment Share on other sites More sharing options...
publicist 4,643 Posted February 8, 2021 Share Posted February 8, 2021 I hope for a better 'On Dangerous Ground' (Herrmann) or 'The Lost Command' (Waxman). I hope it's not just another incarnation of 'Capricorn one' or similar. Link to comment Share on other sites More sharing options...
Holko 9,499 Posted February 8, 2021 Share Posted February 8, 2021 Hope he wasn't hyped enough to produce it himself. Link to comment Share on other sites More sharing options...
Brundlefly 2,385 Posted February 8, 2021 Share Posted February 8, 2021 37 minutes ago, publicist said: I hope for a better 'On Dangerous Ground' (Herrmann) or 'The Lost Command' (Waxman). I hope it's not just another incarnation of 'Capricorn one' or similar. I thought of Legend. Link to comment Share on other sites More sharing options...
scallenger 481 Posted February 8, 2021 Share Posted February 8, 2021 Could be Willow? Link to comment Share on other sites More sharing options...
crumbs 14,301 Posted February 8, 2021 Share Posted February 8, 2021 Eiger Sanction? That Main Title is certainly riveting, but maybe not "powerful" (and I wouldn't describe the ensuing score as 'exciting' either, unless training montages are your thing ) Soooo... Heartbeeps? Link to comment Share on other sites More sharing options...
publicist 4,643 Posted February 8, 2021 Share Posted February 8, 2021 2 hours ago, Brundlefly said: I thought of Legend. Though it is a cryptic wording for that title, i'd love to have a release in 2021 standard (sound, unreleased stuff etc.). Supergirl, too. Link to comment Share on other sites More sharing options...
Laserschwert 473 Posted February 8, 2021 Share Posted February 8, 2021 4 hours ago, Holko said: a multi-Oscar nominee So probably not Willow, because Horner could just as well be called a multi-Oscar winner. Same for Williams, obviously. Link to comment Share on other sites More sharing options...
publicist 4,643 Posted February 8, 2021 Share Posted February 8, 2021 2 minutes ago, Laserschwert said: So probably not Willow, because Horner could just as well be called a multi-Oscar winner. Same for Williams, obviously. It's worded nebulous purposefully, obviously. If you would spell it out, it would be too easy to guess. Link to comment Share on other sites More sharing options...
Laserschwert 473 Posted February 8, 2021 Share Posted February 8, 2021 D'oh, of course. Link to comment Share on other sites More sharing options...
Marian Schedenig 8,173 Posted February 8, 2021 Share Posted February 8, 2021 In that case, it's clearly Star Wars… Link to comment Share on other sites More sharing options...
Edmilson 7,392 Posted February 8, 2021 Share Posted February 8, 2021 Yeah, the description fits Star Wars very well... lol. But I'm hoping it is either Willow or Legend. Link to comment Share on other sites More sharing options...
publicist 4,643 Posted February 8, 2021 Share Posted February 8, 2021 Or Night Crossing, knowing Intrada's fondness for repackaging the same title fifteen times. Link to comment Share on other sites More sharing options...
Jay 37,287 Posted February 8, 2021 Share Posted February 8, 2021 I assume since he called the composer a "multi-Oscar nominee", any composer who actually won an Oscar is out of the running for this one EDIT: Woops, that's already being discussed on this page. I wrote it after reading the last page. I genuinely think only composers who were nominated but didn't win should be considered for this, and I'd also assume Doug's "personal favorite era of movies and film scores" is golden age - but someone can correct me if I'm wrong about that Link to comment Share on other sites More sharing options...
Disco Stu 15,495 Posted February 8, 2021 Share Posted February 8, 2021 The composer that instantly leaps to mind for being both Golden Age (ish) and having many Oscar noms with no win is Alex North (not counting his consolation honorary Oscar) Link to comment Share on other sites More sharing options...
Jay 37,287 Posted February 8, 2021 Share Posted February 8, 2021 Not relevant to the current discussion but I just came across this interesting post from Doug about Jerry's score to In Harm's Way and since we don't have a thread for that release I'm plopping it here Quote Quote I'm sitting here, listening to the latest release of In Harm's Way, and was wondering if Doug might still be searching for the rest of the score. If he were ever to find the rest of it, I'd buy a release in a heartbeat! YES!!!!!! I mean, yes. People in my orbit know this just happens to be my personal favorite album of Goldsmith's. When we finally located the never-before-released first-generation masters that Jerry had pulled out of the 1/2" 3-track stereo mixes for consideration on RCA's 1965 album, I was delirious! That masterpiece cue "The Rock", playing as cut 3 on side one of the record and written for an intended intermission, remains to this day my own top Goldsmith cue. Hearing it from the multi-tracks for the first time was an indescribable experience. And just getting a few additional cues made the moment that much sweeter. Ahhhh... if the rest of those multi-tracks ever do appear, what a treasure trove of action music we'll finally have: all the naval combat and PT Boat sequences that Jerry (darn him!) left off the record. By the way, I once talked to him about "The Rock". He actually said the orchestra got into the piece so enthusiastically that he recalled going with the earliest complete take because it just sounded so exciting. Yes sir, he nailed that one. I can only imagine what that incredible piece sounded like live in that recording hall. Marty!?? Where's my DeLorean? --Doug http://www.intrada.net/phpBB2/viewtopic.php?p=83540#p83540 Yavar Moradi 1 Link to comment Share on other sites More sharing options...
Bespin 8,480 Posted February 8, 2021 Share Posted February 8, 2021 Multi-Oscar nominee? You must be talking about the Newman Borg. Smeltington 1 Link to comment Share on other sites More sharing options...
Disco Stu 15,495 Posted February 8, 2021 Share Posted February 8, 2021 In terms of modern composers the ones that instantly leap to mind for having multiple noms with no win are, yes, Thomas Newman, but also James Newton Howard and Danny Elfman. Link to comment Share on other sites More sharing options...
publicist 4,643 Posted February 8, 2021 Share Posted February 8, 2021 The Postman's main title isn't anywhere near what DF describes, but it's a score i'd buy. Link to comment Share on other sites More sharing options...
Jay 37,287 Posted February 8, 2021 Share Posted February 8, 2021 Reading through the discussion over at the Intrada forums, it seems Doug's favorite era isn't necessarily golden age, but more 60s-mid70s ish The two big titles mentioned in that thread are Jerry Fielding's The Outlaw Josey Whales (1976) and Frank De Vol's What Ever Happened to Baby Jane? (1962) The most important part of Doug's clue is certainly his description of the main title cue - "certainly one of the most riveting and powerful opening credit sequences that ever set a movie in motion" - which rules out a lot of scores just based on that Yavar Moradi 1 Link to comment Share on other sites More sharing options...
Disco Stu 15,495 Posted February 8, 2021 Share Posted February 8, 2021 I've seen The Outlaw Josey Wales a couple of times and I would not describe the main title as riveting and powerful, personally. It's like military drums and fife kinda music. Link to comment Share on other sites More sharing options...
Jay 37,287 Posted February 8, 2021 Share Posted February 8, 2021 Yea, I am reading the FSM thread now and they are saying Doug's favorite era is simply the 60s: "I always thought Doug's favourite era was the 60s. I remember him saying that TARAS BULBA ('62) got him into scores and IN HARM'S WAY ('65) is his favourite Jerry Goldsmith score, so I reckon it's something from that era." So Frank De Vol's What Ever Happened to Baby Jane? (1962) seems like the best guess currently. He has 4 Oscar nominations but never won Yavar Moradi 1 Link to comment Share on other sites More sharing options...
publicist 4,643 Posted February 8, 2021 Share Posted February 8, 2021 8 minutes ago, Jay said: The most important part of Doug's clue is certainly his description of the main title cue - "certainly one of the most riveting and powerful opening credit sequences that ever set a movie in motion" - which rules out a lot of scores jut based on that It's either Capricorn One or Night Crossing then, two Intrada mainstays (+ DF favourites) and fitting the description. Though of course i could be completely wrong. For the record: Baby Jane didn't leave much of an impression on me, musically, and i saw it several times. Link to comment Share on other sites More sharing options...
Jay 37,287 Posted February 8, 2021 Share Posted February 8, 2021 I like the Alex North suggestion (14 Oscar nominees, never won), but I'm unfamiliar with most of his work including which scores might have legendary main title cues Yavar Moradi 1 Link to comment Share on other sites More sharing options...
publicist 4,643 Posted February 8, 2021 Share Posted February 8, 2021 Bite the Bullet might fit the bill. Link to comment Share on other sites More sharing options...
Roger 21 Posted February 8, 2021 Share Posted February 8, 2021 11 hours ago, Holko said: Hope he wasn't hyped enough to produce it himself. Why is that? Link to comment Share on other sites More sharing options...
Popular Post Faleel 5,340 Posted February 8, 2021 Popular Post Share Posted February 8, 2021 mstrox, Holko, crumbs and 1 other 4 Link to comment Share on other sites More sharing options...
Popular Post Disco Stu 15,495 Posted February 8, 2021 Popular Post Share Posted February 8, 2021 *forum drama intensifies* Dr. Rick, Edmilson and mstrox 2 1 Link to comment Share on other sites More sharing options...
Jay 37,287 Posted February 8, 2021 Share Posted February 8, 2021 Dr. Rick and crumbs 2 Link to comment Share on other sites More sharing options...
Popular Post Holko 9,499 Posted February 8, 2021 Popular Post Share Posted February 8, 2021 Dr. Rick, Bounty95, Bayesian and 2 others 5 Link to comment Share on other sites More sharing options...
Jurassic Shark 12,030 Posted February 8, 2021 Share Posted February 8, 2021 2 hours ago, Jay said: The most important part of Doug's clue is certainly his description of the main title cue - "certainly one of the most riveting and powerful opening credit sequences that ever set a movie in motion" That's weird - Quartet Records released the score to Lady Jane just a few years ago. Link to comment Share on other sites More sharing options...
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