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Soundtracks, Compilations, or other recently purchased Music


Mr. Breathmask

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The Red Seal edition of the Gerhardt STARWARS/CE3K album is the best pressing sound wise without the ambient surround mix that came on the other Gerhardt film score recordings. I have this and the JEDI album.

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Nice catch @Bespin . Looking forward to some thoughts on Videodrome

 

Rio 2 by John Powell

The Mask of Zorro by James Horner (Now I've bought the little could you please release the expansion)

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The Legacy Collection: The Lion King

Hellboy II: the Golden Army

Dumbo (Original Motion Picture Soundtrack)

Charlie Wilson's War

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38 minutes ago, Bespin said:

Charlie Wilson's War

I tried listening to that one years ago and I didn't care for it. But hopefully there'll be something you'll like in there.

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Finally bought The Batman after identifyng 64 minutes that I like, but at least I had the luxury of selecting those 64 minutes :) 

 

Plus the title track from Uncharted. It's amazing how Djawadi can come up with another memorable theme, then cast aside that inspiration when composing the actual score.

 

Outlander Season 6 is on my radar and will probably pick it up at some point, but I won't be watching the season any time soon. Bit too much emphasis on the Gaelic theme variations on this album for my liking - I'd prefer McCreary focused on his score.

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On 01/04/2022 at 12:42 PM, Bespin said:

The Legacy Collection: The Lion King

Hellboy II: the Golden Army

Dumbo (Original Motion Picture Soundtrack)

Charlie Wilson's War

 

What am I doing...

 

+The Legacy Collection: Pocahontas

+The Legacy Collection: Beauty and the Beast

+Aladdin Special Edition CD

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On 01/04/2022 at 6:21 PM, Edmilson said:

I tried listening to that one years ago and I didn't care for it. But hopefully there'll be something you'll like in there.

 

The main theme's pretty good, but I can't remember a single other thing about that score.

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I was a bit disappointed in the Philips Box, so I am hoping there will be more of Williams' fingerprints to be enjoyed here.

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2 hours ago, Andy said:

I was a bit disappointed in the Philips Box, so I am hoping there will be more of Williams' fingerprints to be enjoyed here.

 

There absolutely are. But I have most of those already, so I'm still hesitant to buy the Sony box at its current price, even though I'm missing about half - but the (presumably) less interesting half - the albums it contains.

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Damien is terrific fun.  It really could use another release.   There's significant damage to one of the tracks (The film version of Claws), and I think the choral sounds that kick off Broken Ice in the film mix sound more pronounced than what is on the CD.

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So I started with Videodrome.

 

And it's excellent!

 

I've read an old review in a newspaper from 1983, the guy, who hated the album, said it was "great music to commit suicide by". :biglaugh:

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3 minutes ago, Naïve Old Fart said:

Friday I'm In Love, being one of them.

SEVENTEEN SECONDS is a phenomenal record.

 

And of course "Just Like Heaven" and "Lovesong" are two of the great, well, love songs (duh) of the 80s!

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11 hours ago, Naïve Old Fart said:

Indeed. Like CAPRICORN ONE, it's played better, and it sounds better.

The "boh-ats" are much better in the film recording.

 

13 hours ago, Naïve Old Fart said:

SEVENTEEN SECONDS is a phenomenal record.

I vastly prefer Faith and Pornography over it.

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1 hour ago, Brundlefly said:

The "boh-ats" are much better in the film recording.

Do you mean the crow-like sounds? Agreed.

 

 

1 hour ago, Brundlefly said:

I vastly prefer Faith and Pornography over it.

They are damn good, too, as is HEAD ON THE DOOR, but SEVENTEEN SECONDS was right in the middle of my New Wave phase, so I've a soft spot for it.

The one record that I also really like, is MIXED UP, but I don't think it gets much love among fans of The Cure.

 

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3 hours ago, Brundlefly said:

The "boh-ats" are much better in the film recording.

 

Which sounds like its same-year counterpart 'The Fury' thin-ish and not at all apocalyptic. I don't know if both were recorded at Fox, but this problem lasted until the early 1980s (think of 'Masada'). Strangely enough, pristine recordings like TMP or Jaws 2 were possible, but they certainly were no industry standard.

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Agreed.

It's difficult to determine which had the better recording facilities; Los Angeles, or London.

THE FURY is not very good, but the OST, recorded in All Souls Church, Tooting Bec, if memory serves, is fantastic.

Conversely, CE3K sounds great.

Of course, both JAWS 2, and TMP, had two of the very best engineers working on them: John Neal, and Bruce Botnick respectively.

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6 hours ago, Brundlefly said:

The "boh-ats" are much better in the film recording.

 

 

And to me sound more pronounced in the film mix itself.  Could be my imagination, but on the CD, they just don't land with as much punch.

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