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Black Sunday is here!


Ollie

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  • 2 years later...

It's not a Spotify thing, they released it digitally on all the platforms

 

 

On 5/19/2016 at 3:40 PM, Jay said:

 

FSM only ever had a license to release the score on the CD format, as is the typical process for almost every film studio back catalog specialty label release

 

Mondo got a license to release it on vinyl and released that on LP in 2015: https://mondotees.com/blogs/news/18712535-black-sunday-original-motion-picture-soundtrack-2xlp

 

Then LLL struck that deal with Paramount in 2016 to begin putting their scores up for sale digitally and included Black Sunday in the launch batch.  Some additional info about that here:

 

https://filmscoremonthly.com/board/posts.cfm?threadID=115196&forumID=1&archive=0

 

I thought MV had actually recently posted an update about this digital deal with Paramount, but I can't seem to find it now.....

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  • 1 year later...

It appears this has finally gone out of print

 

https://www1.screenarchives.com/title_detail.cfm/ID/13395/

 

Note, last time this happened:

 

On 1/10/2017 at 10:33 AM, Jay said:

It appears the FSM CD has quietly gone Out Of Print

 

http://filmscoremonthly.com/cds/detail.cfm/CDID/443/Black-Sunday/

 

This happened 2 weeks later

 

On 1/24/2017 at 3:33 PM, thx99 said:

It's back up for sale at Screen Archives.

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1 minute ago, bruce marshall said:

Had it , sold it.

It s a solid score that would have benefited greatly from Williams prepared ALBUM. If you don't believe me , ask THOR😊

 

Sure, I agree with you. But in this case, I think it deserved its own soundtrack - at the very least - rather than just the Silva suite, which was all we ever had for years. So being released is in itself more important than the less desirable presentation.

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Can't you just put the album (yes Bruce, it's an album) on and enjoy it, without worrying about how it's structured?

 

I'd hope that your desire for reconceptualisation only becomes a big problem if the album is compiled Thomas Newman style (even I struggle with his albums sometimes). This one doesn't look to bad, surely?

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Geez!

I just wish a SOUNDTRACK LP was issued at the time the film was released.

Who can argue with that?

4 hours ago, Jay said:

 

 

Punks!

1602715970007.jpg

On 2/12/2010 at 1:05 AM, AC1 said:

Black Sunday is strinkingly humble and inconspicuous. If he wrote 2 more scores like that in the '70s, we probably wouldn't be discussing his music today.

Alex

You're not welcome here!😠

 

 

" strinkingly"?

😝😁

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3 hours ago, Thor said:

Sure, I agree with you. But in this case, I think it deserved its own soundtrack - at the very least - rather than just the Edel suite, which was all we ever had for years. So being released is in itself more important than the less desirable presentation.


Corrected. ;)

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4 hours ago, Bespin said:

Bruce, make a 30 minutes program with a lot of clunky edits. The whole world need that.

I already did that when I owned it.

Sadly, unless I posted it on FSM, my program is lost to history😥

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Just revisted the comments about BS over at FSM.

INTERESTING!

https://filmscoremonthly.com/board/posts.cfm?forumID=1&pageID=15&threadID=65533&archive=0

 

I wish Maleficio posted HERE!

With Thor and myself we would make a formidable Trio# 😆

1602730927957.jpg

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I'd rather live in a world with only complete releases than a world with only abridged album programs. That being said, I do think that for some scores, there are definite benefits to trimming the fat for standalone listening. I think Black Sunday would be one of those. For a Williams score, it's relatively homogeneous and nondescript.

 

Still grateful for this release, though - and in utter disbelief that it's been ten years.

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7 hours ago, bruce marshall said:

 

 

You're not welcome here!😠

 

 

" strinkingly"?

😝😁

 

Jaws and especially Star Wars have put Williams on the world stage, not Black Friday.

 

But it's strinkingly striking that you should think that.  ;)

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1 minute ago, AC1 said:

 

Jaws and especially Star Wars have put Williams on the world stage, not Black Friday.

 

But it's strinkingly striking that you should think that.  ;)

I think " strinkingly" should be added to the language in next OXFORD DICTIONaries.

 

 

 

 

 

 

 

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2 hours ago, Datameister said:

...., I do think that for some scores, there are definite benefits to trimming the fat for standalone listening. I think Black Sunday would be one of those. For a Williams score, it's relatively homogeneous and nondescript.

 

 

Well said! ( you really didn't have to put that disclaimer, it's so Thorian. 😆)

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3 hours ago, Datameister said:

I'd rather live in a world with only complete releases than a world with only abridged album programs. That being said, I do think that for some scores, there are definite benefits to trimming the fat for standalone listening. I think Black Sunday would be one of those. For a Williams score, it's relatively homogeneous and nondescript.

 

Still grateful for this release, though - and in utter disbelief that it's been ten years.

I am even satisfied with the 10-minutes Black Sunday Suite on the "Ultimate collection".

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4 hours ago, bruce marshall said:

Just revisted the comments about BS over at FSM.

INTERESTING!

https://filmscoremonthly.com/board/posts.cfm?forumID=1&pageID=15&threadID=65533&archive=0

 

I wish Maleficio posted HERE!

With Thor and myself we would make a formidable Trio# 😆

1602730927957.jpg

Fortunately, the longest Star Wars score is just 223 minutes long so he'll be fine. ;)

 

As for Black Sunday, it works well on the FSM album. The score has a clear structure and I love it gradually builds up tension. Not quite unlike Close Encounters. Yes, the scores shares some DNA with other more famous John Williams scores but it is also quite unique in his career.

 

Karol

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24 minutes ago, Jurassic Shark said:

 

What's his style?

 

Most of his albums are just a bunch of cues on a CD, without a lot of rearranging that I can see. Finding Nemo has 39 mostly short tracks.

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14 hours ago, Jay said:

It appears this has finally gone out of print

 

https://www1.screenarchives.com/title_detail.cfm/ID/13395/

 

Note, last time this happened:

 

 

This happened 2 weeks later

 

 

Hopefully, Mike has finally has found better master elements and we'll finally get a definitive release.

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5 minutes ago, Jurassic Shark said:

 

Hopefully, Mike has finally has found better master elements and we'll finally get a definitive release.

"the complete score has been newly mixed by Mike Matessino from the original 2" 16-track masters."

 

It won't get better than that and the score sounds mostly great. At best the revised Explosion could be found, that's the only bit on the set that comes from the mono film stems and doesn't sound very good.

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The film version end credits is an edit that replaces JW's intended cue. Mike recreated it for the last track (revised mono finale+these new editorial credits) because why not. The intended credits cue is still presented with and without percussion.

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2 hours ago, Thor said:

 

Edel? I always thought it was Silva:

 

https://www.silvamasters.com/track/MjIwMDkzLWNjZTAyMA/

 

2 hours ago, Jurassic Shark said:

He's probably got the german release.

 

Interesting!  Yes, I have the Edel German release (pictured below).  But if this is the same recording that @Thor linked to above via Silva, then either the attribution of the "L.A. Symphonic Orchestra" on the Giants of Cinema CD is false, or Silva's CoP credit is false!!  Weird, I never really looked into it!

 

http://johnwilliams.free.fr/img/covers/giantscine_front.jpg

 

http://johnwilliams.free.fr/img/covers/giantscine_back.jpg

 

Credit for images:  http://johnwilliams.free.fr/pistes.php?lang=us&album=giantscine

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4 hours ago, Holko said:

It won't get better than that and the score sounds mostly great. At best the revised Explosion could be found, that's the only bit on the set that comes from the mono film stems and doesn't sound very good.

 

A few source cues could also be included on a re-release ;)

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  • 2 months later...
  • 1 year later...

This is now removed from Spotify, Amazon MP3, iTunes, etc etc - though strangely still up on 7 Digital (maybe they didn't get the memo)

 

Maybe a re-issue is coming?

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