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Interstellar (2014 film directed by Christopher Nolan)


JoeinAR

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We just weren't in the mood for a heavy thinking movie at the time. Watched something light instead, and just haven't come back to it.

Let the Right One In is great and an amazingly-shot film. Evocative, and some impressive shots -- including a climatic one underwater -- just really make this film. And the score was beautiful too.

Her wasn't that impressive, but maybe that was due to Hoytema having to use digital on that one.

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And I think Iglesias delivered a cracking score. Really enjoyed hearing his extended suite/concerto for orchestra and oboe based on this music.

Karol

Agreed. Brilliant film. Excellent cast. Wish they'd do a sequel with the same talent.

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Why do I get the feeling this is going to be like a cross between Spielberg and Malick.

Cool poster.

Spielberg and Kubrick, actually. 2001 has been name dropped as an inspiration.

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Hm. Definitely not tonally, but there are obviously some similarities. Most notably...

the fact that the third act is set mostly in the "beyond"

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One on the one hand, I'm pumped for Nolan homaging Spielberg properly -Abrams take in my opinion was dreadful.

Abrams, in an interview with Spielberg sitting right next to him, has said that Super 8 was not meant or intended as an "homage to Spielberg", but rather just a representation of a time in his life.

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And I think Iglesias delivered a cracking score. Really enjoyed hearing his extended suite/concerto for orchestra and oboe based on this music.

WHAAAAAT?!!!

Link?

It was in concert last year. Tinker Tailor Oboe Spy was the title - three movements, probably over 20 minutes long. I haven't got a recording and, sadly, none seems to be available online. Trust me, I've been looking for it.

Karol

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One on the one hand, I'm pumped for Nolan homaging Spielberg properly -Abrams take in my opinion was dreadful.

Abrams, in an interview with Spielberg sitting right next to him, has said that Super 8 was not meant or intended as an "homage to Spielberg", but rather just a representation of a time in his life.

A time of his life when he was a well-fed kid watching tons of Hollywood movies without ever really understanding them (the Spielberg ones at least). Facsimile directors who write and direct like robots!

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Exactly!

Spielberg/Kubrick or not, it definitely looks Malickian. Do we know if the Nolanster is a fan? Crocs?

Alex

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Okay, I think it's safe to say he's a fan. In fact, it's pretty clear that to them (Nolan and Fincher) Malick is up there with the immortals.

Alex

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I think those "influences" might be a reason why some people really have a problem with Nolan - that kind of exalted, sombre, "profound" and contemplative must feel pretentious to many. I get that.

But it doesn't have the same effect on me.

Because I have better taste. ;)

Karol

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He re-wrote the script, you know. As to how much, remains to be seen.

He better did, his brother isn't the best of screenwriters (on his own).

Karol

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It makes you think of.... EXPOSITION!

And wordy at that.

It makes me think of ... Bond.

:rimshot:

But sometimes there are very faint touches of Kubrick.

41-the-box1_zps7baa2d71.png

full_frontal_monolith_zpsdf603330.jpg

:rimshot:

Alex

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Sex and the City 3 by Ingmar Bergman? Star Wars Episode 8 by Andrei Tarkovsky? Fast and Furious 9 by Sergei Parajanov?

Karol

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I think with this one some people will complain whether there's too much exposition or not, given the whole blackholey spacetimey thing.

I just dislike so much when characters explain things they already know...

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Oh that's interesting, didn't know that. Was that the hangar set, by any chance? There is a slightly Kubrickian feel to it.

tswlmpienewood.jpg

Karol

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Live And Let Die falls into the severe guilty pleasure for me, but it's never boring.

Exactly, I can't say that of most other Bonds!

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And I gotta say Jane Seymour looks fantastic.

She does! But it's also interesting for Yapphet Kotto because he comes across as a very contemporary villain. His acting feels more natural than other Bond villains of that era and therefore it struck me as more real and threatening.

or_e577166312224262384181_zps699e22f4.jp

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All Time High gets me all chilled and goosebumpy just because of Barry's absolutely luxuriously luscious strings. Which is why I prefer the instrumental version.

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Hmm, it too is one of my least favorite Bond songs, guest2.

And while Kotto felt natural and normal, it was actually his right-hand man who was the over-the-top villain.

Live-and-Let-Die-50-Years-Of-Bond_zpscb7

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Well it's My Little Octopussy isn't it ;)

But yeah, it's the music I'm an absolute sucker for there, the ambience of it; not so much the lyric (or vocal). That cue is my single favourite Barry strings piece. Plus it gets the ladies all relaxed, ahem.

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