.

[alicebrallice 134]

tracks: farewell aragog, slughorn's confession, dumbledore's farewell, the weasley stomp, harry in winter, underwater secrets, obliviate, lily's theme.

[KK 3,307]

Sky Battle and Dragon Flight are way better than Obliviate which is an admittedly interesting piece but doesn't rank among the stronger cues of Desplat's entries into the franchise.

[Marian Schedenig 8,172]

The Black Lake

Fireplaces Escape

My Love Is Always Here

And I'm pretty sure there were two Hooper cues I really liked, but I can't figure out which ones now.

For the record, I still haven't picked up Desplat's second score.

[The Psycho Pianist 216]

Very difficult this one - considering all of the good themes were done by JW.

1) Dumbledore's Farewell (Hooper) - beautiful, haunting and enhances the scene incredibly

2) Lily's Theme (Desplat) - very nice, loved the use of the solo vocal line which gave it such a depressing feeling and opened the last film so well

3) Obliviate (Desplat) - Beautifully orchestrated with the woodwind section, and complemented the scene really well

4) Dumbledore's Army (Hooper) - had a very fitting driving rhythm to it which I thought epitomised the spirit of Dumbledore's Army

5) Fireworks (Hooper) - a bit of an eccentric track perhaps but it's great and stuck out from the rest of his mostly mediocre stuff

[DemonStar 57]

1) Lily's Theme (Desplat)

2) Sky Battle (Desplat)

3) Voldemort (Doyle)

4) Dragon Flight (Desplat)

5) In Noctem (Hooper)

I also love the huge, heroic battle material that kicks in at 1:15 in "Neville The Hero" in DH Part 2, and the entire "Underworld" track from the same score.