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What Is The Last Film You Watched? (Older Films)


Mr. Breathmask

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1 hour ago, Jurassic Shark said:

We should make a JW Monopoly, with film series instead of streets.

 

I own a SW Monopoly (1997 Edition)!

 

But it's not as fun as my ROTJ Sarlaac's Pit game!

 

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14 minutes ago, Bespin said:

I own a SW Monopoly (1997 Edition)!

 

But it's not as fun as my ROTJ Sarlaac's Pit game!

 

Show us the Monopoly!

 

34 minutes ago, Naïve Old Fart said:

Well, you can have the ST, which would take up the brown streets, the PT, which would be the red streets

 

It would be a bad neighborhood.

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5 minutes ago, Jurassic Shark said:

Show us the Monopoly!

 

It's in a box, but it's this version.

 

I never played with it. Honestly who wants to play a Star Wars Monopoly game? The answer: none of my friends! :D

 

 

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Robin Hood: Prince of Thieves

 

Its a good thing I'm not lactose intolerant, because otherwise I would have been killed by the cheesiness that fills every single frame (EVERY. SINGLE.FRAME) of this movie.

 

But its a very specific type of cheesy. Its "90s action movie" cheesy. Its like director Kevin Reynolds had a checklist:

* Cheesy performances (Morgan Freeman playing an "Arab", Alan Rickman playing a "villain") - check.

* Cheesy soundtrack - check.

* Cheesy costumes - check.

* Cheesy action sequences (90s slo-mo, 90s stunts, 90s getting-ready montages) - check.

 

The cheesy Sean Connery cameo came like a cherry (made of cheese!) ontop of it all.

 

I loved every minute of it! What a hoot!

 

*** out of *****

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Got bored this evening and thought I'd start using my Disney+ again, so I picked Frozen.

 

Pretty good - standard Disney fare, but nothing very special really. I rather liked For The First Time In Forever, and Let It Go is a perfectly nice song, although I'm not sure it has that much going for it aside from the moderately memorable chorus.

 

Beck's score was rather good, particularly in the later action sequences - one from which to pick a few selections.

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The wife.

 

Nothing special, but much better than I thought it was going to be. I did think it took too long before we started getting into the deep stuff and Jonathan Pryce always plays the same character, or maybe it’s just the voice. I could also have done without the final scene on the plane and didn’t like how they suddenly broke up an argument because they got a grandchild, but the story was great.

 

The score is really good, the best one for piano and strings I’ve heard so far. Why did it take a year for this film to be released publicly?

 

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Pacific Heights - nice yuppie couple Matthew Modine and Melanie Griffith rent an apartment to Michael Keaton, only for him to turn out to be the tenant from hell. Enjoyable entry (of which there were many in the late 80s to early 90s) in the 'home invasion/enemy within' thriller sub-genre.

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I like that he couldn't resist giving himself a little Hitchcock-esque cameo (the hotel elevator bit). 

Keaton is great ... that certain 'dark edge' he has is used to good effect in it.   

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3 hours ago, Sweeping Strings said:

Pacific Heights - nice yuppie couple Matthew Modine and Melanie Griffith rent an apartment to Michael Keaton, only for him to turn out to be the tenant from hell. Enjoyable entry (of which there were many in the late 80s to early 90s) in the 'home invasion/enemy within' thriller sub-genre.

 

Love this one. Don't understand why it scores so low. 

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3 hours ago, Naïve Old Fart said:

It goes without saying that it's nowhere up to the standard of MIDNIGHT COWBOY or SUNDAY BLOODY SUNDAY.

 

Midnight Cowboy, that's the movie with this silly old Republican actor who can't stop making a fool of him?

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17 minutes ago, Naïve Old Fart said:

Pedestrian script, nondescript performances, obvious villain, predictable ending.

 

I dunno, Richard, the whole process of a tenant taking ownership of your house is the stuff that nightmares are made of. At least to me it is. I already watched it three times and it worked every time.

 

14 minutes ago, Bespin said:

 

Midnight Cowboy, that's the movie with this silly old Republican actor who can't stop making a fool of him?

 

Yep! It sounds like Jon Voight wears that jacket in real life too, right? That being said, it's one of my favorite movies.

 

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9 minutes ago, Naïve Old Fart said:

Hey! I'm walking, here! I'm walking, here!

 

An iconic scene and it wasn't in the script. Dustin Hoffman was having a real burst of anger. Thank god that Schlesinger kept it in the movie. 

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#Alive

 

An young Korean man is in his apartment in Seoul when a virus starts transforming citizens into flesh-eating and extremely violent zombies. Stranded in his apartment, with resources diminishing by the day, he must find a way to survive.

 

Pretty interesting premise, specially for these Covidian times. The movie has its shortcomings but overall is a decent zombie flick.

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I love that movie.  Yes the third act is absolutely the weakest, but still overall the film is well worth watching

 

I hope the sequel never happens, it's a perfect standalone story

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16 hours ago, Bespin said:

I though Korean men have little... well. Thanks to the internet.

 

Asian porn girls are incredibly gorgeous and impossibly shapely, but I can't bear to watch their stuff due to the horrible little peckers on the blokes. 

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19 hours ago, Edmilson said:

#Alive

 

An young Korean man is in his apartment in Seoul when a virus starts transforming citizens into flesh-eating and extremely violent zombies. Stranded in his apartment, with resources diminishing by the day, he must find a way to survive.

 

Pretty interesting premise, specially gor these Covidian times. The movie has its shortcomings but overall is a decent zombie flick.

That sounds like a cross between ATTACK THE BLOCK and SLITHER.

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Alien (1979)

 

Part of the joy of watching a great movie is watching someone who really knows what they're doing at work. Sir Ridley Scott has the patience of a saint in waiting for the scares, quietly building-up to them. You can't replace that kind of confidence, the confidence to be slow, to be unspectacular, to wait for the big moment. Its basically the director using the pacing to tell you "This is IMPORTANT and therefore we're going to take our time with this shot... and then this shot... and then this one..."

 

Then, when it comes, its all the more spectacular or - in this case - terrifying.

 

Superb. ****1/2 out of *****

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@Brundlefly, @Chen G. is perfectly entitled to his opinion, although I would give ALIEN nothing less than 5/5.

To see it at the Odeon Leicester Sq. on its opening weekend, September, 1979, and in 70mm/6-track Dolby Stereo, was, and remains, the most terrifying film-going experience of my life. As for the pacing: I'm sure that Terry Rawlings had a lot to do, with that. A remarkable job, considering it was his first film editing gig.

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My post was obviously a joke, although 5/5 would be my personal rating as well.

 

Wow, it must have been a terrific experience to watch Alien on its original release at the cinema, but that was 18 years before I was born, so there was no chance for me.

 

And yes, the editing is remarkable.

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Dark Side of the Rainbow

 

So I pressed play on Pink Floyd's DSOTM album at the precise moment of the MGM lion's third roar, and... holy shit, the sync points actually work! Especially the trippy moodiness against the house spinning in the tornado, the exact synchronisation of Money starting at the moment the film becomes colour, and the 40-odd minute mark where the heart beat kicks in to close off the album... and Dorothy is listening for Tin Man's heartbeat! This is all too much to be a coincidence to me. Despite the band's denial, I'm convinced they used Wizard of Oz as a template for their album.

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3 hours ago, Brundlefly said:

Wow, it must have been a terrific experience to watch Alien on its original release at the cinema, but that was 18 years before I was born, so there was no chance for me.

 

 

I saw Star Wars in Ciné Rubens and at the time it was the best movie I ever saw. A few months later I saw 2001: ASO (sold to me as "The movie that inspired Star Wars") in Ciné Rubens but I was disappointed, it really wasn't all that Star Warsy. Two years later I saw Alien in Ciné Rubens and it immediately became the best movie I ever saw. Three years later I went to see Blade Runner in Ciné Rubens, but to be honest, I left the theatre not knowing what to think of it. Three days I went back to Ciné Rubens to see it again, and even though it was the same movie, it was a whole different experience. In fact, it then became the best movie I ever saw. We're decades later and all the aforementioned movies are still in my top 10 of best sci-fi movies.  

 

2 hours ago, Naïve Old Fart said:

Just cut to BLACK RAIN.

 

That was the moment I realised Ridley Scott wasn't a god after all.

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Is STAR WARS sci-fi, though?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

;)

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It's a political dystopian science fiction movie about an autocrat who uses advanced big corp technology to oppress all the planets of the galaxy. To defeat this autocrat, someone must learn to connect to an energy field (nature) that surrounds all living beings. Do I need to say more? ;)

 

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10 hours ago, Naïve Old Fart said:

@Brundlefly, @Chen G. is perfectly entitled to his opinion, although I would give ALIEN nothing less than 5/5.

To see it at the Odeon Leicester Sq. on its opening weekend, September, 1979, and in 70mm/6-track Dolby Stereo, was, and remains, the most terrifying film-going experience of my life. As for the pacing: I'm sure that Terry Rawlings had a lot to do, with that. A remarkable job, considering it was his first film editing gig.

I saw it opening week also.

I was with a film school friend, and we spent most of the time pointing out all the ' steals' ( IT, THE TERROR FROM BEYOND SPACE et.al.)😉

BUT. very memorable experience#!!!

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4 hours ago, AC1 said:

It's a political dystopian science fiction movie about an autocrat who uses advanced big corp technology to oppress all the planets of the galaxy. To defeat this autocrat, someone must learn to connect to an energy field (nature) that surrounds all living beings. Do I need to say more? ;)

 

Its a film where a troglodyte peasant joins a gilded tin-man, a dwarf, a pirate, a wizard and a bigfoot on the quest to rescue the princess from the fortress of the evil sorcerer...

 

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