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Your 15 All Time Greatest Williams' Scores


TheDarkOrb

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This is tough...if pressed to choose I would pick the following (in no particular order). Tintin and War Horse are not yet eligible because I'm not familiar enough with them.

- Prisoner of Azkaban

- Empire Strikes Back

- Raiders of the Lost Ark

- E.T.

- Last Crusade

- Revenge of the Sith

- Far and Away

- Sorcerer's Stone

- Hook

- Sabrina

- 1941

- Attack of the Clones

- The Terminal

- Catch Me If You Can

Of course the list changes on a monthly basis, except for a few constants.

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Number one is the best...

1) TESB

2) Temple of Doom

3) Jurassic Park

4) Star Wars

5) ET

6) Prisoner of Azkaban

7) Raiders

8) The Phantom Menace

9) Home Alone

10) War Horse

11) Schindlers List

12) Last Crusade

13) Return of the Jedi

14) Superman

15) Harry Potter and the Sorcerer Stone

16) Revenge of the Sith

17) The Lost World

18) Hook

19) Far and Away

20) Jaws

21) Close Encounters

22) AotC

23) Tintin

24) AI

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1. Star Wars

2. E.T. The Extra-Terrestrial

3. Schindler's List

4. Raiders Of The Lost Ark

5. Superman The Movie

6. The Empire Strikes Back

7. Jaws

8. Close Encounters Of The Third Kind

9. Jurassic Park

10. Harry Potter And The Sorcerer's Stone

11. Hook

12. Born On The Fourth Of July

13. A.I. Artificial Intelligence

14. Harry Potter And The Prisoner Of Azkaban

15. War Horse

16. Home Alone

17. Saving Private Ryan

18. Memoirs Of A Geisha

19. Far And Away

20. The Adventures Of Tintin: Secret Of The Unicorn

21. Indiana Jones And The Temple Of Doom

22. Return Of The Jedi

23. Seven Years In Tibet

24. Empire Of The Sun

25. Amistad

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This is impossible, as they're likely to change every month or so. Especially if we include as many as 15 scores. But right now, it would perhaps go something like this, if we only include his feature film scores (no tv etc.) and talk about soundtracks rather than how it works in the film:

1. JURASSIC PARK -- in a class of its own, being my alltime favourite soundtrack

2. RETURN OF THE JEDI (representing the STAR WARSes)

3. JANE EYRE

4. SCHINDLER'S LIST

5. HOOK

6. E.T.

7. A.I.

8. INDY III (representing the INDYs)

9. HARRY POTTER III (representing the HP's)

10. STANLEY & IRIS

11. EMPIRE OF THE SUN

12. FAR & AWAY

13. HOME ALONE

14. CLOSE ENCOUNTERS

15. ANGELA'S ASHES

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Almost impossible for me as well. In absolute casual order:

E.T.

TESB

Superman

Raiders

CE3K

Jaws

Star Wars

The Accidental Tourist

Jane Eyre

A.I.

Temple of Doom

Dracula

The Reivers

Empire of the Sun

Schindler's List

Also: Stanley & Iris, Angela's Ashes, The Fury, Last Crusade, Catch Me if You Can, Hook, Born on the 4th of July, Harry Potter 1 & 3.

Both Tintin and War Horse are climbing up fast, probably because I'm really digging them a lot lately

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"Close Encounters" at number 14? That's outrageous!!!!!!!

More outrageous than not having JAWS on the list at all? ;)

Seriously, though, there are some scores that I really dig in the films themselves - JAWS, CE3K, BLACK SUNDAY etc., but that don't necessarily have the same effect on me on soundtrack albums. And that's how I interpreted this thread.

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1. Munich

2. Empire Of The Sun

3. Schindler's List

4. Saving Private Ryan

5. A.I. Artificial Intelligence

6. Harry Potter And The Prisoner Of Azkaban

7. Cinderella Liberty

8. Black Sunday

9. E.T. The Extra-Terrestrial

10. Rosewood

11. Far And Away

12. Heartbeeps

13. Hook

14. 1941

15. War Horse

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In no particular order

Close Encounters of the 3rd Kind

Return of the Jedi

Schindler's List

JFK

Nixon

Sleepers

Angela's Ashes

Seven Years in Tibet

Artificial Intelligence

Memoirs of a Geisha

Indiana Jones and the Last Crusade

Empire of the Sun

ET the Extraterrestrial

Empire Strikes Back

The Phantom Menace

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My list is really boring, but its honest

1. Hook

2. The Empire Strikes Back

3. Indiana Jones and the Temple of Doom

4. Star Wars

5. Return of the Jedi

6. Jurassic Park

7. Raiders of the Lost Ark

8. Harry Potter and the Sorceror's Stone

9. The Lost World

10. Harry Potter and the Prisoner of Azkaban

11. Indiana Jones and the Last Crusade

12. Home Alone

13. Close Encounters of the Third Kind

14. E.T.

15. Jaws

EDIT: I picked my 15 FAVORITE Williams scores, which is different from "The Best" - there's a difference.

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My 15 in random order!

Raiders of the Lost Ark

Hook

The Adventures of Tintin

The Lost World

E.T.

The Return of the Jedi

The Empire Strikes Back

A.I.

Harry Potter and the Prisoner of Azkaban

Harry Potter and the Sorcerer's Stone

Harry Potter and the Chamber of Secrets

Jaws

The Fury

Indiana Jones and the Temple of Doom

The Phantom Menace

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why? I consider it a good score but nothing sooo special to be in top10s or so...

I never got the Close Encounters hype here

Personally:

-It's one of JW's most narrative scores, to the point it's one of the few scores I can only listen from start to finish. It evokes feelings of intrigue, terror, excitement and awe in a seamless sucession until the very end.

-It's like John Williams' STTMP. I like the sounds JW develops slowly in this score. It sounds alien and scary at times, and manages to twist it in an alien and heartwarming manner, all surrounded with more earthly sounds.

-This composition is full of these brilliant JW moments. Like 1:30 in Barry's kidnapping, or when Roy steps into the mothership. Entire sections of the score sound like they're basically build of moments like these, one after another.

Best score of 1977, in my opinion.

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E.T. The Extra-Terrestrial

Star Wars

The Empire Strikes Back

Return of the Jedi

Hook

Raiders of the Lost Ark

Indiana Jones and the Temple of Doom

Indiana Jones and the Last Crusade

Superman: The Movie

Home Alone

Home Alone 2: Lost in New York

Harry Potter and the Sorcerer's Stone

The Mission (Theme for NBC News)

The Mission (Amazing Stories TV episode)

Jurassic Park

Close Encounters of the Third Kind

I cheated. Oh well.

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I messed up the order purposefully, in order to not have all the obvious ones together and bore everyone to death.

E.T.

And then on less godlike categories:

The Reivers

Jaws

A.I.

Raiders

Catch Me If You Can

Star Wars

Saving Private Ryan

Close Encounters of the Third Kind

The Lost World

The Fury

The Long Goobye

Empire of the Sun

JFK

Harry Potter and the Prisoner of Azkaban

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1) ET - The Extra Terrestrial

2) Star Wars

3) Close Encounters of the Third Kind

4) Superman

5) Indiana Jones and the Temple of Doom

6) Munich

7) Jurassic Park

8) Jaws

9) Raiders of the Lost Ark

10) HP+Philosopher's Stone

11) The Empire Strikes Back

12) Fuck, this is hard

12) Dracula

13) Raiders of the Lost Ark

14) Revenge of the Sith

15) Hook

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Are we talking about scores as heard in the film, as a soundtrack album as a whole, of about particular themes or tracks?

I guessed the second. Actually as a criterium I used which albums are most often in my cd player or playing on itunes.

1) Sabrina

2) Jurassic Park

3) Harry Potter and the Sorcerer's Stone

4) Hook

5) Schindler's List

6) E.T.

7) Adventures of Tintin

8) The Patriot

9) The Phantom Menace

10) Far and Away

Hm...I tend to like the more recent albums. Most probably because I don't like the old recording sound of the 70-ies and 80-ies. Ans I must say that I probably prefer JW's modern action writing over some of the old stuff, mostly because of more advanced orchestration. If we were discussing tracks most of the 80-ies stuff would be there.

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In no particular order (but Hook and E.T. come first)

-Hook

-E.T

-The Empire Strikes Back

-Jurassic Park

-Superman

-Indiana Jones and Temple of doom

-Raiders of the lost Ark

-Schindler's List

-Harry Potter and Sorcerer's Stone

-Home Alone

-Close Encounters

-Jaws 2

-A.I.

-Spacecamp

-Star Wars

Oh I see noone has put Spacecamp so far.

I wonder why. This film and its score are always underestimated I think..

(maybe we have to make a thread for the 15 worst too? Or there is one already?)

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1) ET - The Extra Terrestrial

2) Star Wars

3) Close Encounters of the Third Kind

4) Superman

5) Indiana Jones and the Temple of Doom

6) Munich

7) Jurassic Park

8) Jaws

9) Raiders of the Lost Ark

10) HP+Philosopher's Stone

11) The Empire Strikes Back

12) The Towering Inferno

12) Dracula

13) Raiders of the Lost Ark

14) Revenge of the Sith

15) Hook

Fixed!

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1. Close Encounters of the Third Kind

2. The Empire Strikes Back

3. Harry Potter and the Prisoner of Azkaban

4. Indiana Jones and the Temple of Doom

5. The Return of the Jedi

6. Superman

7. Star Wars

8. The Phantom Menace

9. E.T

10. Jaws

11. Hook

12. Empire of the Sun

13. The Fury

14. Tin Tin

15. War Horse

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I refuse to rank them, so I'll give them in complete random order. For some reason picking 15 is harder than picking 10.

Superman

Hook

Jurassic Park

The Empire Strikes Back

E.T.

Far and Away

Close Encounters of the Third Kind

Jaws

Raiders of the Lost Ark

Star Wars

Temple of Doom

Schinder's List

Saving Private Ryan

Towering Inferno

Harry Potter and the Philosopher's/Sorcerer's Stone.

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Star Wars Episode III: Revenge of the Sith

Jurassic Park

Hook

Star Wars Episode I: Phantom Menace

Harry Potter & The Philosopher's Stone

Star Wars : A New Hope

Star Wars : Empire Strikes Back

Harry Potter & The Chamber Of Secrets

Home Alone

Home Alone 2

Star Wars : Return of the Jedi

Star Wars Episode II: Attack Of The Clones

The Lost World

Harry Potter & The Prisoner Of Azkaban

Jaws

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Close Encounters, Star Wars, The Empire Strikes Back, Superman, Jaws, Jane Eyre, Schindler's List, Jurassic Park, Raiders of the Lost Ark, Black Sunday, Dracula, Empire of the Sun, A.I., Angela's Ashes, JFK.

Not much surprise in there.

Karol

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I don't think I ever made a top-15 list and right now I don't have time to think about one, but we did do a top 10 many years ago on this site (if it was post-2002 it could be found somewhere on the boards).

What I'm sure about is that the most recent scores in my top-15 list would date from 1992.

EDIT: I found that thread: The JWFAN MB Consensus Top 10 JW scores

It's nearly 9 years old. My top 10 remains the same.

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I don't think I ever made a top-15 list and right now I don't have time to think about one, but we did do a top 10 many years ago on this site (if it was post-2002 it could be found somewhere on the boards).

What I'm sure about is that the most recent scores in my top-15 list would date from 1992.

EDIT: I found that thread: The JWFAN MB Consensus Top 10 JW scores

It's nearly 9 years old. My top 10 remains the same.

So even the landmarks of originality, creativity, inspiration and diversity don't do it for you? (i'm talking about "Prisoner of Azkaban" and "Schindler's List")

These two scores are definetly completely fresh and new and there are for sure no comparable genre scores in the time earlier than 1992. These are the ones where no

one can say JW copied or repeated himself on a significant level and they still stand alone in the vast field of his filmography as absolutely unique entries. These are the scores where you can feel the freshness in the music as well as the inspiration and soul put into them. They just sparkle like ToD, ET or TESB still do.

(Almost the same can be said about "The Lost World" which is unlike anything JW has done before and since but i still wouldnt rate it as high as PoA or Schindler's)

For me personally the masterpieces of the post 1992 scores also include the highlights of the expected and stylish already "done" genres, but i could understand why you wouldn't rate them that high. So TPM, Jurassic Park and Harry Potter 1 are also on my list. War Horse also made it on the list but i of course haven't seen the film yet. Nevertheless i am convinced that there is a level of quality, freshness and inspiration in it that even after the excitement of the new release tones downs, merits a top 15 or top 20 place.

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Ricard has been a Williams fan for about three decades. The finer scores us younger fans discovered through videotapes and "best of" compilations, he discovered on the big screen, along with the rest of the world.

If he says he doesn't need Azkaban or Schindler or Tintin to fully appreciate Williams' talent, he know why.

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Ricard has been a Williams fan for about three decades. The finer scores us younger fans discovered through videotapes and "best of" compilations, he discovered on the big screen, along with the rest of the world.

If he says he doesn't need Azkaban or Schindler or Tintin to fully appreciate Williams' talent, he know why.

It's not about appreciating JW talent, it's about the 15 alltime favorite score lists.

I don't get the sense of your reply. What has this reply to do with my comment/question about Ricards all time list. The statement that he only has scores pre 1993 on his top15 favorite list is very uncommon and that's why i asked Ricard about it! Or are you Ricards spokesman and answer all his questions? ... who knows ;)

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Williams composed over 70 original scores between 1960 and 1992. Most of them were extremely good, and many of them absolute masterpieces. Is it that strange that my top 15 are among those 70 works?

For me personally the masterpieces of the post 1992 scores also include the highlights of the expected and stylish already "done" genres, but i could understand why you wouldn't rate them that high.

OK thanks.

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In no particular order:

Raiders of the Lost Ark

Indiana Jones and the Temple of Doom

Saving Private Ryan

Schindler's List

E.T.

Home Alone

Jurassic Park

Star Wars

The Empire Strikes Back

Harry Potter and the Philosopher's Stone

Harry Potter and the Prisoner of Azkaban

The Adventures of Tintin

Jaws

JFK

Hook

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Ricard has been a Williams fan for about three decades. The finer scores us younger fans discovered through videotapes and "best of" compilations, he discovered on the big screen, along with the rest of the world.

If he says he doesn't need Azkaban or Schindler or Tintin to fully appreciate Williams' talent, he know why.

It's not about appreciating JW talent, it's about the 15 alltime favorite score lists.

I don't get the sense of your reply. What has this reply to do with my comment/question about Ricards all time list. The statement that he only has scores pre 1993 on his top15 favorite list is very uncommon and that's why i asked Ricard about it! Or are you Ricards spokesman and answer all his questions? ... who knows ;)

Oh I wouldn't want to speak for Ricard. All I meant was that veteran fans tend to favor older scores, the same way younger fans favor more recent scores. We all tend to feel more passionate about products that are contemporary to us.

As an added point I considered illustrative, Ricard's "contemporary" scores were also the same ones we consider JW's finest. Hence my argument about him having those in his top 15.

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Williams composed over 70 original scores between 1960 and 1992. Most of them were extremely good, and many of them absolute masterpieces. Is it that strange that my top 15 are among those 70 works?

The only thing that i can't understand is why Schindler's list and PoA are not among those top 15. I explained my reasoning why in my opinion at least these two are on par with the best of JW's best!

But it is of course a matter of taste :)

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Yeah, well I believe Ricard lists Home Alone 2 in his top 10 so it just goes to show everyone has a different view on 'John Williams' Top 15 Scores'. I believe Schindler's List is definately a Top 10 score and PoA belongs in the Top 15. Both are vastly superior to Home Alone 2 IMO, but like I said: to each his own. ;)

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The main problem is that Ricard is the creator and owner of JWFAN. So people value his opinion, and would love it if it was similar to theirs.

Truth is Ricard's list is as valid or invalid as any other long time John Williams fan here.

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The main problem is that Ricard is the creator and owner of JWFAN. So people value his opinion, and would love it if it was similar to theirs.

Truth is Ricard's list is as valid or invalid as any other long time John Williams fan here.

I value Ricard's opinion as much as any other here. Just find it a bit odd that one feels The Witches Of Eastwick or Home Alone 2 (fine scores BTW) are better than any score Williams wrote after 1992. To each his own of course, but it feels like someone is trying to make a statement.

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Considering Ricard's age, and the fact that WoE was the first time Williams wrote this type of score (mischievous evil), I can certainly see why he loves it. Same with Home Alone. The styles of both would be regurgitated for Harry Potter and Hook, but Home Alone and Witches of Eastwick were there first....

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