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OT: If anyone would ever like to visit some sessions let me know


InTheCity
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Hey LA peoples or world travelers.

We are frequently doing sessions these days at SONY or WB or the bridge, I could probably bring one or two of you as guests if you wanted to tour the studio and see how things work. I was lucky enough to have people bring me as guests and I want to return the favor.

Let me know via PM

Thanks

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Not living in the States is a major pain in the butt when it comes to enjoying film scores.

You people get to see Williams live... attend sessions... meh.

Nice offer though :)

Same feelings here. Those guys are so lucky, I hope they realize it. Fortunately we have also good things in Europe.

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Remember though -- about half or more of the film scores aren't recorded here, but mainly in Lodon, some in other countries, states like Belgium, Bulgaria, Ireland, some other places.

Doesn't Williams still record mainly with the London Symphony Orchestra? (do I got that right?)

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Williams hasn't recorded a score with the LSO since ROTS. And I believe the prequels are the only 3 scores since the mid 80s he's done there.

Harry Potter 2 was recorded with the LSO, but conducted by Williams Ross

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Williams hasn't recorded a score with the LSO since ROTS. And I believe the prequels are the only 3 scores since the mid 80s he's done there.

Harry Potter 2 was recorded with the LSO, but conducted by Williams Ross

I'm sure Prisoner of Azkaban was recorded with the LSO

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Williams hasn't recorded a score with the LSO since ROTS. And I believe the prequels are the only 3 scores since the mid 90s he's done there.

Harry Potter 2 was recorded with the LSO, but conducted by Williams Ross

I'm sure Prisoner of Azkaban was recorded with the LSO

I think there might have been at least members of the LSO in the orchestra when they recorded HP POA but LSO would have gotten a billing somewhere in the CD credits if it was that whole orchestra performing.

EDIT: You both beat me to it guys. :P

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Harry Potter 1 was the same way, recorded in London but not technically with the LSO (but with many LSO players)

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Not according to this list:

http://lso.co.uk/pag...-and-Film-Music

That list is incomplete. It shows only some highlights of their discography. There is a list of all recordings from the LSO online, the latest is from 2009 but I think it is very interesting.

http://images.cch.kc...iv/pubs/LSO.pdf

Prisoner of Azkaban is definately not performed by the LSO, not only shown on the LSO discography. If you hear the style of the LSO you will notice that it does not sound like the LSO; it is only a hollywood orchestra.

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OOOOOH, EXCELLENT find ckappes!

According to that PDF, Williams recorded ELEVEN scores with the LSO:

>1081 “Star Wars” film soundtrack

Latterly known as “Star Wars Episode 4: A New Hope”

Eng: Eric Tomlinson

5,8,9,11,12,15&16 Mar 1977 Anvil Film Studios, Denham

composed and conducted by John Williams

led by Neville Taweel / [16 Mar only] Jack Rothstein

>1106 “The Fury” film soundtrack

Eng: Eric Tomlinson

9-10 Feb 1978 All Saints, Tooting

composed and conducted by John Williams

led by John Georgiadis

>1132 “Superman, The Movie” film soundtrack

6,7,10,11,13,14 Jly, 7,9-11 Sep, Eng: Eric Tomlinson

6,15,24,31 Oct & 4 Nov 1978 Anvil Film Studios, Denham

composed and conducted by John Williams

led by John Georgiadis /

[6 Oct only] Irvine Arditti / [31 Oct only] Richard Studt

>1165 “Dracula” film soundtrack

24,30 Apr, 1,4&16 May 1979 Anvil Film Studios, Denham

composed and conducted by John Williams

led by [24,30,1] Michael Davis / [4,16] Irvine Arditt

>1196 “The Empire Strikes Back” film soundtrack

Latterly known as “Star Wars Episode 5”

Eng: Eric Tomlinson

27-29 Dec 1979, 7-10&18-19 Jan 1980 Anvil Film Studios, Denham

composed and conducted by John Williams

led by Michael Davis

>1241 “Raiders of the Lost Ark” film soundtrack

Pr: John Williams Eng: Eric Tomlinson

18,19,23 Feb & 2-3 Mar 1981 Abbey Road Studio 1

composed and conducted by John Williams

led by Michael Davis

>1287 “Monsignor” film soundtrack

Pr: Lionel Newman Eng: Eric Tomlinson

2,4 Aug & 1 Oct 1982 Abbey Road Studio 1

composed and conducted by John Williams

led by Michael Davis

>1302 “Return of the Jedi” film soundtrack

Latterly known as “Star Wars Episode 6”

Pr: John Williams Eng: Eric Tomlinson 17,21,22,31 Jan, 1,10 Feb & 5-6 Mar 1983 Abbey Road Studio 1

3-4 Feb 1983 Olympic Studios, Barnes

composed and conducted by John Williams

led by Michael Davis

>2031 “Star Wars Episode 1: The Phantom Menace” film soundtrack

Eng: Shawn Murphy

5,6,9-12&14-17 Feb 1999 Abbey Road Studio 1

composed and conducted by John Williams

led by Gordan Nikolitch

>2140 “Star Wars Episode 2: Attack of the Clones” film soundtrack

Pr: John Williams Eng: Shawn Murphy

18-21,23,24&26 Jan 2002 Abbey Road Studio 1

composed and conducted by John Williams

led by Gordan Nikolitch / [26 only] Marcia Crayford

>2228 “Star Wars Episode 3: Revenge of the Sith” film soundtrack

Pr: John Williams Eng: Shawn Murphy

2,3,7,8,9,12&13 Feb 2005 Abbey Road Studio 1

composed and conducted by John Williams

led by Marcia Crayford

The 12th score would be Harry Potter 2 if that counts, since Williams Ross conducted in his place.

>2163 “Harry Potter and the Chamber of Secrets” film soundtrack

Pr: John Williams Eng: Simon Rhodes

27-30 Aug, 2-6,9&13 Sep 2002 Abbey Road Studio 1

composed by JOHN WILLIAMS and conducted by William Ross

led by Gordan Nikolitch

Also it should be noted that The Fury was only the LP re-recording, not the original film tracks

EDIT: Looks like Five Sacred Trees was recorded with the LSO as well

>1932 SONY CLASSICAL [Japan]

Pr: Shawn Murphy Eng: Simon Rhodes

22&29 Jun 1996 Abbey Road Studio 1

[a] Judith LeClair (bassoon); John Williams

led by [22] Yuri Torchinsky / [29] Marcia Crayford

[a] J.WILLIAMS Bassoon Concerto “The Five Sacred Trees”

TAKEMITSU Tree Line

[c] HOVHANESS Symphony No.2 Op.132 “Mysterious Mountain”

[d] PICKER Old and Lost Rivers

CD: [a-d] (Jly97) SK62729.

And the LSO re-recorded Star Wars, Jaws, and ET for the "Hollywood Sound" CD in 1997 as well

>1933 SONY CLASSICAL [Japan]

Pr: Shawn Murphy Eng: Simon Rhodes

1-2 Jly 1996 Abbey Road Studio 1

[f] Grover Washington Jr. (alto saxophone); John Williams

led by [1] Marcia Crayford / [2] Michael Davis

[a] “The Hollywood Sound” The Adventures of Robin Hood

The Wizard of Oz

[c] The Devil and Daniel Webster

[d] Spellbound

[e] The Best Years of Our Lives

[f] A Place in the Sun

[g] Lawrence of Arabia

[h] The Godfather, Part II

Jaws

[j] Star Wars

[k] E.T. the Extra-Terrestrial

[l] Out of Africa

[m] The Last Emperor

[n] Dances With Wolves

[o] Beauty and the Beast

[p] Pocahontas

CD: [a-p] (May97) SK62788.

It doesn't say in the PDF, but those sessions were conducted by Williams. Amazon link.

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Also it should be noted that The Fury was only the LP re-recording, not the original film tracks

And I believe that was done during some of the Superman sessions?

EDIT: Looks like Five Sacred Trees was recorded with the LSO as well

That's what I said above. ;)

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OOOOOH, EXCELLENT find ckappes!

Glad I could help.

I like this pdf, because it shows all recordings and which recording formats it was released - with detailed numbers, so you can find the releases easily. Especially the OOP recordings! Also, I like the classical recordings from the LSO as well.

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Also it should be noted that The Fury was only the LP re-recording, not the original film tracks

And I believe that was done during some of the Superman sessions?

Not according to the PDF. It says The Fury was recorded in February and Superman in July, Sep, Oct, and Nov.

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Not according to this list:

http://lso.co.uk/pag...-and-Film-Music

That list is incomplete. It shows only some highlights of their discography. There is a list of all recordings from the LSO online, the latest is from 2009 but I think it is very interesting.

http://images.cch.kc...iv/pubs/LSO.pdf

Prisoner of Azkaban is definately not performed by the LSO, not only shown on the LSO discography. If you hear the style of the LSO you will notice that it does not sound like the LSO; it is only a hollywood orchestra.

Thanks for that info. Could you elaborate on what you mean by 'it does not sound like the LSO'? Is it something like the tone of the instruments?

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Not according to this list:

http://lso.co.uk/pag...-and-Film-Music

That list is incomplete. It shows only some highlights of their discography. There is a list of all recordings from the LSO online, the latest is from 2009 but I think it is very interesting.

http://images.cch.kc...iv/pubs/LSO.pdf

Prisoner of Azkaban is definately not performed by the LSO, not only shown on the LSO discography. If you hear the style of the LSO you will notice that it does not sound like the LSO; it is only a hollywood orchestra.

Thanks for that info. Could you elaborate on what you mean by 'it does not sound like the LSO'? Is it something like the tone of the instruments?

I recognize them from the smooth brass section. They used to have stellar strings, but nowadays the strings are probably the weakest part of the orchestra. Still better than say 90% of the professional orchestras though.

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And I believe that was done during some of the Superman sessions?

Not according to the PDF. It says The Fury was recorded in February and Superman in July, Sep, Oct, and Nov.

...or I could just have read your post...

I wonder where I got that from, then? It was either a rumour that made the rounds at FSM years ago, or it was in some liner notes or something like that. Probably the former I guess.

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Not according to this list:

http://lso.co.uk/pag...-and-Film-Music

That list is incomplete. It shows only some highlights of their discography. There is a list of all recordings from the LSO online, the latest is from 2009 but I think it is very interesting.

http://images.cch.kc...iv/pubs/LSO.pdf

Prisoner of Azkaban is definately not performed by the LSO, not only shown on the LSO discography. If you hear the style of the LSO you will notice that it does not sound like the LSO; it is only a hollywood orchestra.

Thanks for that info. Could you elaborate on what you mean by 'it does not sound like the LSO'? Is it something like the tone of the instruments?

Every orchestra has an unique style, where you can find out which orchestra performs. As you pointed out the tone of the instruments is the key.

Very distinctive for the LSO is the sound of the kettledrum, the cellos and of course the trumpets. But most distinctive I think is the sound of the cellos and the kettledrum.

You have to listen to some performances of an orchestra to locate their style. I guess it is the same as for conductors and composers, where you can also hear their styles.

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John Williams' trumpet concerto was also recorded with the LSO, although not with Williams conducting (I forget who was).

That one was conducted by Ronald Feldman, along with Williams's Essay For Strings. It may be worth mentioning too that the LSO recorded Williams's violin concerto and flute concerto under Leonard Slatkin.

The answer to The Fury album question lies in the booklet notes for the Varese 2-CD edition; John Williams is quoted as saying:

"That was a fortuitous accident. As soon as we finished recording the score [for The Fury] I had to come to London to start work on Superman. We were able to get the LSO for two days, so we did the album in Tooting (South London)."
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Hell I live in the U.S. as well and would love to attend some recording sessions. However, flying to California is not an option for me. I don't drive and my neurologist said he doesn't want me driving either because I could still be prone to seizures.

Anyways...I would have loved to attend the sessions for all three Star Wars Prequel scores.

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