Gnome in Plaid 213 Posted June 1, 2015 Share Posted June 1, 2015 My brain hurts just imagining trying to play this piece, but it's beautiful. Link to comment Share on other sites More sharing options...
Dixon Hill 4232 Posted June 2, 2015 Share Posted June 2, 2015 This is certain to interest Williams fans. Link to comment Share on other sites More sharing options...
KK 3251 Posted June 10, 2015 Share Posted June 10, 2015 Can't find the third movement on youtube (pity, because it's a fantastic climax), but it makes me wish John Adams would try his hand at film scoring one day. Link to comment Share on other sites More sharing options...
Dixon Hill 4232 Posted June 10, 2015 Share Posted June 10, 2015 All three are on there! Delicious music. Adams actually has tried his hand at film scoring, and described the process as very difficult for him. I didn't get the impression that he felt he was cut out for it, or that he would ever try again. Link to comment Share on other sites More sharing options...
KK 3251 Posted June 10, 2015 Share Posted June 10, 2015 Ahh, those videos can't be found in Canada it seems!But yes the whole piece is wonderful stuff.Adams actually has tried his hand at film scoring, and described the process as very difficult for him. I didn't get the impression that he felt he was cut out for it, or that he would ever try again.Interesting. I suspected as much. What did he score? Link to comment Share on other sites More sharing options...
Dixon Hill 4232 Posted June 10, 2015 Share Posted June 10, 2015 https://www.youtube.com/watch?v=hwAsRnUT_5cHe describes it as "a score of stunning mediocrity." He was in the midst of a bit of a creative slump. And he also wasn't happy with the recording process. As you can hear, there's nothing stunningly mediocre about it - it's typical 80s Adams and I really enjoy it. But I suspect the whole experience soured him to the idea of trying again. Link to comment Share on other sites More sharing options...
RedBard 71 Posted June 14, 2015 Share Posted June 14, 2015 Having fun listening to this grand Aaron Copland Piece (and Copland does the narration): PM me if you wish to read the full score for Lincoln Portrait. Link to comment Share on other sites More sharing options...
Dixon Hill 4232 Posted June 16, 2015 Share Posted June 16, 2015 Anyone ever read Hindemith's writings on his methods? I suspect we have similar approaches based on his general sound, as I explore more of his work. Link to comment Share on other sites More sharing options...
Bespin 6830 Posted June 18, 2015 Share Posted June 18, 2015 Received today. Link to comment Share on other sites More sharing options...
Dixon Hill 4232 Posted June 18, 2015 Share Posted June 18, 2015 Sharkissimo 1 Link to comment Share on other sites More sharing options...
Dixon Hill 4232 Posted June 22, 2015 Share Posted June 22, 2015 RIP Gunther Schuller Link to comment Share on other sites More sharing options...
Wojo 2445 Posted June 22, 2015 Share Posted June 22, 2015 Gunther vent? I vondered vhere Gunther vent. Gnome in Plaid 1 Link to comment Share on other sites More sharing options...
Dixon Hill 4232 Posted June 22, 2015 Share Posted June 22, 2015 You valk on ze moon, ja? Gnome in Plaid 1 Link to comment Share on other sites More sharing options...
Wojo 2445 Posted June 22, 2015 Share Posted June 22, 2015 Ja ja, ve valk und ve talk on ze moon. Gnome in Plaid 1 Link to comment Share on other sites More sharing options...
Dixon Hill 4232 Posted June 25, 2015 Share Posted June 25, 2015 Sharkissimo 1 Link to comment Share on other sites More sharing options...
Sharkissimo 1971 Posted June 25, 2015 Share Posted June 25, 2015 ^ Horner's beloved L S LR on a major triad "genius progression" at 2:06/25. Link to comment Share on other sites More sharing options...
karelm 2587 Posted June 25, 2015 Share Posted June 25, 2015 I love Martinu, thanks for posting this, Sharky. Check out his fantastic Gilgamesh as well: Sharkissimo 1 Link to comment Share on other sites More sharing options...
Dixon Hill 4232 Posted June 26, 2015 Share Posted June 26, 2015 Should become more familiar with Martinu. Link to comment Share on other sites More sharing options...
KK 3251 Posted June 27, 2015 Share Posted June 27, 2015 Last night, I attended the premiere of the restaging of Apocalypsis, a massive production based on the 2 hour oratorio composed by Canadian composer R. Murray Schafer. Schafer is considered to be one of Canada's leading exponents on graphic notation and experimental/avant-garde material. While it had its flaws and its excess, it was quite the spectacle, with about a thousand performers (both musicians and dancers) involved. I believe there were 12 choirs, many orchestral ensembles and a throat singer! The final product was not unlike Tavener's own Fall and Resurrection. While the work meanders a bit at times, it was both visually and musically quite something.I can only find the second more "ethereal" half on youtube. You can hear the more nightmare-ish bits in the rehearsal footage. Dixon Hill 1 Link to comment Share on other sites More sharing options...
Gnome in Plaid 213 Posted June 28, 2015 Share Posted June 28, 2015 Time for some Russian fun with a cello and pitched percussion!Does anybody know who the artist is whose work accompanies the video? Last night, I attended the premiere of the restaging of Apocalypsis, a massive production based on the 2 hour oratorio composed by Canadian composer R. Murray Schafer. Schafer is considered to be one of Canada's leading exponents on graphic notation and experimental/avant-garde material. While it had its flaws and its excess, it was quite the spectacle, with about a thousand performers (both musicians and dancers) involved. I believe there were 12 choirs, many orchestral ensembles and a throat singer! The final product was not unlike Tavener's own Fall and Resurrection. While the work meanders more than I'd prefer, it was both visually and musically quite something. I can only find the second more "ethereal" half on youtube. You can hear the more nightmare-ish bits in the rehearsal footage. That is some crazy stuff right there! Do you know if there's ever been a recording released? I looked up the piece and found out CBC was streaming today's performance all too late (hopefully somebody ripped the stream). That score looks wild though - I'd love to see somebody release a study score. Dixon Hill 1 Link to comment Share on other sites More sharing options...
Dixon Hill 4232 Posted June 28, 2015 Share Posted June 28, 2015 Cool video I just came across. Interesting comments from him about how he orchestrates. I always love to hear other people talk about music in non-musucal or abstract ways that line up with the way my own brain works. Link to comment Share on other sites More sharing options...
Dixon Hill 4232 Posted July 3, 2015 Share Posted July 3, 2015 This is phenomenal. I'm genuinely awed. Link to comment Share on other sites More sharing options...
KK 3251 Posted July 3, 2015 Share Posted July 3, 2015 I figured it'd be right up your alley Grey! Wish you were there to see/hear it live. Quite surreal.That is some crazy stuff right there! Do you know if there's ever been a recording released? I looked up the piece and found out CBC was streaming today's performance all too late (hopefully somebody ripped the stream). That score looks wild though - I'd love to see somebody release a study score.You can borrow the score from the first half I believe: https://www.musiccentre.ca/node/8827I'll try and see if I can get my hands on it. One of my friends was also a trombone player in brass section for the performance, so I'll see if I can get anymore info. Link to comment Share on other sites More sharing options...
nightscape94 965 Posted July 3, 2015 Share Posted July 3, 2015 Good call on the Scriabin, Grey. Was just listening to his "Le Poème de l'extase" (The Poem of Ecstasy) the other day. Love that work and most, if not all, of his symphonies. I have to revisit them. Link to comment Share on other sites More sharing options...
Dixon Hill 4232 Posted July 7, 2015 Share Posted July 7, 2015 Happy 155th to the great Mahler. Link to comment Share on other sites More sharing options...
Jilal 439 Posted July 7, 2015 Share Posted July 7, 2015 A truly phenomenal piece of art. The second movement is just about the most eloquent scherzo I've ever heard.https://www.youtube.com/watch?v=UbrpvEZw-Jo karelm 1 Link to comment Share on other sites More sharing options...
nightscape94 965 Posted July 8, 2015 Share Posted July 8, 2015 Bruckner scherzos tend to be overly repetitive, even when compared to the rest of Bruckner in general.Regardless, the one from his 9th is wonderful, energetic and powerful. I also really like the one from his 6th. Link to comment Share on other sites More sharing options...
Marian Schedenig 6227 Posted July 9, 2015 Share Posted July 9, 2015 Repetitive, sure. I regard Bruckner as the origin of Glass style minimalism.But they're all gorgeous. Link to comment Share on other sites More sharing options...
Bespin 6830 Posted July 10, 2015 Share Posted July 10, 2015 The discovery of the Gershwin Fantasy album recorded with Joshua Bell, gave me the interrest to discover more about this (not so) young violonist. Maybe three good ones to start with, at least three of my crunches! Bell is maybe not an evident choice for Bach, his style is more romantical... but it's respectfull and very well played (hey he plays with the ASMF!). Maybe a good starting point to discover Bach too, if your not familiar nor a fan of more rigorous Baroque interpretations. Link to comment Share on other sites More sharing options...
Omen II 1125 Posted July 11, 2015 Share Posted July 11, 2015 A fantastic performance of Richard Rodgers's Slaughter on Tenth Avenue played by the John Wilson Orchestra.https://www.youtube.com/watch?v=n-Z3bF_nSG4#t=39m50s Link to comment Share on other sites More sharing options...
Bespin 6830 Posted July 11, 2015 Share Posted July 11, 2015 To continue on the Joshua Bell recommandation, this score is a must have too:In another subject, after watching the great "A John Williams Celebration" BD, I was impressed and I must say seduced, by the style and energy of Gustavo Dudamel.Anyone can recommend some of his works? Link to comment Share on other sites More sharing options...
Dixon Hill 4232 Posted July 11, 2015 Share Posted July 11, 2015 The last movement is astonishing. Pandiatonic Bach. publicist 1 Link to comment Share on other sites More sharing options...
nightscape94 965 Posted July 12, 2015 Share Posted July 12, 2015 John Luther Adams - Become Ocean Link to comment Share on other sites More sharing options...
Bespin 6830 Posted July 12, 2015 Share Posted July 12, 2015 In another subject, after watching the great "A John Williams Celebration" BD, I was impressed and I must say seduced, by the style and energy of Gustavo Dudamel.Anyone can recommend some of his works?I made some research and decided to start with these two:Beethoven: Symphonies No 5 & 7 / Gustavo DudamelTchaikovsky And Shakespeare / Dudamel, Simon Bolivar Youth OrchestraThese two appeals to me too:Mahler: Symphony No 9 / Dudamel, Los AngelesStrauss: Also Sprach Zarathustra / Dudamel, Berlin PO Jilal 1 Link to comment Share on other sites More sharing options...
Dixon Hill 4232 Posted July 12, 2015 Share Posted July 12, 2015 The last movement is astonishing. Pandiatonic Bach.Any other Harrison fans? I conducted his piano concerto (the slow movement of which is right in the Williams ballpark) years ago but am only now starting to really dig into his work. It seems quite singular and horribly neglected among the usual American repertoire. Link to comment Share on other sites More sharing options...
Dixon Hill 4232 Posted July 12, 2015 Share Posted July 12, 2015 Extraordinary piece, made even more moving after reading the composer's notes on it.It is an extraordinary fact that in the centuries before the Reformation the number of known executions for witchcraft in Scotland was in single figures; but in the years between 1560 and 1707 as many as 4,500 Scots perished because their contemporaries thought they were witches. The persecution of witches was a phenomenon known to Catholic and Protestant Europe at this time but the Reformation in Scotland gave an impetus to the attack on ‘witches’ which became a popular and powerful crusade. Medieval notions of good and evil spirits had been repressed by the Reformers – to seek the intercession of saints was no longer a virtue but a superstition, to leave out milk for the fairies or to give oatmeal to a witch was seen as a Satanic act. And so Scotland’s experiences with witch-hunting can be seen as defensive responses to the fear of alien traditions and cultures, and to the more basic fear of those who were different from the majority. Many of the victims were women whose sex alone seems to have been the inspiration for their persecutors’ zeal. Mass hysteria surrounded the suspicion of theses women from whom confessions were extorted through torture of the severest kind. In 1662 Isobel Gowdie from Nairn confessed to having been baptised by the devil and joining a coven of 13 who met at night; she had journeyed to the centre of the earth to feast with the King and Queen of the fairies; she could fly, or become a hare, a cat or a crow; she used waxen images and bags of boiled toads to cause inflictions; she had killed a ploughman with elf-arrows the devil gave her; sometimes the devil beat her and raped her: "he would be beating us all up and down with cords and other sharp scourges like naked ghaists"; he was a stag of a bull, or "a very mickle, black rough man". She was subsequently strangled at the stake and burned in pitch amid scenes of hysterical fright and sadism. Initially I was drawn by the dramatic and programmatic potential of this insane and terrible story but the work soon developed a far more emotional core as I attempted to draw together various strands in a single, complicated act of contrition. On behalf of the Scottish people the work craves absolution and offers Isobel Gowdie the mercy and humanity that was denied her in the last days of her life. To do this I Have tried to capture the soul of Scotland in music and outer sections contain a multitude of chants, songs and litanies (real and imagined) coming together in a reflective outpouring – a prayer for the murdered woman. This work is the Requiem that Isobel Gowdie never had. James MacMillan Link to comment Share on other sites More sharing options...
Bespin 6830 Posted July 14, 2015 Share Posted July 14, 2015 Wanting to dig into Itzhak Perlman's discography?Here's my starting kit: Link to comment Share on other sites More sharing options...
Dixon Hill 4232 Posted July 14, 2015 Share Posted July 14, 2015 Schnittke makes me genuinely uncomfortable. Link to comment Share on other sites More sharing options...
Jilal 439 Posted July 14, 2015 Share Posted July 14, 2015 I've been ... blown away. I need to find the score for this ASAP. publicist 1 Link to comment Share on other sites More sharing options...
Dixon Hill 4232 Posted July 14, 2015 Share Posted July 14, 2015 Link to comment Share on other sites More sharing options...
nightscape94 965 Posted July 14, 2015 Share Posted July 14, 2015 I'm still trying to figure out how much I like Penderecki. Honestly, I'm not sure. Wit's CD series is quite lovely though. Link to comment Share on other sites More sharing options...
Dixon Hill 4232 Posted July 15, 2015 Share Posted July 15, 2015 Link to comment Share on other sites More sharing options...
Dixon Hill 4232 Posted July 15, 2015 Share Posted July 15, 2015 I regard Bruckner as the origin of Glass style minimalism.Which of his symphonies would you recommend for exploration by someone who often has trouble getting into the mammoth, hyper-expressive music of that era, then? Link to comment Share on other sites More sharing options...
Bespin 6830 Posted July 15, 2015 Share Posted July 15, 2015 A beautiful Bach to discover (oh and nice cover too, it isn't?) Lisa Batiashvili: Bach (2014) Link to comment Share on other sites More sharing options...
Marian Schedenig 6227 Posted July 15, 2015 Share Posted July 15, 2015 I regard Bruckner as the origin of Glass style minimalism.Which of his symphonies would you recommend for exploration by someone who often has trouble getting into the mammoth, hyper-expressive music of that era, then?The most popular ones I guess: #4 and #7.Much of the opening movement of the fourth is based on a simple motif (played by horn right at the start over a string tremolo) that's mirrored and stacked in counterpoint throughout. It also has the best coda ever written (quoted by Horner in Enemy at the Gates and The Perfect Storm, by the way).No. 7 is all about the adagio, which has a length mammoth buildup and climax based on slow arpeggios.With Bruckner, choosing the right performance is critical. There are horrible mutilations of his symphonies out there by major conductors. For #4, I recommend Wand (especially his late Berlin recording with a gorgeous opening horn) and Celibidache/Munich (his performance of the coda is beyond any other music I've ever heard). For #7, Celibidache/Munich is unbeatable for me (very slow - but it has to be).I like all his symponies, and count everything from #3 (original version for this one) to #9 among my favourites.Or if you want to avoid the big cathedral orchestra stuff, try his motets: Link to comment Share on other sites More sharing options...
nightscape94 965 Posted July 15, 2015 Share Posted July 15, 2015 6 is what got me started, go with Skrowaczewski. There are many versions that are far, far, too slow. That one is right on the mark for me. His complete symphonies is a must get. Considering all of them, I would say 6 is the most "friendly", though 9 is a close second.Personally, I wouldn't try 7 first.With Bruckner, choosing the right performance is critical.Agreed. Bruckner will make a fool out of even the most popular conductors if done improperly. Link to comment Share on other sites More sharing options...
Marian Schedenig 6227 Posted July 15, 2015 Share Posted July 15, 2015 #6 is generally disliked from what I hear. I love how the orchestra is treated like one giant organ in the finale. Link to comment Share on other sites More sharing options...
Bespin 6830 Posted July 15, 2015 Share Posted July 15, 2015 Bruckner? This one.Bruckner: Symphony No 4 / Nézet-Seguin, Orchestre Metropolitan Link to comment Share on other sites More sharing options...
Glóin the Dark 1131 Posted July 16, 2015 Share Posted July 16, 2015 Go straight for the jugular: No. 8 Link to comment Share on other sites More sharing options...
nightscape94 965 Posted July 16, 2015 Share Posted July 16, 2015 8 is the big pay off though. Save it! Link to comment Share on other sites More sharing options...
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