Cantus Venti 13 Posted August 18, 2013 Share Posted August 18, 2013 John Williams has a lot of influences, almost too many to take in at once. This thread then is really about appreciating some of the composers who came before him. The question I have for you is not "who were Williams' influences?" but "who of any of Williams's influences seems to lend to what you most love about him?" Who's that composer who, in a way, inspired you through Williams' music? If you're not sure how to answer, name as many as you'd like, but try to narrow it down to what styles from which composers might it be you love so much Link to comment Share on other sites More sharing options...
indy4 153 Posted August 18, 2013 Share Posted August 18, 2013 Some of my favorites:Copland--the "Scotch snap" in Americana music and the use of major triads as motifsStravinsky--the famous chord/rhythmic device from Rite of Spring Cantus Venti and Mooz0r 2 Link to comment Share on other sites More sharing options...
Thor 5,970 Posted August 18, 2013 Share Posted August 18, 2013 That's easy:Ralph Vaughan Williams -- especially for the pastoral/religious sound. Probably THE greatest reason for why I'm a Williams fan. Cantus Venti 1 Link to comment Share on other sites More sharing options...
AIFan 16 Posted August 18, 2013 Share Posted August 18, 2013 I've always liked the influence of two particular British composers that I think really stick out in Williams' scores for Jane Eyre, Empire of the Sun, Jurassic Park, War Horse, and Lincoln, amongst others, and it turned me on to them as composers as well:-Edward Elgar-Gustav Holst-Benjamin BrittenThe hymnal nature of the above composers clearly influenced the maestro's more pastoral, gentle, affecting passages. Cantus Venti 1 Link to comment Share on other sites More sharing options...
Sharkissimo 1,971 Posted August 18, 2013 Share Posted August 18, 2013 Igor Stravinsky, Ralph Vaughn-Williams, Alex North, Roger Sessions and Witold Lutoslawski. Cantus Venti 1 Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,256 Posted August 18, 2013 Share Posted August 18, 2013 Bernard Herrmann Cantus Venti 1 Link to comment Share on other sites More sharing options...
dylan345 3 Posted August 18, 2013 Share Posted August 18, 2013 The bitonal work of Igor Stravinsky. The Illustrious Jerry and Cantus Venti 2 Link to comment Share on other sites More sharing options...
Joni Wiljami 1,173 Posted August 18, 2013 Share Posted August 18, 2013 . Cantus Venti 1 Link to comment Share on other sites More sharing options...
Sharkissimo 1,971 Posted August 18, 2013 Share Posted August 18, 2013 Greatest orchestrator ever.No. That would be Henry Brant. Link to comment Share on other sites More sharing options...
Naïve Old Fart 7,984 Posted August 19, 2013 Share Posted August 19, 2013 Vaughn Williams, Walton, and, as Stefan says, a LOT of Bernard Herrmann! Cantus Venti 1 Link to comment Share on other sites More sharing options...
Thor 5,970 Posted August 19, 2013 Share Posted August 19, 2013 Hmmm. Except for a few scores, like THE FURY or WITCHES OF EASTWICK, I can't hear much of Herrmann in Williams, to be honest. In fact, I find them to be quite opposite in approach and sound. Link to comment Share on other sites More sharing options...
Sharkissimo 1,971 Posted August 19, 2013 Share Posted August 19, 2013 Hmmm. Except for a few scores, like THE FURY or WITCHES OF EASTWICK, I can't hear much of Herrmann in Williams, to be honest. In fact, I find them to be quite opposite in approach and sound.STAR WARS owes a huge amount to Herrmann's Harryhausen scores (even more than Holst, Korngold or Prokofiev). Link to comment Share on other sites More sharing options...
Thor 5,970 Posted August 19, 2013 Share Posted August 19, 2013 Really? That has never struck me. But it's been a while since I sampled those ol' Harryhausen scores. Link to comment Share on other sites More sharing options...
indy4 153 Posted August 19, 2013 Share Posted August 19, 2013 Attack of the Clones has some very Herrmannesque moments. The Illustrious Jerry 1 Link to comment Share on other sites More sharing options...
Omen II 1,146 Posted August 19, 2013 Share Posted August 19, 2013 I was listening to Herrmann's Williamsburg score yesterday and a couple of the cues reminded me very much of one of the cues in The Paper Chase, believe it or not. The similarity caught me quite off guard, given the completely different subject matter and period of the two. Link to comment Share on other sites More sharing options...
Sharkissimo 1,971 Posted August 19, 2013 Share Posted August 19, 2013 Attack of the Clones has some very Herrmannesque moments. 3M4 Interior Tipoca City. One of my favourite cues in the whole score. Link to comment Share on other sites More sharing options...
indy4 153 Posted August 20, 2013 Share Posted August 20, 2013 Attack of the Clones has some very Herrmannesque moments. 3M4 Interior Tipoca City. One of my favourite cues in the whole score.That's the exact cue I was thinking about. Link to comment Share on other sites More sharing options...
Ludwig 1,050 Posted August 20, 2013 Share Posted August 20, 2013 Who's that composer who, in a way, inspired you through Williams' music?Korngold. Without Williams, it would have taken me a lot longer to get into Korngold's film scores, but Williams provides a bridge to the past, as it were.Korngold tends to have many more rapid-fire notes in his themes and use more plain triads whereas Williams uses more longer notes, and relies on triads in addition to seventh chords and sus chords in his themes as a result of his early jazz years, no doubt.Both, however, are brilliant in their film scores. Oomoog the Ecstatic and Cantus Venti 1 1 Link to comment Share on other sites More sharing options...
Thor 5,970 Posted August 20, 2013 Share Posted August 20, 2013 Korngold I can understand!I also like the influence of Mancini and classic jazz on some of Williams' early scores and recordings. Link to comment Share on other sites More sharing options...
Sharkissimo 1,971 Posted August 20, 2013 Share Posted August 20, 2013 Anyone here the North influences? Link to comment Share on other sites More sharing options...
Naïve Old Fart 7,984 Posted August 21, 2013 Share Posted August 21, 2013 Al this talk of Herrmann, Walton, Holst, etc made me think: who influenced JW in regard to "The Mecha World" - Adams, Glass, Reich? Link to comment Share on other sites More sharing options...
Dixon Hill 4,232 Posted August 21, 2013 Share Posted August 21, 2013 "The Mecha World" always strikes me as extremely Adams-ish. Man, I really love that score. Mooz0r 1 Link to comment Share on other sites More sharing options...
TownerFan 4,976 Posted August 21, 2013 Share Posted August 21, 2013 Al this talk of Herrmann, Walton, Holst, etc made me think: who influenced JW in regard to "The Mecha World" - Adams, Glass, Reich?"The Mecha World" sounds indeed John Adams-like, mixed with Steve Reich-inspired mallet percussion writing. A.I. has some minimalist-influenced writing all over the place. It's probably the first score in which Williams fully explored this kind of musical style, something that he then touched also in later works like Minority Report, Attack of the Clones and Memoirs of a Geisha. Link to comment Share on other sites More sharing options...
Dixon Hill 4,232 Posted August 21, 2013 Share Posted August 21, 2013 I was thinking that too. It's really interesting to hear him explore an idiom that he typically stays away from, especially since it's one of the defining styles of current/relatively current music. His approach to modernism usually ends around the mid-20th century. Link to comment Share on other sites More sharing options...
Naïve Old Fart 7,984 Posted August 22, 2013 Share Posted August 22, 2013 For some reason, "The Mecha World" always reminds me of Adams' "Short Ride In A Fast Machine". Link to comment Share on other sites More sharing options...
MSM 91 Posted August 22, 2013 Share Posted August 22, 2013 1) Sergei Prokofiev2) Gustav Mahler3) Erich W. Korngold4) Bela Bartok5) William Walton The Illustrious Jerry and Cantus Venti 2 Link to comment Share on other sites More sharing options...
Sharkissimo 1,971 Posted August 25, 2013 Share Posted August 25, 2013 https://www.youtube.com/watch?v=cO1VVONqL4Uhttps://www.youtube.com/watch?v=iDEVOO0mRYMI was thinking that too. It's really interesting to hear him explore an idiom that he typically stays away from, especially since it's one of the defining styles of current/relatively current music. His approach to modernism usually ends around the mid-20th century.Not true. Williams took a lot from the 60s Polish school, Berio, Ligeti, Takemitsu, Scelsi etc.My biggest question is this - when did Williams hear and study this music? Link to comment Share on other sites More sharing options...
Dixon Hill 4,232 Posted August 27, 2013 Share Posted August 27, 2013 Well yeah, that's essentially what I meant. I guess I should have said "mostly prior to the 70's" rather than "around the mid-20th century" haha.And I would wager that for him, like many composers, hearing and studying are the same thing. Just a matter of absorbing a new idiom into one's language.By the way, I love that Penderecki quote. Link to comment Share on other sites More sharing options...
The Illustrious Jerry 3,355 Posted January 19, 2019 Share Posted January 19, 2019 Nice thread. I'd like to bump to say that I hear a lot of Prokofiev, Stravinsky, and the more obvious choice of Holst. Those are my big three John Williams influences that pop into my mind during points of his scores the most. Link to comment Share on other sites More sharing options...
Oomoog the Ecstatic 313 Posted January 30, 2019 Share Posted January 30, 2019 On 8/19/2013 at 8:28 PM, Ludwig said: Korngold. Without Williams, it would have taken me a lot longer to get into Korngold's film scores, but Williams provides a bridge This is a really good point. One's favorite John Williams influences are likely the composers they most easily get into after Williams. Long ago, I remember appreciating Prokofiev, Howard Hanson, and Jazz music much more after I was familiarized with Williams. Other mentions are Herrmann and Walton. We can also do this thread by piece, not by composer, as in "which are your favorite pieces that influenced John Williams?" That's much more interesting to me... I don't like pinning down a whole composer without recognizing his individual parts. 😏😄 Link to comment Share on other sites More sharing options...
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