Popular Post Hlao-roo 389 Posted March 21, 2014 Popular Post Share Posted March 21, 2014 Its highlights are among Williams' finest moments, but I find that it also has more dull moments than its predecessors.Nonsense. These are simply signposts of Williams's maturing craft. Dixon Hill, Sharkissimo and Incanus 3 Link to comment Share on other sites More sharing options...
Naïve Old Fart 9,515 Posted March 22, 2014 Share Posted March 22, 2014 Listening to "ROTJ" is rather like watching a thunderstorm: lots of rumblings, and flashes of brilliance."Approaching The Death Star" is brilliant, and "Brother/Sister, Father/Son" is absolutely exquisite. The music that scores part of Luke and Vader's final duel (the bit with all the sliding strings and what sounds like a vibraphone) is probably the best "under-scored" piece of music JW has ever written.I only wish that the CD sounded better than it does.Still, there's no denying the power of the score, and it fully deserved its Oscar nod. Link to comment Share on other sites More sharing options...
Incanus 5,714 Posted March 22, 2014 Share Posted March 22, 2014 Its highlights are among Williams' finest moments, but I find that it also has more dull moments than its predecessors.Nonsense. These are simply signposts of Williams's maturing craft.Because mature=boring? I just thought I'd check, just in case. Link to comment Share on other sites More sharing options...
Luke Skywalker 1,795 Posted March 22, 2014 Share Posted March 22, 2014 analyse, sorry.SPELLING NAZI! (since Joey's not here, someone has to say it )I thought you would be happy to be corrected in this case. Mmm does 'analise' have any innuendo or something, then? totally unintended... Link to comment Share on other sites More sharing options...
Datameister 2,041 Posted March 22, 2014 Share Posted March 22, 2014 Its highlights are among Williams' finest moments, but I find that it also has more dull moments than its predecessors. Which are the dull moments for you? A lot of the quieter underscore doesn't hold my attention the way the quieter underscore does in the first two scores, although that may be partly due to the fact that there's just more of it. Regardless, I don't want to overstate the difference in quality - it's still an amazing score. Link to comment Share on other sites More sharing options...
Andy 4,119 Posted March 22, 2014 Share Posted March 22, 2014 ^ Yes, the music underscoring Luke's initial dialogue with Jabba is uncharacteristically drab. It really just treads water until the. Rancor sequence kicks in.I can't say I care for the practice of re-quoting segments from ANH, such as the "Here They Come" for the Death Star Battle. Although they do fit and work well, they sort of lose points for originality (and set a bad precedent for the Prequels and KOTCS.)If I had to characterize the overall tone of the score...there's a lot of emphasis on horn blasts...not necessarily "brassy", but Empire had more of a shits about to hit the fan texture with all the low strings in the corridors of Cloud City and such. There's more brass dissonance in Jedi that is less appealing to me.But those are just picking nits. It's a 9.5 out of 10 for me. Link to comment Share on other sites More sharing options...
Sharkissimo 1,973 Posted March 22, 2014 Share Posted March 22, 2014 ^ Yes, the music underscoring Luke's initial dialogue with Jabba is uncharacteristically drab. It really just treads water until the. Rancor sequence kicks in. I love the quote of Jabba's theme (AKA Jabba More Sinister Insert) with the flanging Moog bass. @1:39 Romão 1 Link to comment Share on other sites More sharing options...
Romão 2,274 Posted March 24, 2014 Share Posted March 24, 2014 Such a great moment, Mr. Shark. I love all the music from the Jabba's Palace sequence. It makes the place seem real Link to comment Share on other sites More sharing options...
Faleel 5,346 Posted March 24, 2014 Share Posted March 24, 2014 Also the flute bit (glissando?) in there. Link to comment Share on other sites More sharing options...
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