Doo_liss 6,631 Posted March 25 Share Posted March 25 Been watching Gotham, and this cue stood out to me: Link to comment Share on other sites More sharing options...
Edmilson 9,116 Posted April 20 Share Posted April 20 JNH + MNS = crocodile 1 Link to comment Share on other sites More sharing options...
Popular Post Edmilson 9,116 Posted April 22 Popular Post Share Posted April 22 Enemy at the Gates is far from Horner's most beloved score, but I personally love the doom-laden. gloomy melodrama and tragic choir in it, especially in the final three tracks. Raiders of the SoundtrArk, Davis and badbu 3 Link to comment Share on other sites More sharing options...
bollemanneke 3,621 Posted April 27 Share Posted April 27 Those We Don't Speak Of, JNH. And then you just have to admit no words can describe just how you are feeling. Link to comment Share on other sites More sharing options...
Davis 3,131 Posted April 30 Share Posted April 30 David Arnold in Stargate-ID4 mode. 💪🏻 Link to comment Share on other sites More sharing options...
thestat 426 Posted April 30 Share Posted April 30 Porra's Driftwood II is still a top cue for this year, no contest. So Goldenthalian in its massive full symphonic grandeur: Link to comment Share on other sites More sharing options...
Edmilson 9,116 Posted May 20 Share Posted May 20 Fuck yeah! One of my favorite action tracks ever featuring John Williams kicking some serious ass. Andy 1 Link to comment Share on other sites More sharing options...
bollemanneke 3,621 Posted May 23 Share Posted May 23 That moment you return from the ear doctor with improved hearing, put on headphones, listen to the Home Run from Hook and feel privileged to be alive. Jay and Trope 1 1 Link to comment Share on other sites More sharing options...
Edmilson 9,116 Posted June 9 Share Posted June 9 This has to be one of the greatest action tracks of the 90s (and there were MANY on that decade). Jay and badbu 1 1 Link to comment Share on other sites More sharing options...
Edmilson 9,116 Posted June 10 Share Posted June 10 This is so beautiful and touching, atmospheric in quite a Thomas Newman-ish way. Too bad it's only a minute and a half LSH and GerateWohl 2 Link to comment Share on other sites More sharing options...
filmmusic 2,256 Posted June 10 Share Posted June 10 Nice, haven't heard any Dudley except for Full Monty (which is not my thing) and American History X inside the film (which I don't remember). here's the Frisina version, which is more my thing: Link to comment Share on other sites More sharing options...
badbu 136 Posted June 13 Share Posted June 13 classic <3 Link to comment Share on other sites More sharing options...
ThePenitentMan1 1,064 Posted June 20 Share Posted June 20 One of my Kingdom Hearts modding friends just played this out of nowhere. And now I suddenly remember the movie, latched onto the score again, and need to get it! Link to comment Share on other sites More sharing options...
Trope 829 Posted June 21 Share Posted June 21 Inspired by the recent discussion comparing Williams' Hook, Howard's Peter Pan and Powell's Pan, I decided to give Powell's effort a listen. And while I didn't have time to complete the whole album, 1:20 in this cue really stood out to me as a delightful bit of scoring that is so characteristic of Powell. I look forward to getting through the rest of the album when I have the chance. Link to comment Share on other sites More sharing options...
Edmilson 9,116 Posted June 23 Share Posted June 23 When I say I don't like Hooper's HP scores, I recognize my opinion isn't exactly fair and much of it is due to my antipathy for the movies themselves. They are rooted in my own juvenile fanatism for the books (as a teen I expected the movies to be as epic as the books but they didn't live up to my expectations - of course, nothing would). Still, when I give the NH scores a fair judgement, they're actually good! I really like this track from HBP, it's so menacing and foreboding, kinda reminds me some Hans Zimmer scores like Pirates and King Arthur. GerateWohl, Jurassic Shark and Trope 2 1 Link to comment Share on other sites More sharing options...
GerateWohl 5,159 Posted June 24 Share Posted June 24 Hoopers second score is better than the first one. He is the HP sequel composer who made most reuse of Williams' original themes. Link to comment Share on other sites More sharing options...
Edmilson 9,116 Posted June 30 Share Posted June 30 A huge unpopular opinion on JWFan of all places: Hildur deserved her Oscar. Even if only because of this cue, which is a powerful and tragic representation of the dark, violent future that not only the Joker but also Gotham as whole have coming for them. All those people cheering for Arthur by the end... If only they knew how much pain and suffering he would impose upon that city as the Joker. Her dark music underscores all the violence in the future of Gotham. Also: no one noticed the Dies Irae quote at 3:40? Link to comment Share on other sites More sharing options...
filmmusic 2,256 Posted June 30 Share Posted June 30 This is incredible! How could he transcribe by ear such dissonances?? Link to comment Share on other sites More sharing options...
Edmilson 9,116 Posted July 1 Share Posted July 1 This score is mostly known for Eli's Theme... But I love this cue way more. It's magnificent. Link to comment Share on other sites More sharing options...
badbu 136 Posted July 1 Share Posted July 1 Love it! I also have the CD 🥰 Link to comment Share on other sites More sharing options...
bollemanneke 3,621 Posted July 7 Share Posted July 7 Some Adjustment Bureau cues. This score still touches me so very profoundly. LSH 1 Link to comment Share on other sites More sharing options...
bored 453 Posted July 8 Share Posted July 8 Been revisiting this. Classic score in its own right. Never watched the show, but definitely want to at some point to see the music in context: Link to comment Share on other sites More sharing options...
Gollum Cat 32 Posted July 8 Share Posted July 8 bored 1 Link to comment Share on other sites More sharing options...
tomsmoviemadness 3,609 Posted July 22 Share Posted July 22 Common Ground by John Debney from the third season of The Orville is in my opinion one of the most beautiful cues written for a series or film. At least from the last 20 years. The strings at the start are just beautiful, but it's when the piano comes in that I'm sort of taken to another place. There's something in this cue that does something to me, but I'm having a hard time explaining what. It's just astounding!!! thestat and Jay 1 1 Link to comment Share on other sites More sharing options...
thestat 426 Posted July 22 Share Posted July 22 Dude, really like the Debney track. It is what he does so frigging well. My version is this: tomsmoviemadness 1 Link to comment Share on other sites More sharing options...
filmmusic 2,256 Posted July 22 Share Posted July 22 Wow! Hadn't listened to this! It works so well with synth and orchestra too! Link to comment Share on other sites More sharing options...
tomsmoviemadness 3,609 Posted July 28 Share Posted July 28 On 22/07/2024 at 11:48 PM, thestat said: Dude, really like the Debney track. It is what he does so frigging well. My version is this: So beautiful! Link to comment Share on other sites More sharing options...
Popular Post Loert 2,740 Posted August 14 Popular Post Share Posted August 14 Whenever I need a kick of energy this cue always does the trick: ThePenitentMan1, Andy and tomsmoviemadness 3 Link to comment Share on other sites More sharing options...
tomsmoviemadness 3,609 Posted August 14 Share Posted August 14 Fantastic cue! Use it when cycling or on the treadmill when I need a bit more energy. Loert 1 Link to comment Share on other sites More sharing options...
bollemanneke 3,621 Posted August 24 Share Posted August 24 Yet more proof Filmtracks is unreasonable. Link to comment Share on other sites More sharing options...
LSH 1,062 Posted October 4 Share Posted October 4 I love this score in its entirety but this cue is a textbook example of how to stretch a simple motif into a 3 minute cue without it getting boring. Link to comment Share on other sites More sharing options...
bollemanneke 3,621 Posted October 11 Share Posted October 11 The face of Pan. It's so obvious that JW wrote that fantastic Boston Pops version first and then watered it down for the film because he had to. You just feel it's a piece of music stuck in a scene that's totally in the way of what he's trying to do. Link to comment Share on other sites More sharing options...
Edmilson 9,116 Posted October 13 Share Posted October 13 Come on Harry, I know you're into the "curated soundtrack albums" thing, but how could you leave one of the best cues in the entire score out of the OST? Cristian and badbu 2 Link to comment Share on other sites More sharing options...
Cristian 66 Posted October 13 Share Posted October 13 6 hours ago, Edmilson said: Come on Harry, I know you're into the "curated soundtrack albums" thing, but how could you leave one of the best cues in the entire score out of the OST? Great cue! Link to comment Share on other sites More sharing options...
fenrik 49 Posted October 19 Share Posted October 19 Apple Music suggested this to me and holy crap its beautiful! I need to check out the rest of this score! Link to comment Share on other sites More sharing options...
bollemanneke 3,621 Posted October 19 Share Posted October 19 Have to buy it. Have to own it. Have to listen to it again and again. Link to comment Share on other sites More sharing options...
Edmilson 9,116 Posted October 26 Share Posted October 26 Lots of film music fans absolutely HATE James Horner's House of Sand and Fog/Boy in Stripped Pajamas/The New World/etc style. Not me though. One of my favorite (and saddest) pieces of music he ever wrote. So poetic, sad and melancholic Link to comment Share on other sites More sharing options...
Jurassic Shark 13,359 Posted November 10 Share Posted November 10 badbu 1 Link to comment Share on other sites More sharing options...
badbu 136 Posted November 15 Share Posted November 15 really nice cue! I also like the sirens in the background! Link to comment Share on other sites More sharing options...
filmmusic 2,256 Posted November 16 Share Posted November 16 Top Elfman for me, and one of my favorite dramatic scores! I miss this Elfman... Jurassic Shark 1 Link to comment Share on other sites More sharing options...
filmmusic 2,256 Posted November 16 Share Posted November 16 Quite good! Eagerly anticipating the whole soundtrack.. Knight of Ren 1 Link to comment Share on other sites More sharing options...
Knight of Ren 1,086 Posted November 16 Share Posted November 16 Really looking forward to it too, as I really liked the score for The Northman. It's funny that we're not only getting this but also Christopher Young's score for the original film really soon! Has this ever happened before, where we got two different scores for the same concept/story this close to each other? Link to comment Share on other sites More sharing options...
Loert 2,740 Posted November 20 Share Posted November 20 This is a thrilling cue, especially the conclusion where the music shifts down a semitone and suddenly becomes louder: Link to comment Share on other sites More sharing options...
thestat 426 Posted November 20 Share Posted November 20 On 16/11/2024 at 10:19 AM, filmmusic said: Real shame. I think it will not be bad but what the fuck, just nonsense Link to comment Share on other sites More sharing options...
CT-7567 79 Posted November 22 Share Posted November 22 Have to be honest, i cried listening to this. Link to comment Share on other sites More sharing options...
bollemanneke 3,621 Posted November 22 Share Posted November 22 . Link to comment Share on other sites More sharing options...
badbu 136 Posted November 23 Share Posted November 23 Link to comment Share on other sites More sharing options...
CT-7567 79 Posted November 26 Share Posted November 26 Ok, i didn´t expected this, but this score non ironically has some of the best cues i heard from films launched in this year. Which makes me sad, most of the tracks are short. Knight of Ren 1 Link to comment Share on other sites More sharing options...
Popular Post thestat 426 Posted November 26 Popular Post Share Posted November 26 It probably is an official crime that this cue did not lead to Christopher Gordon being consolidated as a major force in global film score composition. It's Don Davis-goth-Isham-Goldenthal-John Adams-ian goodness: from 4:50 And Gordon has major form on this type of spectacular dynamic orchestral mayhem - just love the ways he uses the orchestra's sections to build to this dynamic interplay of forces. It's the same kind of genius I loved with early Patrick Doyle: eitam, Tom Guernsey and CT-7567 3 Link to comment Share on other sites More sharing options...
GerateWohl 5,159 Posted yesterday at 05:08 PM Share Posted yesterday at 05:08 PM Beautiful. Link to comment Share on other sites More sharing options...
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