Popular Post Damien F 1,742 Posted December 13, 2017 Popular Post Share Posted December 13, 2017 I didn't even know Rose existed until I saw the track list. Looking forward to tomorrow to see how her character fits her theme. From Tintin (Snowy, Haddock) to Rey to Sophie's theme in BFG, JW character themes in his late career have been absolutely spot on at representing their characters. Taikomochi, Jost1, Jacck and 1 other 4 Link to comment Share on other sites More sharing options...
YoYoMama 48 Posted December 13, 2017 Share Posted December 13, 2017 19 minutes ago, artguy360 said: I can understand that impression but that regal quality also adds a quality of age and maybe even wisdom that don't seem fitting for a young character. Unrelated, the quotes of The Tie Fighter Attack are great. The orchestration is not a direct lift and the new rendition has a real punch to it. Well she's a Resistance soldier, no? Link to comment Share on other sites More sharing options...
Jay 37,355 Posted December 13, 2017 Author Share Posted December 13, 2017 10 minutes ago, Damien F said: One of the surprises is the lack of any truly great stand out moment for Rey's theme. I mean, TFA had loads of them where her theme just took over and grabbed the listener's attention. Nothing like that here. This will be one of the main things I'll be looking out for when I see the film tomorrow. Her theme in TLJ seems much quieter and subdued, probably due to where ever the story takes the character. My ultimate wish would have been some nice interplay between Rey's Theme and The Jedi Steps. Not the case unfortunately. Completely agree with every single thing here! 5 minutes ago, filmmusic said: I was getting at this: That i try to contain some sense of proportion in my expressions and not be dragged by the excitemenet of the moment or something else (eg. because most composers now don't write good music, then everything Williams writes now is masterpiece). I try to see the big picture and all of Williams' output. When I see people saying this X theme is great, or the greatest since etc. then what's Superman? What's E.T.? What's Indiana Jones? That's why I seldom am excited now with a new Williams score and it seems like I'm "whining". This is what i was getting at. If you want to be disappointed that he isn't writing music as good as something you like from his prior work, that is your prerogative, but personally I am happy to enjoy what he IS giving us. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,265 Posted December 13, 2017 Share Posted December 13, 2017 17 minutes ago, Jay said: Completely agree with every single thing here! Not unexpected though. Luke's theme didn't have much development after the first film. Nor did Leia's, Anakin's. Han Solo & The Princess only appears a few in ROTJ and in pretty much the same subdued arrangement. I'm surprised we got as much Resistance March as we did Link to comment Share on other sites More sharing options...
filmmusic 1,827 Posted December 13, 2017 Share Posted December 13, 2017 10 minutes ago, Jay said: If you want to be disappointed that he isn't writing music as good as something you like from his prior work, that is your prerogative, but personally I am happy to enjoy what he IS giving us. well, I'm not disappointed because frankly I don't expect him to write the music he wrote at his 40s or 50s. Link to comment Share on other sites More sharing options...
artguy360 1,843 Posted December 13, 2017 Share Posted December 13, 2017 Everyone hoping for elaborate development of Rey's Theme should look to how JW has historically treated past themes in sequel scores. They get small quotes, new renditions, some fresh orchestrations, but are usually no longer as large of a presence as they were in their initial score. So far the use of Rey's theme sounds appropriate and in line with how JW has reused themes in the past. Link to comment Share on other sites More sharing options...
BloodBoal 7,538 Posted December 13, 2017 Share Posted December 13, 2017 Rey's theme has a strong presence in the complete score, no one should worry about that. Link to comment Share on other sites More sharing options...
Popular Post YoYoMama 48 Posted December 13, 2017 Popular Post Share Posted December 13, 2017 8 minutes ago, filmmusic said: well, I'm not disappointed because frankly I don't expect him to write the music he wrote at his 40s or 50s. Yeah I agree. These are his twilight years afterall, and I think that is reflected in his music. Not in a bad way, but his music now is like looking at a calm sunset rather than getting blasted with the hot afternoon sun. filmmusic, _deleted_ and John 3 Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,265 Posted December 13, 2017 Share Posted December 13, 2017 1 minute ago, artguy360 said: Everyone hoping for elaborate development of Rey's Theme should look to how JW has historically treated past themes in sequel scores. They get small quotes, new renditions, some fresh orchestrations, but are usually no longer as large of a presence as they were in their initial score. So far the use of Rey's theme sounds appropriate and in line with how JW has reused themes in the past. Exactly. The use of existing themes from TFA is pretty much exactly as Williams has always reused themes in Star Wars, with The Force Theme being the exception. Link to comment Share on other sites More sharing options...
Jay 37,355 Posted December 13, 2017 Author Share Posted December 13, 2017 3 minutes ago, artguy360 said: Everyone hoping for elaborate development of Rey's Theme should look to how JW has historically treated past themes in sequel scores. They get small quotes, new renditions, some fresh orchestrations, but are usually no longer as large of a presence as they were in their initial score. So far the use of Rey's theme sounds appropriate and in line with how JW has reused themes in the past. I know, BUT he specifically chose to talk about her and her theme so often in concerts and interviews, I was expecting more this time. Setreal 1 Link to comment Share on other sites More sharing options...
artguy360 1,843 Posted December 13, 2017 Share Posted December 13, 2017 Wow, the pre-credits music is really unusual, but I don't love the final statement of the Force theme. It sounds too rushed and reminds me of the Force theme statement at the end of ROTS. Link to comment Share on other sites More sharing options...
YoYoMama 48 Posted December 13, 2017 Share Posted December 13, 2017 2 minutes ago, artguy360 said: Wow, the pre-credits music is really unusual, but I don't love the final statement of the Force theme. It sounds too rushed and reminds me of the Force theme statement at the end of ROTS. I get the feeling that this movie will leave us with a lot of mixed emotions like ESB. Link to comment Share on other sites More sharing options...
Alan 689 Posted December 13, 2017 Share Posted December 13, 2017 3 minutes ago, Jay said: I know, BUT he specifically chose to talk about her and her theme so often in concerts and interviews, I was expecting more this time. Didn't he also refer to her theme as heard in TFA as unfinished or at least not reaching its full potential? He's probably saving it for Ep 9... Link to comment Share on other sites More sharing options...
filmmusic 1,827 Posted December 13, 2017 Share Posted December 13, 2017 2 minutes ago, YoYoMama said: I get the feeling that this movie will leave us with a lot of mixed emotions like ESB. ESB? What mixed emotions did you have about it? Bilbo 1 Link to comment Share on other sites More sharing options...
Damien F 1,742 Posted December 13, 2017 Share Posted December 13, 2017 2 minutes ago, YoYoMama said: I get the feeling that this movie will leave us with a lot of mixed emotions like ESB. Me too, I think the shit will hit the fan in the third act and will take some characters in some very interesting directions. Link to comment Share on other sites More sharing options...
artguy360 1,843 Posted December 13, 2017 Share Posted December 13, 2017 6 minutes ago, YoYoMama said: I get the feeling that this movie will leave us with a lot of mixed emotions like ESB. On the other hand I really like the end credits medley. It's definitely more of a medley than TFA's end credits but there are some shining renditions and interesting interweaving going on. This OST is a real puzzle. It's far less straightforward than TFA, but also heavier and maybe even more frenetic which seems reflected in the end credits medley. It's gonna take many listens before I understand it, but that's usually how it is with all JW scores. Right now the thematic material is hard to notice outside of old themes though the end credits suggests there is more than I can track right now. Link to comment Share on other sites More sharing options...
Hedwig 5 Posted December 13, 2017 Share Posted December 13, 2017 Where would everyone say is the best/clearest rendition of Rose's theme on the album? Link to comment Share on other sites More sharing options...
filmmusic 1,827 Posted December 13, 2017 Share Posted December 13, 2017 1 minute ago, Hedwig said: Where would everyone say is the best/clearest rendition of Rose's theme on the album? track 7 i guess. Link to comment Share on other sites More sharing options...
BloodBoal 7,538 Posted December 13, 2017 Share Posted December 13, 2017 1 minute ago, Hedwig said: Where would everyone say is the best/clearest rendition of Rose's theme on the album? In The Fathiers. 2 hours ago, mrbellamy said: Ok I'm totally loving "The Fathiers". Rose's theme at 1:26-1:48 is a great Williams moment. Link to comment Share on other sites More sharing options...
bondo 33 Posted December 13, 2017 Share Posted December 13, 2017 For those of you who have seen the film and heard the score, do you have a close approximation of a chronological tracklist? I've only heard the score, not seen the movie, and it thematically sounds out of order. Just a guess though. Link to comment Share on other sites More sharing options...
artguy360 1,843 Posted December 13, 2017 Share Posted December 13, 2017 There's definitely at least 1 repeating militaristic figure that isn't Rose's theme (not that her theme is militaristic) but the two are played together sometimes on the OST. Also, echoing others, the orchestration is richer here than in TFA and the sound mix better reflects that. I don't hear or not hear any textures getting lost in the brass as some felt was the case with TFA. The low bass stuff, piano stuff, and percussion are really powerful. Link to comment Share on other sites More sharing options...
Luke72 1 Posted December 13, 2017 Share Posted December 13, 2017 I am a fan of Williams for over 35 years, given that it is highly admirable his passion that continued over 80 years he has both in composing and conducting orchestras in America. I have just seen the film broadcast in cinemas in Italy and I must say that the music apart from the new and unique new theme of Rose can only hear songs already composed Ray Theme, Resistance March, Princess Leia, Luke and the force theme. in the battle scenes he reused the song Tie Fighter Attack. I was expecting something more from his brilliant mind, since he could not even play the new Spielberg movie apart from the Post. He could very well make variations to the amazing times created for the other Star Wars trilogies. There are no concert versions as it was for The Force Awakens album because there are no new theme songs apart from Rose. He had done a great job with FA but with this album a little disappointed. Even the film in my opinion was better than Abrams in this without revealing anything there are too many ironic jokes that make it lose almost of seriousness, it seems almost an imposition of Disney to create the film for families. We'll see in the Post if a bit of magic has returned. However always the best existing composer. Mathieu 1 Link to comment Share on other sites More sharing options...
Popular Post TownerFan 4,983 Posted December 13, 2017 Popular Post Share Posted December 13, 2017 27 minutes ago, filmmusic said: well, I'm not disappointed because frankly I don't expect him to write the music he wrote at his 40s or 50s. Of course every artist (composer/painter/sculptor/writer) has peak years, evolution of the language, turnarounds, sometimes even regression and such. Williams is no different than any others. However, I wouldn't put this kind of hard heaviness on the age in which the "peak years" should be. Some artists gave their best in the youngest years, other in the late phase of their careers. So there's no rule. Of course JW had a huge peak between 45 and 55, but he continued to produce excellent works in later years as well. I'm amazed about the vital energy, the exuberance and the brilliance he put in The Last Jedi, at least from what I heard in the OST. It's far from being tiresome, or fatigued. He still has "the spark" (hehe). Is this the best Star Wars score ever? Of course not. But imho there is a lot to enjoy here. Sure, there is some retreading and some pure professionalism, but he still crafts every note with so much care, imho. Even when he quotes himself. "The Rebellion is Reborn" is a great testament of all this, imho. Back to what I posted a few pages ago (but only a couple of hours ago, hehe), here's the section of Sibelius' Symphony No.2 which reminds me of the flute motif featured several times in the score (1:32 onwards of "Rebellion is Reborn"): Probably it's just a reminiscence, but the score has a sort of vague Sibelius-like atmosphere, imho. _deleted_, Jay, Will and 1 other 3 1 Link to comment Share on other sites More sharing options...
Manakin Skywalker 4,892 Posted December 13, 2017 Share Posted December 13, 2017 [deleted] Link to comment Share on other sites More sharing options...
justaguy 68 Posted December 13, 2017 Share Posted December 13, 2017 After first listen I am, sadly, disappointed. Maybe I will find some time to formulate my thoughts in the future, but for now I don't even have motivation. Pawel P. and Mathieu 1 1 Link to comment Share on other sites More sharing options...
King Mark 3,631 Posted December 13, 2017 Share Posted December 13, 2017 16 minutes ago, Manakin Skywalker said: You're obviously new here... this is a notoriously salty forum. But, for the sake of your feelings, I edited my post. you shouldn't have Link to comment Share on other sites More sharing options...
Popular Post Tom 4,654 Posted December 13, 2017 Popular Post Share Posted December 13, 2017 20 minutes ago, Manakin Skywalker said: You're obviously new here... this is a notoriously salty forum. But, for the sake of your feelings, I edited my post. Manakin, Just a friendly note, the word "retard" is considered by many as a fairly nasty epithet--along the lines of the "n" word for African-americans, etc. I do not think you mean it as such, but perhaps it is best to find a new insult without such overtones. Jacck, aviazn and Bilbo 3 Link to comment Share on other sites More sharing options...
mrbellamy 6,286 Posted December 13, 2017 Share Posted December 13, 2017 1 hour ago, filmmusic said: I was getting at this: That i try to contain some sense of proportion in my expressions and not be dragged by the excitemenet of the moment or something else (eg. because most composers now don't write good music, then everything Williams writes now is masterpiece). I try to see the big picture and all of Williams' output. When I see people saying this X theme is great, or the greatest since etc. then what's Superman? What's E.T.? What's Indiana Jones? That's why I seldom am excited now with a new Williams score and it seems like I'm "whining". This is what i was getting at. There's something that Justin (ET/Selina/Rose etc) would point out a lot that I really agreed with which was that in Williams's classic blockbuster adventure scores, you have the iconic themes that are always composed brilliantly with the best hooks and arrangements to become iconic signatures, but those scores are also loaded with so many great tunes and motifs that any one of them could be used to anchor whole other scores, albeit probably slightly lesser ones. I sorta feel like we're basically getting those scores now. The themes are wonderful and it all works, but sure there's some missing X factor and the "embarrassment of riches" feel in terms of the wealth of melody and cues with airtight structure to really fill out this massive musical picture that goes far beyond other film music. I suppose it's fair to say that John Williams is running a little lower on genius juice these days. As a currently working composer he's "merely" writing some of the best film music of each year. But that said, familiarity still breeds contentment. The TFA themes feel right at home in this score and their bolder statements consistently put a smile on my face, and I'm guessing by the end of the trilogy they'll have had a nice effect on kids growing up with these things. Link to comment Share on other sites More sharing options...
Jurassic Shark 12,072 Posted December 13, 2017 Share Posted December 13, 2017 8 hours ago, artguy360 said: No concert arrangements on a Star Wars OST is going to be strange. I hope that means the film score presentation is excellent and the album flows well. Maybe he didn't have time to make any concert arrangements, or he had a bad case of couldn't-be-bothered. Link to comment Share on other sites More sharing options...
Lockdown 238 Posted December 13, 2017 Share Posted December 13, 2017 Lol my Mother just made the connection between this song and the new theme from The Last Jedi. (Fun with Finn and Rose) Does anyone else hear it? Listen to the vocal melodic line. Not Mr. Big 1 Link to comment Share on other sites More sharing options...
King Mark 3,631 Posted December 13, 2017 Share Posted December 13, 2017 5 minutes ago, Jurassic Shark said: Maybe didn't have time to make any concert arrangements, or he had a bad case of couldn't-be-bothered. maybe they just recorded too much music .This album reminds me of Hook OST where they crammed as many highlights as possible on 1 c.d. and the themes don;t have room to breathe Of course most new scores get 2 c.d. deluxe editions right away now Link to comment Share on other sites More sharing options...
Damien F 1,742 Posted December 13, 2017 Share Posted December 13, 2017 I've listed to the album twice. Here are some thoughts: Track 1 - Main Title and Escape Definitely agree that it is a little choppy. I like the brass writing though, especially that brief moment with March of the Resistance. Really like the tense strained chords at 5:14. A fun track. Track 2 - Ahch-To Island Nice return of The Jedi Steps although not hugely different to TFA. To be honest, I'm not as disappointed as some people that this theme hasn't returned to a greater extent. I never expected it to be a new theme for Luke but rather a location theme for that island. It would have been almost impossible to top its rendition from TFA anyway. Overall, a nice track particularly the ending. Track 3 - Revisiting Snoke A collection of the villains’' themes. Not too much to say about that. Track 4 - The Supremacy Love the rapid fire version of Ren's theme at the very start on brass. I also like the completely new variation of the Resistance March. After that, Ren's theme over the action ostinato sounds really cool. That eerie version of Leia's theme sounds both wonderful and very unusual. I love how it gives way to a full bodied version of her theme. One of my favourite tracks, full of cool thematic usage. Track 5 - Fun With Finn and Rose Ok, as with most other people here, I instantly fell in love with Rose's theme. It sounds gorgeous in its first quote here. Also I really like the sprightly renditions of the Resistance March. Another nice track. Track 6 - Old Friends Really cute version of Luke theme here. I quite like the mystery stuff near the end. Sounds like it is straight from AOTC but in a good way. Track 7 - The Rebellion is Reborn Those brass / woodwind interludes are nice, I just wish Rose's Theme was given more of a chance to flourish and shine over a longer and sustained period of time. Therefore, I can't consider this to be truly a concert arrangement of Rose's Theme. Still a great piece of music though, and that ending is powerful. Track 8 - Lesson One Mostly Rey's Theme followed by the Force theme. Both fairly subdued but still a nice listen. Track 9 - Canto Bight Wow, who would have thought an 85 year old Willams would have this in him. It is a pretty crazy soundscape. I don't like it as much as the cantina material from ANH, but he definitely had fun writing it. Track 10 - Who Are You? Not the most interesting of tracks. Mostly quiet mystery stuff with some bombast toward the end. Not a track I can see myself revisiting often Track 11 - The Fathiers Wow, I love what JW is doing here. It sounds like the swashbuckling music from Tintin but more frenzied and less poised. And Rose's theme in action mode sounds amazing. A definite highlight of the sequel trilogy so far. Track 12 - The Cave Again, not much of interest here except more subdued Rey's theme at the end. Track 13 - The Sacred Jedi Texts Some Force material but nothing we haven't heard in the past. The direct quote of Yoda's theme is nice but I also won't be revisiting this track much. With the exception of The Fathiers, it seems the middle portion of this album is a bit uninteresting Track 14 - A New Alliance A pretty typical but decent modern Williams action track with some cool renditions of Rey's theme. Track 15 - Chrome Dome A completely uninteresting action track. Aside from a very brief quote of the rebel fanfare, it is entirely non-thematic and the orchestra isn't really doing anything engaging except for random brass and percussion hits. Track 16 - The Battle of Crait On the other hand, The Battle of Crait is the complete opposite of Chrome Dome. It is a fabulous action track which is full of different themes in action mode. My goodness, Rose's Theme at 0:48 sounds so wonderful. I love the rapid fire material at 1:53 which returns at 2:34, and at 3:06 with Rey's Theme this time. The TIE fighter material isn't a direct copy of ANH and has enough variation to keep me interested, especially the elongated note of the rebel fanfare at 4:22. I also like the tension build-up from 5:29. Overall, really great action writing. Loads of cool little moments. Track 17 - The Spark After some quotes of OT themes, the ending sounds so dark and epic. I love that rhythm in the second half of the cue. No doubt it scores a very dramatic scene. Track 18 - The Last Jedi It is big and dramatic with wordless choir but nothing too special. Track 19 - Peace and Purpose Some nice quotes of new and old themes with a very big rendition of the rebel fanfare at the end. Not much else to say about this but I like it. Track 20 - Finale The first 30 seconds of twinkly material is nice but pretty unusual especially how it segues into Luke's theme. I guess it will make sense in the film. The rest of the end credits features great renditions of the themes but the transitions are very very messy. Just when you think Rose's Theme is going to take flight for full orchestra, it suddenly stops cold to give way to Leia's theme on piano. In fact, the worst transactions are between the OT material and the new themes. It is a shame, especially since TFA had one of the best end credits in the franchise and this one actually ends with a cool version of Rey's theme. I realize the inherent bias in comparing this brand new score to The Force Awakens, which I've known and loved for two years. I do think TFA is more emotionally resonant and nothing on this new album matches the sustained high quality of The Ways of the Force through to Jedi Steps and Finale. The lack of a proper concert suite for Rose is disappointing because it is a fantastic theme; and the end credit construction is a mess. There is also a higher number of uninteresting tracks on this album compared to TFA. That being said, there are plenty of highlights and the action scoring in general beats Follow Me / The Falcon and The Rathtars, both of which are still great cues. And of course, Rose's Theme is a gem. I predict there are a few great cues missing from the OST which will hopefully find there way onto the FYC. If TFA is a 5 star score, I'd rate TLJ 4 stars but I need further listens to properly digest it to figure out where it stands within the franchise. Loert and Ricard 2 Link to comment Share on other sites More sharing options...
Mathieu 6 Posted December 13, 2017 Share Posted December 13, 2017 1 minute ago, Damien F said: If TFA is a 5 star score, I'd rate TLJ 4 stars but I need further listens to properly digest it to figure out where it stands within the franchise. If TFA is a 5 star score, how much do you rate ESB? filmmusic 1 Link to comment Share on other sites More sharing options...
Damien F 1,742 Posted December 13, 2017 Share Posted December 13, 2017 2 minutes ago, Mathieu said: If TFA is a 5 star score, how much do you rate ESB? 5 also, but for different reasons. Also a 5 star rating system doesn't leave much room for nuance. ESB is better than TFA, but both are 5 stars for me. Link to comment Share on other sites More sharing options...
filmmusic 1,827 Posted December 13, 2017 Share Posted December 13, 2017 12 minutes ago, Damien F said: ESB is better than TFA, but both are 5 stars for me. I don't understand how that happens but I'm sure you know. Mathieu 1 Link to comment Share on other sites More sharing options...
gkgyver 1,645 Posted December 13, 2017 Share Posted December 13, 2017 I don't understand it, why does the third movie in a row need to end with the Binary Sunset rehash? It made poetic sense in Episode III, but can't we get past this nostalgia act? The finale segueways into the credits were great in Episode I and II. I just listened to the final two tracks, nothing else yet, so I'll wait and see, but I agree with Jason, the end credits are unusually sloppy. Seems like Kylo Ren's little brass theme might evolve into a march in Episode 9, if the finale is anything to go by. I hope that the rest of this Soundtrack has more to offer than Rose's theme and endless variations of the Force Theme. Tiburon 1 Link to comment Share on other sites More sharing options...
Mathieu 6 Posted December 13, 2017 Share Posted December 13, 2017 2 minutes ago, gkgyver said: I hope that the rest of this Soundtrack has more to offer than Rose's theme and endless variations of the Force Theme. I'm afraid it doesn't. Link to comment Share on other sites More sharing options...
filmmusic 1,827 Posted December 13, 2017 Share Posted December 13, 2017 4 minutes ago, gkgyver said: I hope that the rest of this Soundtrack has more to offer than Rose's theme and endless variations of the Force Theme. It depends on how you define "more". Mathieu 1 Link to comment Share on other sites More sharing options...
Simon McBride 113 Posted December 13, 2017 Share Posted December 13, 2017 Just finished my first listen through. I liked it. Rose's theme is frickin' dope. Feels very magical to me, like Harry Potter or something. Canto Bight is fun, but it sounds too much like Cantina Band to me. I'm gonna listen to it a few more times before I see the movie Link to comment Share on other sites More sharing options...
Loert 2,511 Posted December 13, 2017 Share Posted December 13, 2017 There's a bit in Rose's theme which reminds me of the Holy Grail theme from TLC: Specifically the last few chords. I quite like the theme. The way it was stated in "The Fathiers" reminded me of the statement of Poe's theme in "I Can Fly Anything". Link to comment Share on other sites More sharing options...
Popular Post AzOutcast 122 Posted December 13, 2017 Popular Post Share Posted December 13, 2017 @Jay In case no one else posted it yet... Ricard, filmmusic and Miguel Andrade 2 1 Link to comment Share on other sites More sharing options...
filmmusic 1,827 Posted December 13, 2017 Share Posted December 13, 2017 (never mind) Link to comment Share on other sites More sharing options...
Lewya 360 Posted December 13, 2017 Share Posted December 13, 2017 Is there a note from Rian Johnson on the score? Link to comment Share on other sites More sharing options...
Popular Post AzOutcast 122 Posted December 14, 2017 Popular Post Share Posted December 14, 2017 7 minutes ago, Lewya said: Is there a note from Rian Johnson on the score? _deleted_, Cerebral Cortex, Bilbo and 12 others 4 11 Link to comment Share on other sites More sharing options...
Lewya 360 Posted December 14, 2017 Share Posted December 14, 2017 lol, I guess no note like JJ did? Disappointing if so. Link to comment Share on other sites More sharing options...
AzOutcast 122 Posted December 14, 2017 Share Posted December 14, 2017 1 minute ago, Lewya said: lol, I guess no note like JJ did? Disappointing if so. Yeah, no note. Which I always find a little disappointing. I've always enjoyed reading what the director has to say about the score. Link to comment Share on other sites More sharing options...
Popular Post Dixon Hill 4,234 Posted December 14, 2017 Popular Post Share Posted December 14, 2017 1 hour ago, Tom said: Manakin, Just a friendly note, the word "retard" is considered by many as a fairly nasty epithet--along the lines of the "n" word for African-americans, etc. I do not think you mean it as such, but perhaps it is best to find a new insult without such overtones. While I am usually all for irreverence, it is understandable why this word is one to generally be avoided. Its use here was particularly tasteless, since the context, putting down others' opinions in an incredibly obnoxious way, was already heinous. And to justify it by saying this board is "salty" is very unclassy. The brief exchange on this earlier in the thread, especially the few posts which criticized the initial request for more tact, was remarked on today by some colleagues of mine who browse the site. It is not a good look on JWFan, not at all. Many people view our forum. Developing a reputation for devolving into savagery during Star Wars fervor would be most unfortunate. aviazn, Taikomochi and Bilbo 3 Link to comment Share on other sites More sharing options...
ins 42 Posted December 14, 2017 Share Posted December 14, 2017 Pure Williams begins for me at 4: 1:21-1:58 Link to comment Share on other sites More sharing options...
AzOutcast 122 Posted December 14, 2017 Share Posted December 14, 2017 Does anyone remember how long AFTER Force Awakens hit theaters that the FYC tracks dropped? Just trying to get a timeline for when we may "expect" the same for Last Jedi. I don't remember it being more than a week or two. Link to comment Share on other sites More sharing options...
Taikomochi 1,136 Posted December 14, 2017 Share Posted December 14, 2017 I am almost certain they came out on the FYC site within the first or second day the film was in theaters Link to comment Share on other sites More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now