Balahkay 627 Posted October 30, 2018 Share Posted October 30, 2018 10 minutes ago, Jurassic Shark said: Hi @Balahkay, have you stopped being someone fun? Yes, I've retired that username. My real is Blake but my coworkers gave me the nickname Balahkay, which comes from... apples and Jurassic Shark 1 1 Link to comment Share on other sites More sharing options...
Disco Stu 15,495 Posted October 30, 2018 Share Posted October 30, 2018 8 minutes ago, Richard said: What if he doesn't survive? He's worth a lot, to me. A line that will never sound right with an Australian accent... Naïve Old Fart 1 Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,265 Posted October 30, 2018 Share Posted October 30, 2018 1 hour ago, Quintus said: My complaint with the score, that I recall, is that it leans a bit too heavily into the whimsical woodwinds, which isn't really my taste. It's Williams in "Based On Classic British Story" style, which your not overly fond of. Link to comment Share on other sites More sharing options...
Quintus 5,399 Posted October 30, 2018 Share Posted October 30, 2018 Yeah, although I do really love segments of War Horse. The horsey music mainly. Link to comment Share on other sites More sharing options...
Marian Schedenig 8,192 Posted October 30, 2018 Share Posted October 30, 2018 11 hours ago, spanosd said: What makes you think Vienna was the main anchor point, since London was announced first? I think 3 weeks before Vienna? Alleged inside information circulated around Hollywood in Vienna. 7 hours ago, jocores said: I read in a spanish forum from a reliable source than it was an issue of trouble with blood circulation regarded to being seated for too many hours in the flight from the States. Not what I heard. No idea if either source is reliable, of course. jocores 1 Link to comment Share on other sites More sharing options...
Martinland 359 Posted October 30, 2018 Share Posted October 30, 2018 2 hours ago, Marian Schedenig said: Alleged inside information circulated around Hollywood in Vienna. Most interesting - do you think whoever took the initiative (I have been wondering who that might have been originally since I read about the project in June) will try to make this unique event happen in the future regardless? (Assuming Maestro Williams' good health, of course) On top of that: I just pondered writing to Musikverein and expressing the interest to keep this historic event in focus. Any thoughts? 22 hours ago, St0rMl0rD said: but perhaps we can meet for lunch or something Great! What mode of communication should we use? We will decide in the next two days what to do there. Link to comment Share on other sites More sharing options...
Joni Wiljami 1,206 Posted October 30, 2018 Share Posted October 30, 2018 9 hours ago, Stefancos said: For some reason, after the concert finished I walked out with The BFG theme playing in my head. I should probably give that score a listen soon. "Hornist was right!" - "Probably hornist was one of them." Next the Book Thief 1 hour ago, hornist said: btw I do not understand those crappy cellphone videos from that night. Or any other night. Why? In Williams' music the whole idea is in the sound, balance, the performance by the great musicians. Cannot be captured by these devices. Link to comment Share on other sites More sharing options...
peanutismint 3 Posted October 31, 2018 Share Posted October 31, 2018 Promised I'd link to my "crappy cellphone videos" for those who'd like another listen/vantage point 🙂 and here they are! https://youtu.be/iaS2e-SeyAo Again, if anyone has a good recording of this concert, please send me a link in PM. If not then I'll be forced to just rip it from the crappy ClassicFM online stream...! DarrenCarnall 1 Link to comment Share on other sites More sharing options...
Popular Post Ricard 2,245 Posted October 31, 2018 Popular Post Share Posted October 31, 2018 New photos from the Royal Albert Hall website: apples, Richard Penna, PetePan and 8 others 7 4 Link to comment Share on other sites More sharing options...
Popular Post Martinland 359 Posted October 31, 2018 Popular Post Share Posted October 31, 2018 On 10/29/2018 at 1:23 AM, Marian Schedenig said: Apparently the main anchor point of this whole endeavour were the Vienna concerts Dear Marian Schedenig, this is quite eery - the more I think about it the more sense it does indeed make: I just came back from buying the new "Falter", the weekly event calendar for all of Vienna and Austria. Guess what? The concert is still in there (!); filed under "E-Musik". As maybe not all around here might know: In Austria (amongst other countries) it is still business as usual to strictly differentiate between "U-Musik" (Unterhaltung/entertainment) and "E-Musik" (Ernste/serious Musik/music). Two completely different worlds. (not my opinion entirely, but for "Großer Saal des Musikvereins & Wiener Philharmoniker" it's like chiseled into stone now through the centuries...) And Maestro John Williams, on his way home and getting well - thanks universe!, made it into this century old, sacred halls; at least in theory and in print. I'll cherish that forever. (wish our daughter could have experienced this too, though) Nonetheless there's still (a faint glimmer of - the Disney Star Wars machinery will occupy him for far too long next year, I fear, and then he will be 88 years old, if the universe allows for that) hope: I am pretty sure Maestro Williams is aware that film music was practically born in Vienna (and in other countries of course) with Max Steiner and Erich Wolfgang Korngold (whom he has incorporated stylistically into his own writing now and then). The latter had engagements at the Musikverein years before there was any music on a film's soundtrack, although he was more into opera (and the opera house) back then. Concerning Max Steiner, one of the first film composers as we understand them today (of course there were other, even classical composers before him in the silent area, etc.), I am not so sure about his history with the Viennese concert halls. (must check biography again lying around here somewhere ) So film music would have come full circle with the (in sheer public awareness last) man honouring this tradition (in an age of computerised orchestras and composers without classical orchestral background; no names) returning to its cradle. (one of them at least ) What I am trying to say is that he might still have that goal in sight after it has been thwarted right now by utter bad luck indeed. (missing the oportunity to meet the LSO again after all these years since the Barbican times must have caused grief as well) The will to finish composing the whole of the Star Wars space opera cycle and maybe (hopefully?) the same wish to appear in these sacred Viennese halls and so "being taken seriously" (see above) are in his and our favour. The "only" things against him and us are time and a busy schedule (both not even of his own choice entirely). Well, let's hope for the best, (our daughter was close,) he is getting better now, and I feel better too, having written this off my chest. Have a better one, ML READY. [] P.S. Now you may let in the shrinks. Jurassic Shark, Ricard, Holko and 4 others 6 1 Link to comment Share on other sites More sharing options...
boscacci 9 Posted October 31, 2018 Share Posted October 31, 2018 On 10/24/2018 at 7:59 PM, Quintus said: Well said. On 10/24/2018 at 7:59 PM, Quintus said: Well said. On 10/17/2018 at 1:17 AM, tmarps said: I'm guilty of StubHub; your story and fear sounds similar to mine. My ticket is from there and although I have had many opportunities to use e-tickets from trusty JWFanners I've gone with my StubHub ticket which looks legitimate! Stalls J Row 6 Seat 42 by the way... If anyone is close to me (or legitimately has this seat..... ) give me a shout!! Looking forward to it Those videos are for the unique occasion many of us had to hear JW music with the LSO. In my case, (almostr) a dream come true. The concert is still resonating in my heart and my memory, but time will wash it out . So, I did just 1 video, the Superman March, that actually is the reason how I discovered this name, John Williams, in 1989... It has been a way to impress forever in my mind that exact moment, just in case in the future I'll think it was a dream. Obviously, I kept the phone apart during the recording and listened carefully at the orchestra. PS. And not so bad, that video came out: good job, IpXsMax Link to comment Share on other sites More sharing options...
fommes 153 Posted November 1, 2018 Share Posted November 1, 2018 Brossé humming during conducting confirmed! Link to comment Share on other sites More sharing options...
Popular Post Thor 7,495 Posted November 2, 2018 Popular Post Share Posted November 2, 2018 My concert report (in English): http://celluloidtunes.no/a-celebration-of-john-williams-london-symphony-orchestra-conducted-by-dirk-brosse/ Ricard, Incanus, mahler3 and 3 others 3 3 Link to comment Share on other sites More sharing options...
Incanus 5,714 Posted November 2, 2018 Share Posted November 2, 2018 56 minutes ago, Thor said: My concert report (in English): http://celluloidtunes.no/a-celebration-of-john-williams-london-symphony-orchestra-conducted-by-dirk-brosse/ A great report Thor! Sums up my sentiments about the evening perfectly. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,265 Posted November 2, 2018 Share Posted November 2, 2018 Nice write-up Thor, thank you. Link to comment Share on other sites More sharing options...
Omen II 1,235 Posted November 2, 2018 Share Posted November 2, 2018 12 hours ago, Thor said: My concert report (in English): http://celluloidtunes.no/a-celebration-of-john-williams-london-symphony-orchestra-conducted-by-dirk-brosse/ Ginette Decuyper, the first violinist who introduced Yoda's Theme, joined the LSO in 1994. mahler3 1 Link to comment Share on other sites More sharing options...
Thor 7,495 Posted November 3, 2018 Share Posted November 3, 2018 1 hour ago, Omen II said: Ginette Decuyper, the first violinist who introduced Yoda's Theme, joined the LSO in 1994. Yeah, I had a feeling she was far too young. Are there any musicians left from 1977? Link to comment Share on other sites More sharing options...
voltisubito 42 Posted November 3, 2018 Share Posted November 3, 2018 2 hours ago, Thor said: Are there any musicians left from 1977? The longest serving LSO members on stage (going by the programme listing) were: Colin Renwick (1st violin) [Tne Empire Strikes Back (1980), Raiders of the Lost Ark (1981)]; Jennifer Brown (cello), Noel Bradshaw (cello) and Patrick Laurence (double bass) [Return of the Jedi (1983)]. mahler3 1 Link to comment Share on other sites More sharing options...
mahler3 478 Posted November 3, 2018 Share Posted November 3, 2018 7 hours ago, Thor said: Yeah, I had a feeling she was far too young. Are there any musicians left from 1977? Lennox MacKenzie retired last month and just missed it by a few years. I recorded a terrific interview with Lenny (the alternative Lenny, as Leonard Bernstein referred to him when working together during the 1986 LSO Bernstein Festival and 1989 Candide recording) during my trip with the LSO to Cologne in 2010. They were there playing the premiere performance of European Filmharmonie's Spielberg & Williams concert package. It was a very emotional time for the orchestra as Maurice Murphy had just passed away days before. Jay 1 Link to comment Share on other sites More sharing options...
Thor 7,495 Posted November 3, 2018 Share Posted November 3, 2018 Thanks for the info. So none from '77, then, but still someone left who performed on Empire and Return. That's pretty cool. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,265 Posted November 3, 2018 Share Posted November 3, 2018 I think it's the first time ive seen the LSO without Maurice Murphy. Link to comment Share on other sites More sharing options...
Omen II 1,235 Posted November 3, 2018 Share Posted November 3, 2018 43 minutes ago, Thor said: Thanks for the info. So none from '77, then, but still someone left who performed on Empire and Return. That's pretty cool. Although the LSO's longest serving musician Colin Renwick was listed in the programme, I am not sure if he was actually in the orchestra on the night. I did not spot him during the concert and cannot see him in any of the photos. I think he joined the LSO in 1978! mahler3 1 Link to comment Share on other sites More sharing options...
davefg 29 Posted November 3, 2018 Share Posted November 3, 2018 Can anyone confirm the rumors that Rachel Portman was in the RAH? I believe someone on FSM saw Thomas Newman. Link to comment Share on other sites More sharing options...
Nick Parker 3,040 Posted November 3, 2018 Share Posted November 3, 2018 15 minutes ago, davefg said: Can anyone confirm the rumors that Rachel Portman was in the RAH? I believe someone on FSM saw Thomas Newman. Thomas Newman was indeed there, even Classic FM pointed it out in their broadcast. No mention of Portman. Link to comment Share on other sites More sharing options...
PetePan 163 Posted November 3, 2018 Share Posted November 3, 2018 On 10/25/2018 at 7:52 PM, JWFanWales said: Why cancel? Anyone know if JJ Abrams is in the UK or filming in the desert? Spielberg in the UK? Today I found out that Spielberg was actually very near by, attending a concert performed by his daughter in Paradiso, Amsterdam... A friend of mine even caught him on camera...😁 Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,265 Posted November 3, 2018 Share Posted November 3, 2018 What? Link to comment Share on other sites More sharing options...
Nick Parker 3,040 Posted November 3, 2018 Share Posted November 3, 2018 I hope people don't take pictures of me when I'm an' about 'cause I might have a passing resemblance to a celebrity. Ricard 1 Link to comment Share on other sites More sharing options...
PetePan 163 Posted November 3, 2018 Share Posted November 3, 2018 23 minutes ago, Stefancos said: What? His daughter performs under the name Buzzy Lee. Her show was on Saturday, so Spielberg would have been able to fly over on Friday... Link to comment Share on other sites More sharing options...
Thor 7,495 Posted November 3, 2018 Share Posted November 3, 2018 Maybe he was there, but that's certainly not him in the picture. And yes, Thomas Newman was at the Williams concert. Mike Matessino posted a picture of the two of them together. Rachel Portman, I don't know anything about. Link to comment Share on other sites More sharing options...
PetePan 163 Posted November 3, 2018 Share Posted November 3, 2018 Spielberg was in Amsterdam on the 27th, 100% sure. People spotted him in a hotel as well. And the tweet is from Erik Luyten, marketing and PR manager at Paradiso. Link to comment Share on other sites More sharing options...
Quintus 5,399 Posted November 3, 2018 Share Posted November 3, 2018 He may well have been there but that defo isn't Spielberg in that photo lol mahler3 1 Link to comment Share on other sites More sharing options...
Disco Stu 15,495 Posted November 3, 2018 Share Posted November 3, 2018 Yeah I was looking at that picture thinking, "what am I missing?" Spielberg ain't in it. Link to comment Share on other sites More sharing options...
crumbs 14,310 Posted November 3, 2018 Share Posted November 3, 2018 Wonder if Spielberg was planning to attend the Vienna concerts, hence being close by on the 27th? Link to comment Share on other sites More sharing options...
Thor 7,495 Posted November 4, 2018 Share Posted November 4, 2018 Close by? London is closer to Amsterdam than Vienna is. Link to comment Share on other sites More sharing options...
crumbs 14,310 Posted November 4, 2018 Share Posted November 4, 2018 Pfft, same continent. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,265 Posted November 4, 2018 Share Posted November 4, 2018 London is spitting distance from Amsterdam. Link to comment Share on other sites More sharing options...
aj_vader 534 Posted November 4, 2018 Share Posted November 4, 2018 Does anyone have a recording of The Imperial March? The trombones are a lot quieter in the Classic FM Broadcast than I remember hearing in the hall. The trumpets are taking over a little too much in that broadcast. Link to comment Share on other sites More sharing options...
St0rMl0rD 155 Posted November 5, 2018 Share Posted November 5, 2018 I'd love to have the recording of the concert, if anyone could share it with me Cheers! Link to comment Share on other sites More sharing options...
Popular Post Disco Stu 15,495 Posted November 5, 2018 Popular Post Share Posted November 5, 2018 Why do you have a username that looks like a password? Did you mix up the fields? crlbrg, bollemanneke and Ricard 1 2 Link to comment Share on other sites More sharing options...
St0rMl0rD 155 Posted November 5, 2018 Share Posted November 5, 2018 2 minutes ago, Disco Stu said: Why do you have a username that looks like a password? Did you mix up the fields? No Link to comment Share on other sites More sharing options...
Chewy 2,388 Posted November 5, 2018 Share Posted November 5, 2018 7 hours ago, St0rMl0rD said: No Ok crlbrg 1 Link to comment Share on other sites More sharing options...
Popular Post rough cut 1,714 Posted November 6, 2018 Popular Post Share Posted November 6, 2018 I wanted to share my thoughts on An Evening with John Williams, the concert given by Dirk Brossé and The London Symphony Orchestra that I had the privilege to attend at The Royal Albert Hall on Friday 26th, 2018. It’s not too technical and where I try to get into musical terminology, I’m almost sure I get it wrong. My impressions of seeing The London Symphony Orchestra perform the music by John Williams were wonderful. Writing about each performance, I can’t help but getting into my feelings about each piece – which might not be wholly dependent of how the music was performed, which was flawlessly, but I am human. It was so sad that John Williams wasn’t there to conduct himself, and I am sure anyone with a ticket felt a pang of grievance that we would miss a wonderful opportunity to see our hero. In the end however, accepting the loss, it turned out to be a spectacular night, nonetheless. Star Wars Main Title It wasn't announced in the program that this would be part of the program, but of course it had to be. I don't know how I didn't see it coming. Was there any other way to open (what would have been) a reunion between John Williams and The London Symphony Orchestra? No, of course not. And what a way to open the show! The LSO hits the audience full force when the musicians strike up that first Bb major chord and I could feel the audience sitting in awe and suspense... We were in for a treat. The piece is played flawlessly throughout. The rebel fanfare stirs something adventurous in us. The strings during Leia's theme soars. Just hearing this iconic cue played by the Orchestra, which were the first to ever record it, was truly an event in itself and I thankful I was there to hear it. Excerpts from Close Encounters of the Third Kind During this track - though still early in the concert - it strikes me just how well the LSO plays. I shouldn't be surprised, I've heard them on CD a million times, and this cue in particular close to a hundred. Yet I can't help but feeling amazed. CE3K was performed better than I have ever heard it before. Harry Potter The LSO performed Hedwig’s Theme, Fawkes the Phoenix and Harry’s Wondrous World. I am not a huge fan of the series, I guess I missed the zeitgeist, and I was never an enraptured Potter fan. I like some cues here and there. I think the score works brilliantly in the movie with some stand out cues. I am happy with the three selections Williams made, I can see that they make sense from what I suppose are some of the most popular cues. Hedwig's Theme is brilliant, though it's too reminiscent of the Main Title from Home Alone, which I think is more compelling and it made me want to hear that instead. Fawkes the Phoenix is beautiful, but too meandering for my taste. I'd rather have heard A Window to The Past from “Azkaban”. Harry's Wondrous World is fine, bringing some much needed energy into the show at this point. End Titles from Dracula I have had the original CD for some time, and find it haunting. I'd come back to it from time to time, but hearing Dracula live opened up the score for me. The LSO performed it hauntingly, with passion and with apt intensity - letting the lurking melody build to a crescendo. I will definitely be returning to the soon-to-be-released "deluxe edition" of the score more frequently. Adventures on Earth from E.T. The Extra-Terrestrial Oh, man, what a treat! If someone would ask me to pick one track that somehow, possibly, could summarize the power, energy and beauty of what the magic of John Williams is, perhaps this would be the one to pick. An epic cue, full of bravado and adventure at one turn, full of sadness and loneliness the next. When the piece reached the crescendo at the end I had the biggest smile, tears in my eyes and a soaring heart as the crowd rewarded the LSO and conductor Dirk Brossé with thunderous applause. Superman March The ostinato that opens the march encapsulates courage, heroism and righteousness to me. It fills me with expectations of greater things to come. It is both enticing and bold at the same time. I wish it could go on forever, but the LSO has no time to waste. They throw themselves in to the bombastic fanfare and I love every second of it. A fantastic performance. Suite from The BFG I totally get some of the hardcore fans wish to see and hear new material performed, and though there are parts of this that I will concede is brilliant, this falls into the Harry Potter-category for me. The melodies doesn't really move me. If it were up to me, and the goal was to choose something from Williams' more recent compositions (that isn't Star Wars related), I'd have chosen something from War Horse or Book Thief, which I consider to have stronger thematic material. However, I am in awe of how the orchestra performs this. It is playful and engaging, and it shows just how versatile and complex Williams can be. Theme from Jurassic Park The classic theme plays almost like a guilty pleasure. It's so familiar, and so good, that you just can't help but smile. In spite of it chilling intro played in minor, the melody turns warm major chords and I realize this is one of Williams' most jubilant themes. It sounds like a call for world peace more than a score accompanying rampaging dinosaurs. It is beautiful. Theme from Schindler’s List During Carmine Lauri soulful playing, there probably isn't a dry eye in the house, and if there were, surely, no hearts were left untouched. The Imperial March Could this be the world's most famous march? Surely of the western world, at least. The march is both catchy, yet dark and ominous at the same time. The strings, backing up the main melody, are stirring and beautiful. The LSO performs it powerfully and vigorously. I remember Williams conducting the march at “The Bowl” in Los Angeles in 2016. Then, the crowd all bought out plastic lightsabers, waving them like conductor’s batons in the air in sync with the music. No such thing happens here but the audience – which have been sitting quietly enraptured for the full program begins subtly to stomp their feet, wordlessly count the rhythms and can’t help but succumbing to humming along. Han Solo & the Princess A cue of controversy! Is the 2018 arrangement better than the original or isn't it? It's a matter of preference, clearly. The new arrangement obviously has qualities of "modern" Williams, entangled with the simple, yet hauntingly beautiful melody, that he composed back in 1980. I haven't heard the new arrangement enough to know it by heart, but it seems to me that Williams was unhappy about the arrangement he did for Charles Gerhardt. Maybe he always thought that it relied too much on Leia's theme, and wanted to give it a more clear-cut identity of his own. If he did, he was not alone. I've often wanted an arrangement without the intrusion of “Leia”, as I think her theme here becomes too imposing, and is too beautiful on its own merits to be included as an interlude. That being said, at the time of writing, I still think that the original concert arrangement is the preferable one, but if that version is now discounted in the composer’s repertoire, I would not substitute the inclusion of its successor for anything. It is a gorgeous. Throne Room & Finale A majestic piece of music. Engaging, complex, yet strong, simple melodies, played beautifully. The Throne Room, with the rebel theme fanfare and the cords playing a staccato rhythm in the background, is completely mesmerizing. It is like the Star Wars Main Title and the ostinato from Superman had a glorious child. When The Force Theme kicks in my heart melts. It is the perfect piece of music for the finale. It is triumphant, and the cheers after the last chord fades out just would not stop. Yoda's Theme I have always have had mixed feelings about this cue. Though I think it is beautiful, I find it a bit too slow in its movements, not really going anywhere. I would put Fawkes the Phoenix in this category too, but Yoda's theme is better, more playful. The melody is clear and persistent, guiding the listener along, leading them to a safe place, a haven of trust put into musical harmonies. But my categorization of the music is irrelevant - it is expertly played and the sweeping melody is charming and heart touching. One cannot fault Williams' composition, his sensibility and talent for composing music that lands straight into our hearts, as if they had always been there, nor how the LSO performed this classic piece of music. Jaws When the low bass tones of the shark theme starts to pump out - very slowly - and then a pause - the audience cheers with excitement! Sitting in the Royal Albert Hall, listening to this, it strikes me what a terrifying piece of music this is. It is like a predator stalking its prey in the opening, and as it progresses it just becomes more and more intense, the melody attacking relentlessly. The percussion echoes a train moving, unstoppable, down a track, leading to sure demise and doom. Speaking of percussion, the performance of Jaws was the only one where I noticed an arrangement that I found just a little "off". The percussion was a bit too loud for my taste. It didn't take away anything from the performance (rather, it opened up for new impressions), it was just unusual to hear it that way. Raiders Theme The concert ends with a crowd pleaser. Brilliantly performed and a fine way to conclude a wonderful night. Full of energy, and you could tell that the orchestra was pleased with how the performance had gone. They played loose and the crowd responded accordingly. It almost felt like this night, which had held 5 000 of us in silent awe, turned into something I could almost liken to a pop concert. The feeling was joyful and unanimous. The applause after it all was ear deafening. As the orchestra, after respectful bows to the audience, retreaded backstage, we - the crowd - reluctantly started shuffling towards the doors. Some with tears still hanging in the corner in their eyes, some whistling a melody from the concert that had just gone by, but all with a smile on their face. In conclusion Throughout the concert, the audience was respectful, attentive and responsive. We were all transfixed by John Williams’ music. It was a wonderful night. I am glad, and feel privileged, that I had the chance to be in London for such a special event, and all my thanks goes out to John Williams, Dirk Brossé and The London Symphony Orchestra for giving me a night I will surely remember for the rest of my life. Ricard, Jay, Incanus and 1 other 2 2 Link to comment Share on other sites More sharing options...
Naïve Old Fart 9,516 Posted November 6, 2018 Share Posted November 6, 2018 On 11/4/2018 at 3:48 AM, Stefancos said: London is spitting distance from Amsterdam. I just tried that. It got as far as my kitchen door. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,265 Posted November 6, 2018 Share Posted November 6, 2018 You're a shite gobber! Link to comment Share on other sites More sharing options...
Popular Post Caliburn 72 Posted November 7, 2018 Popular Post Share Posted November 7, 2018 For who is interested in another read about this amazing concert. Here is my version: https://soundtrackworld.com/2018/11/a-celebration-of-john-williams-london/ Jonny, Ricard, Incanus and 1 other 1 3 Link to comment Share on other sites More sharing options...
Marian Schedenig 8,192 Posted November 9, 2018 Share Posted November 9, 2018 Here's my phone photo from the end of the concert. Perfect capture of Carmine Lauri I'd say... crlbrg and Incanus 2 Link to comment Share on other sites More sharing options...
hagai2003 4 Posted November 10, 2018 Share Posted November 10, 2018 Check out this recording (and video) taken very close to stage, recorded with zoom iq6: https://www.facebook.com/hagaizenberg/videos/10156689776804192/ hope you like it :-) Link to comment Share on other sites More sharing options...
St0rMl0rD 155 Posted November 10, 2018 Share Posted November 10, 2018 11 hours ago, hagai2003 said: Check out this recording (and video) taken very close to stage, recorded with zoom iq6: https://www.facebook.com/hagaizenberg/videos/10156689776804192/ hope you like it 🙂 It says it's not available Link to comment Share on other sites More sharing options...
peanutismint 3 Posted November 10, 2018 Share Posted November 10, 2018 Seeing as it doesn't seem like anyone here actually made a recording that they're willing to share, I'm currently editing my own from the ClassicFM stream. It's missing the last song though (Raiders) unfortunately so if anyone has a recording of it please let me know 🙂 Link to comment Share on other sites More sharing options...
hagai2003 4 Posted November 11, 2018 Share Posted November 11, 2018 sorry, here is the right link for the video from the concert... have fun 🙂 Link to comment Share on other sites More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now